An Raıbh Tú Ag An gCarraıg?

“Were you at the rock?” A red-headed lass with a horn stands watch for others at a mass rock – a stone in a remote location for Catholic worship, made necessary by a Penal law of 1695 which forbade the religious practice of Catholicism and “dissenter” forms of Protestantism (that is, anything other than Anglicism) (source). The harp, with a “cap of liberty” rather than a crown (WP), together the slogan “Equality – It is new strung and it shall be heard” is the emblem of the Society of United Irishmen (WP). On the other side of the mural (seen below) linen lies in the fields bleaching and a farmer and wife plough the land with a team of horses and distribute seed.

Glenbawn Avenue, west Belfast

Click image to enlarge
Copyright © 2022 Paddy Duffy
T01512

A Risen People

“Beware of a risen people” (or “beware the risen people”) comes from Patrick Pearse’s The Rebel: “And I say to my people’s masters: Beware/Beware of the thing that is coming, beware of the risen people/Who shall take what ye would not give.” The slogan dates back to at least 1987 on this wall (see M00511 and M00600 from 1998).

Carol Ann Kelly, aged 12, was hit by a plastic bullet fired by the Royal Fusiliers on May 19th, 1981, in Twinbrook, and died on the 22nd – one of seven people to die in the summer of 1981 (They Kill Children).

There was previously a mural to Carol Ann in Twinbrook: M01630.

Click image to enlarge
Copyright © 2022 Paddy Duffy
T01519 T01521 T01520 Come away o human child to the waters and the wild with a faery hand in hand for the world’s more full of weeping then you can understand

Pride Of Glencolin

Glencolin estate was built next to Moyard House (which in 1984 became home to the Roddy’s (web)) on the Glen Road in 1979 (Belfast Forums). For the fortieth anniversary of “eastát Ghleann Collaınn” the mural at the entrance to the estate was (belatedly) repainted. The composition of the mural remains as in the previous version, with the Roddy’s and Oliver Plunkett church in the shadow of Dubhaıs and Slıabh Dubh; they are now joined by images of Gaelic games. The Bobby Sands quote has been removed.

Click image to enlarge
Copyright © 2022 Paddy Duffy
T01499

Free The Innocent

The (colour) RNU phoenix and the Craigavon 2 “Free The Innocent” tarp have been joined by a Cogús fist grasping a strand of barbed wire – Cogús (Fb) is (was?) the prisoners’ welfare arm of the RNU.

Northumberland Street, west Belfast

Click image to enlarge
Copyright © 2022 Paddy Duffy
T01455

105 Years Of Balfour

“Britain in Palestine & Ireland” The Balfour Declaration of November 1917 is seen as a pivotal moment in the history leading to the what is formally known as the State Of Israel, as it made the UK the first major government to endorse the idea of a homeland for Jews (WP).

This board on Northumberland Street draws parallels between Ireland and Palestine: homelands partitioned for British imperialist interests, struggles for freedom met with British barbarism … forbidden from speaking their native tongue, faiths outlawed … . About 650 former RIC members were recruited to the “British Gendarmarie” that would police what was called “Mandatory Palestine” (Palestine Studies | Irish History) after WWI.

The League Of Nations mandate putting the UK in change of the Palestinian territory was replaced (in 1947) by a UN plan for partition, which triggered an internal war between Jews and Arabs, and when the UK ended the mandate and evacuated from Palestine in May 1948, Israel declared independence and neighbouring Arab states entered the conflict. About 700,000 Arabs were displaced during the fighting. Key48 (tw) advocates for the right of return and uses as a symbol the keys that householders took with them when they fled.

Click image to enlarge
Copyright © 2022 Paddy Duffy
T01454

Battle Of The Falls

Four people were killed in the course of The Falls Curfew, the 36 hours from July 3rd to 5th in 1970 during which 3,000 houses on the lower Falls were cordoned off after a weapons search of the area devolved into a riot. The curfew ended with a march of women and children from Andersonstown bearing relief (represented in Falls Curfew 1970).

The information in the centre of the board includes an augmented version of the Wikipedia infobox on the event. Erected in the spot previously reserved by “the Official Republican Movement”.

Click image to enlarge
Copyright © 2022 Paddy Duffy
T01453

Faces Of Death

The ‘Hidden Treasure’ wild-style writing that in 2004 replaced the UDA C company mural from the Johnny Adair era on Beverley Street has itself now been partially replaced with the paintings (by emic) of soldiers from the Shankill killed during WWI that were previously exhibited in the Shankill graveyard.

For more on the Shankill-Falls “peace” line and the early graffiti art that was used to re-image it, see Visual History 10 – Re-Imaging.

Click image to enlarge
Copyright © 2022 Paddy Duffy
T01451 T01452

Band Of Brothers

This board has a dual purpose. On the one hand, it was part of celebrations marking the 75th anniversary of the Battle Of Britain, which was waged from July to October in 1940. On the other, it is part of an anti-racism project, celebrating in particular the contributions to the Battle made by roughly 145 Polish aviators (WP) and especially the 303 squadron: “The Polish nation – part of us then, part of us now”. The 303 was later stationed in Northern Ireland for a time. (BBC-NI)

The artist is Ross Wilson. The colour version of the central photograph is available at the Housing Executive’s write-up of the project. Other reports: Belfast Live | NewsLetter

This is the second copy of this board – the first was damaged by an arson attack in 2018.

Click image to enlarge
Copyright © 2022 Paddy Duffy
[T01449] T01450

Sailortown Dockers

This is a mural of a painting of a mural of a mural. The original is the piece by Terry Bradley (web) and Friz (web) at the Titanic museum’s pub (see Dockers’ Rest), which was then reproduced in a different colour for the opening montage of the Kenneth Branagh film Belfast. The success of the film prompted the Department Of Justice to commission Bradley for a painting that could be turned into a mural and he reproduced the film version (BelTel). The mural that enlarges that painting was painted by DMC on Lanark Way, just above the security gates (Belfast Live).

“The dockers who feature in the painting are inspired by real characters and men Terry remembers walking home from the shipyard when he was a child. These hardworking men from Sailortown, Belfast, show a glimpse into the past of the shipyard pubs, where the men congregated after a hard day’s work.”

With support from R-City (web).

Click image to enlarge
Copyright © 2022 Paddy Duffy
[T01442] T01443 T01444 [T01445] T01446