The galleries below provide a quick way to view the more than 7,000 images added to Paddy’s collection so far. Write-ups with descriptions and background information for many individual images are also available – click on each image in the galleries for individual entries or use the search tools in the side-bar on the right (or simply keep scrolling).
The lyric, “With hatchets and hammers, Stanley knives and spanners, [we’ll show the bastards how to fight]” comes from a Linfield FC song (youtube | lyrics only). The team won the 2024-2025 (Northern) Irish Premiership league title in April, coasting to an easy win before the split (the final five games against the other top six teams) and thus secured their 57th league title – hence the emblem in the shape of a Heinz (ketchup) label at the centre of the banner above.
Linfield have two matches remaining in the 2025-2026 campaign, against Coleraine and Cliftonville, but are currently in fourth place and out of the running to be champions.
On the railings outside the Rangers’ Supporters’ Club on the upper Shankill Road.
This is one of at least three murals painted by Becky Gilmour (ig) as she skated-boarded the 2,700 kilometres of the Wild Atlantic Way in order to raise mental-health awareness and money for the Samaritans (Donegal Daily).
The wall is notable for the wild-style writing and other art painted on the Shankill side – including this paste-up by Leo Boyd (web) – but the wall itself, at 30+ feet tall, is the main draw, and tourists sign their names (and patronising slogans) on top of the art.
This entry updates 2022’s They Said We’d Never Last, showing the space where previously there were four panels of historical photographs from the Ulster Volunteer Force flute band.
For the John Singer Sargent painting in the bottom-left corner of the wall, see Observe The Sons Of Ulster.
St Leonard’s Crescent/(old) Newcastle Street, east Belfast
At its peak, the Harland & Wolff shipyard employed 35,000 people (IndustriAll) and the flat-capped worker became a symbol of east Belfast, along – much later – with Samson and Goliath, the two gantry cranes at the shipyard that were raised in 1974 and 1969 (WP) and which have become the symbol of Belfast.
The silhouetted workers and cranes are on a mobile office in Fraser Pass, Newtownards Road, Belfast, at the end of the Pitt Stop next to the Belfast Bikes racks.
St James’s Swifts (web) are a west Belfast club playing intermediate level soccer with Donegal Celtic Park on the Suffolk Road as a home ground.
The three pieces shown here are in St James’s Crescent, at the Park Centre on Donegall Road, and St James’s Road. The mural in progress (shown last) is in St Katherine’s Road
Here are three banners/posters spotted along the Falls Road during the Easter Rising parade on April 5th:
Above: “Sainsbury’s supports Israel! Don’t shop there. Easter Sat 4th [April, 2026].” For background see the post and reel on the BDS Belfast Fb page.
Below: “U.S. military not welcome in Ireland! Not in Shannon, not in Aldergrove.” For background, see Al-Jazeera | ShannonWatch. April 13th: a person was arrested for taking a hatchet to a C-120 Hercules (Democracy Now).
Last below: “PSNI target Catholics at much higher rate for stop-and-search. Source: PSNI stop-and-search data. Do not join the RUC/PSNI. Same aim, different name. IRSP [web] – the party of Connolly & Costello.” The data in question might be from the 2020-2021 period (PSNI | TheDetail) as the current (2025) data do not appear to report on sectional identification.
“100 years. Lıle na Cásca. Wear your Easter lily with pride. Tabhaır ómós do laochra na hÉıreann. [Pay respect to Ireland’s warriors]”
Shown here are Sınn Féın (web) and Lasaır Dhearg (web) invocations to commemorate the 1916 Easter Rising. The lily as a symbol of the 1916 Easter Rising was introduced by Cumann Na mBan in 1926 as a fund-raising device. For a history and vintage posters from across the century, see An Phoblacht.
This is a new information board below the Ballymurphy Massacre board at the Glenalina Road corner with the Whiterock Road.
The first panel (on the left) reads, “On Monday 9th of August 1971 Internment Without Trial was introduced by the British Government. The policy was directed and implemented by the British Army with the stated aim to “shock and stun the civilian population”. Between 9th and 11th of August 1971 eleven people were killed in the Ballymurphy area of west Belfast. All eleven were murdered by the British Army’s Parachute Regiment. All eleven were unarmed civilians. One of the dead was a parish priest and another the mother of eight children. Fifty-seven children were left without a parent. There was No proper criminal investigation. The Royal military police were assigned as sole investigators. Not one member of the British Army was held to account. It is believed that had justice been administered and those held to account charged, the events of Bloody Sunday would not have happened.”
The remaining panels give a day-by-day account of the eleven deaths, of Father Hugh Mullan, Frank Quinn, Noel Philips, Joan Connolly, Danny Teggart, Joseph Murphy, Eddie Doherty, Joseph Laverty, Joseph Corr, Paddy McCarthy, John McKerr.
Here is a gallery of images from the nineteen new pieces of art around the perimeter of Grand Central station at Durham Street and Grosvenor Road, called “When Walls Speak Welcome”. Commissioned by @translinkni@daisychaininc and @emicartist
Durham Street/Grosvenor Road junction: 11 Nature – Kerrie Hanna (web) 12 Let’s Go – Lost Lines (ig) 13 Flamingo – Imogen Donegan (ig) 14 Blossoms – Alexandra (ig) [gate]
Grosvenor Road: 15 Floating Guy – Jam2 (ig) 16 Cockerel – Ana Fish (web) [gate] 17 Tandem Bicyclists – David McMillan (web) 18 “Nocturne Flow” – Karl Fenz (web) and Rob Hilken (web) 19 So Glad You’re Here – HMC (web) and Danni Simpson (web)