The first time that the horseless carriage was used in a military operation was the Ulster Volunteers’ “Larne Gunrunning” of April 1914. By this time, there are thought to have been 350 vehicles in the Corps (Angelsey). It’s not clear whether the cars were later used by the 36th (Ulster) Division – please comment/get in touch if you can shed light on this. (For Spencer’s quote on the left, see I am not an Ulsterman.) The plaque is to (modern) UVF volunteer ‘Squeak’ Seymour.
Bunscoıl Mhıc Reachtaın (McCracken Primary) is an Irish-language school named after the famous Belfast family and in particular after Mary Anne McCracken, who was a campaigner in the 1800s for the education of children both male and female (among with many other causes – see previously the post on the bust of Mary Anne in Carrick Hill, opposite Clifton House: The World Affords No Enjoyment Equal To That Of Promoting The Happiness Of Others.
The bunscoil opened in 1999 in the New Lodge, before moving to its current location (and site of this mural) in Lancaster Street (Naíscoıl Mhıc Reachtaın). (Lancaster Street is itself named after the controversial Quaker educator, Joseph Lancaster (WP) – Joe Baker p. 72.) According to an Irish News report in 2020 on Irish-language schools, the bunscoıl at that time, at least, had more pupils than its approved maximum.
The school borrows from the teaching philosophy of Patrick Pearse (Belfast Media), discussed previously in connection with Coláıste Feırste in An Tusa An Chéad Laoch Eıle?
“Time changes! But the sacrifice remains the same.” The board shows, in black and white, a WWI soldier, who is comforting another solider, in modern gear and in colour. The emblems of the 36th (Ulster) division and Royal Irish Rifles are also shown. Sponsored by the EU and the Cosy Somme Association. This is a repainted version of the original (late 2013) board which had faded badly.
The 36th (Ulster) Division Memorial Association (Fb) put on a play called From The Shipyard To The Somme (Fb | watch on youtube) in Connswater Community Centre in 2013. It follows a group of men from east Belfast who joined the Ulster Volunteers in Belfast but are now training at Abercorn barracks in Ballykinlar (later an internment camp) as members of the 36th Division, before going to the Battle Of The Somme in France.
Belfast – with one tenth of the population – provided about a third of the Irish soldier to participate in WWI. In the shipyards, Harland & Wolff responded to the slow-down in production not by putting everyone on short time but by letting go of employees, particularly unskilled employees, for whom the wages of soldiering were competitive (particularly if married), while skilled men were reclassified as “munitions workers” needed to fulfill war contracts (History Ireland | Long Kesh Inside Out).
The local New Lodge GAA club Cumman An Phıarsaıgh is named in honour of Patrick Pearse, executed after the 1916 rising. The club’s new mural features footballers contesting a ball and Pearse’s image appears at the centre of a Celtic cross along with part of his 1912 poem Mıse Éıre in the bottom corner (shown below in a close-up). Painted by Lucas Quigley and Michael Doherty. Replaces ‘New Lodge 2000‘.
Mıse Éıre: Sıne mé na an Chaılleach Bhéarra. Mór mo ghlóır: Mé a rug Cú Chulaınn croga. Mór mo náır: Mo chlann féın a dhíol a máthaır. [Mór mo phıan: Bıthnaımhde do mo shíorchıapadh. Mór mo bhrón: D’éag an dream ınar chuıreas dóchas.] Mıse Éıre: Uaıgní mé ná an Chaılleach Bhéarra.
I am Ireland: I am older than the old woman of Beare. Great my glory: I who bore Cuchulainn, the brave. Great my shame: My own children who sold their mother. [Great my pain: My irreconcilable enemy who harasses me continually. Great my sorrow: That crowd, in whom I placed my trust, died.] I am Ireland: I am lonelier than the old woman of Beare.
Two types of mourner at the grave of a fallen WWI soldier: on the left, comrades in arms; on the right, members of the family they left behind.
Work on the mural began in December, 2021, but progress seems to have stalled. One of the bayonets is in outline as is the giant poppy overheard. The effect is that the scene seems to be taking place under the stars.
The ‘Eileen Hickey Irish Republican History Museum‘ — which is across the street from this mural and behind the Conway Mill — is named for Eileen Hickey, a Provisional IRA member who served time in Armagh prison; she died in 2006, one year before the opening of the museum (obituary at An Phoblacht).
Next to the opening hours is an image of a prison cell in the Armagh women’s prison. The museum itself contains a cell door and a bed from the prison.
Fáılte Feırste Thıar‘s second mural (the first is outside its offices in the middle Falls – see Fáılte Feırste Thıar) reinforces the claim that (republican) west Belfast begins as soon as you cross the motorway, five minutes’ walk from the city centre. Coıste’s tour of republican murals begins at Divis Tower and the new mural already seems to be drawing tourists – see the final image, below. The previous Coıste mural (M04900) has been deleted and incorporated into the mural, promising tourists “a unique walking tour by former political prisoners”.
The mural is a mix of landmarks – the new Raıdıó Fáılte building (which is located just below the mural), Divis tower, St Peter’s, Conway Mill, the “international wall” of murals, the Bobby Sands mural, the Falls library, the new James Connolly centre, Cultúrlann, and Milltown cemetery – cultural images (Irish dancing and Féıle An Phobaıl) – and sporting images (clubs include Immaculata ABC, Gort Na Móna GAC, St Paul’s GAC). A gay pride ‘rainbow’ stripe runs below the Divis Street portion. Before the previous mural was painted (M07533), there was a Gateway To Belfast board at this spot.
Lıú Lúnasa is an Irish language festival. The board above shows rocks taken from the wall separating Palestine and Israel being used to build a gaelscoıl (an Irish-language school). The mural was painted by Jımí Mac Fhlannchadha.
Paddy Duffy Collection 