“Leanna An Dúın – Beıdh sıad ın ár gcuımhne choíche.” Local female IRA volunteers Laura Crawford, Patricia Black, Bridie Quinn, Maıréad Farrell and a generic female volunteer with assault rifle on manoeuvres in an Irish landscape strewn with standing stones.
Signed by “Lenadoon Youth 2000”. Glenveagh Drive, Lenadoon, Belfast
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Copyright © 2000 Paddy Duffy (no date given)
T00337 [T00379]
The dying Cú Chulaınn and the Blessed Virgin Mary make an odd pairing in this Ligoniel memorial garden to locals who died during the Troubles. Cú Chulaınn is typically used to memorialise paramilitary volunteers (see the Visual History page) but the plaque does not mention volunteers and the statuary suggests prayer rather than a final salute as a fitting form of remembrance.
The plaque in the centre, which was previously at the crux of a Celtic Cross mural, reads “I ndıl chuımhne [in fond memory]. This plaque is dedicated to the memory of all those from Ligoniel who lost their lives as a result of the conflict in our country. A Mhuıre banríon na nGael guıgh orthu [Mary, queen of the Gael, pray for them]”
The other mural in the yard is a greatly re-designed presentation of Éıre, taking up the whole wall, and replacing the Maid Of Erin harp with Érıu, the mythological queen of Ireland/Éıre, as designed by (or at least, in the style of) Richard J King/Rísteard Ó Cíonga. (Also seen in the Short Strand.)
Millview Court, Ligoniel, north Belfast
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Copyright © 2000 Paddy Duffy
T00329rc T00787
Three panels portraying the importance of women to the republican movement, though the first seems to be a generic ‘mother and son’ image.
The second shows Molly Childers and Mary Spring Rice aboard the yacht, Asgard, with about 900 of the 1,500 rifles that were smuggled into Ireland on two boats. Asgard docked at Howth on July 26th, 1914; the other rifles eventually came ashore two weeks later at Kilcoole. (Here is a tcd.ie collection of images of Asgard’s journey; image #53 is the one reproduced in the mural. Rice kept a diary of the trip; extracts are included in this RTÉ History Show video. See this RTÉ article for an account of their tortured journey.) The off-loading took place during the day but when the police and army met the marching volunteers at Clontarf they were able to capture only 19 rifles. As the army regiment involved returned to barracks it was pelted with stones or fruit by a crowd and killed three (with a fourth dying a week later). The vintage Mauser rifles were received by members of Óglaıgh Na hÉıreann and Na Fıanna Éıreann.
The final panel shows Colman Doyle’s famous ?1973? image of a (staged) female IRA volunteer with AR-18.
“Commissioned by Links Women’s Group”, “by Síle Na Gig” (who did the Children Of Lear mural in Rockville Street).
South Link, Andersonstown, west Belfast
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Copyright © 1999 Paddy Duffy
T00341
Sean Doran’s art for the cover of the programme for the 1998 Ardoyne Fleadh Cheoıl (Fb) was also produced on a large board in Ardoyne Avenue, north Belfast.
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Copyright © 1998 Paddy Duffy
T00313
A collage of image from the previous 30 years, including banging bin-lids on the ground, Maıréad Farrell in Armagh prison, men on the blanket, the cages of Long Kesh, marches in support of the hunger strikers, and reproductions of various posters, against Margaret Thatcher, plastic bullets, internment, and censorship. There’s a quote from Bob Dylan in the middle, “How many times can a man turn his head and pretend that he just doesn’t see – the answer, my friend, is blowing in the wind, the answer is blowing in the wind.”
Ludlow Square, New Lodge, north Belfast
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Copyright © 1997 or 1998 Paddy Duffy
T00292 [T00310]
There are two unusual features of this UVF mural in Monkstown: the six volunteers are unmasked – so, this is not a “hooded gunman” mural – and two of the volunteers – the pair in the centre carrying, though not aiming, Uzis – are female. As far as we know, this is the only PUL mural showing armed females. (See the Visual History page on women in murals and muraling.)
The records of this mural are contradictory – this image in the Paddy Duffy Collection is dated April, 1997; other, less reliable, sources give 1999 as the date of its creation and say it was plastered over in 1996 (Xitter). All of this confusion, and its limited appearance in the various collections, suggests that this was a short-lived mural, perhaps because the Uzis, assault rifles, and RPG were being brandished next to Hollybank primary school.
Hollybank Park, Monkstown, Newtownabbey
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Copyright © 1997 Paddy Duffy
T00230
“Saoırse” [freedom]. Both male and female prisoners of war are represented in this mural: by the male and female faces — the male above the silhouette of Long Kesh, the female behind bars (presumably of Armagh prison) – and by the (formerly astrological) symbols for male (Mars) and female (Venus). The mural is signed (top left): “G[erard Mo Chara] Kelly 95″.
Kinallen Court, Ormeau, south Belfast
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Copyright © 1996 Paddy Duffy
T00195
Text would later be added along the bottom reading, “This mural is dedicated to the Women of Cumann Na mBan, Óglaıgh Na hÉıreann & Sınn Féın.” Image “from R[uth] Taillon’s book The Women Of 1916.” Taillon is a Canadian who moved to Belfast in 1980 and has been doing work with the women’s movement in the north and on women’s history – see NVTv.
Hawthorn Street, west Belfast. There was also a mural on the low wall to the left – see The Soldiers Of Cumann Na mBan.
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Copyright © 1996 Paddy Duffy
T00193
Both of these murals by Mo Chara Kelly in the old Linden Street remained unfinished. “I was doing one about the Falls Curfew [for the 20th anniversary march – shown above]. … It never got finished because we had to start Women Against Oppression. When you’re available, people just came up to you, “Mo Chara, we need a mural on this. Could you stop that one? We need to do this one. There’s a Nelson Mandela one needs doing, could you do that?” Everything was chopped and changed all the time, and I never got back to it.” (Painting My Community/An Pobal A Phéınteáıl – English-language version available for free)
The second shows a barefoot woman carrying a large Tricolour and a lark overhead. It is based on the Women’s Day (“Frauen Tag”) poster from 1914. “Heraus mit dem Frauenwahlrecht” – “Forward with women’s suffrage”. German women were given the right to vote in 1918. This mural was replaced by Women Against Oppression.
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Copyright © 1990 Paddy Duffy
T00090 T00096
These two murals are side-by-side in Craven Street. On the right, a farmer’s wife defends the farm (the stone wall) in order to preserve it as part of the UK (the Union Flag) despite the threat of Home Rule; on the left, “in proud and loving memory” of three UVF volunteers assassinated by the IRA: Shankill Butcher Lenny Murphy, John Bingham, and William “Frenchie” Marchant. “Lest we forget.”
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Copyright © 1988 Paddy Duffy
T00198 T00117
Paddy Duffy Collection 