Twenty-five victims of five “Shankill atrocities” – at the Four Step Inn, the Balmoral Furniture Store, Mountainview Bar, Bayardo Bar, and (from the 1990s) Frizzell’s fish shop – are remembered in an updated board in Dundee Street. The central image remains 17-month-old Colin Nichol in the arms of ambulance man Bob Scott.
“30 years of indiscriminate slaughter by so-called non-sectarian Irish freedom fighters. Provisional Sinn Fein demands “equality/respect/integrity”. No military targets! No economic targets! No legitimate targets! No enquiries! No truth! No justice! Where is the “equality” in justice? Where is the “respect” for Protestants? Where is the “integrity” in murder? We remember the victims of Provisional Sinn Fein genocide.”
London street artist Dan Kitchener’s (web | ig) piece “Hope” features a Tokyo landscapes behind a geisha. “The wall is dedicated to Sandra – サンドラ. Sandra McCurry worked and owned Mikala’s Kitchen on The Shankill Road, Sandra worked tirelessly for the local community and sadly passed away” (Belfast Walking Tours Fb).
The geisha has (bizarrely) been situated above “Conor’s Corner”, where William Conor has been rendered in bronze by sculptor Holger Lönze and placed among a number of Conor’s paintings. (For images of the sculpture in progress, see Lönze’s site and the project’s Facebook page.) Connor (later Conor) was born in the Old Lodge area of Belfast (in 1881) close to the location of the new bronze statue shown in these images, which is at the corner of Northumberland Street and Shankill Road, replacing the UVF/Shankill Protestant Boys mural (see M02457).
The info board describes his methods in capturing the Belfast street scenes for which he is most famous: “Conor was developing a spontaneous drawing technique by recording quick impressions, and it soon became a habit for him to go out into the streets with a newspaper, which contained loose leaves from his sketchbook. When he saw anything of interest he leant against a lap post or wall, took out his newspaper as though he were simply reading the sports results and sketched away.”
The mural is a version of the old Beverley Street ‘welcome’ mural (by Blaze FX), with the same four panels (parades/bonfire, blitz, sports, murals) and the same three hands. But instead of “Proud, Defiant, Welcoming” we now have “Proud, Resilient, Welcoming”. (I Am Not Resilient in the lower Shankill complains that the word is used to justify neglect and/or maltreatment.)
It escaped no one’s notice that, although the number of languages expressing a greeting is now much greater than the original ten, Irish is not included among them. Also Ulstèr Scots. (Also French, for some reason. Polish is included – “Witamy”). (See similarly “No Irish” in the lower Shankill estate but also All Flags Are Welcome in Divis, which omitted the Union Flag.)
Despite the appearance of bricks, the main panel is not in fact a mural but a board.
Gardiner Street. For the previous mural, see Welcome To The Shankill. Held over from the old mural are the two strips of ‘famous faces’ on the left and right.
“In proud and loving memory of all local volunteers, prisoners of war, republican activists and the unsung heroes who died of natural causes having served the cause of Irish republicanism [“sean óglach” on the individual plaques]. Together in unity you formed a bond which gave true meaning to the undefeated risen people. Your deeds of bravery and resistance will never be forgotten by the people of greater St. James’s. In your honour the quest for Irish freedom continues.” With the famous “our steps will be onward” quote from Máıre Drumm at an anti-internment rally in Dunville Park on 10th August, 1975 (RN). Coıste Cuımhneacháın Lár Na bhFál/Ard Na bhFeá [Memorial committee of mid-Falls/Beechmount]. For some more of the plaques, see The Unsung Heroes.
The board on the gable to the side shows Francis Liggett and Paddy Brady. IRA volunteer Francis Liggett was shot dead by the British Army during an attempted armed robbery at Royal Victoria Hospital, Falls Road in 1973 (Sutton) while local Sınn Féın member Paddy Brady was shot by the UFF while at work in 1984 (Sutton | An Phoblacht). They are commemorated in the St James memorial garden with the board shown above, featuring two verses from Bobby Sands’s poem Weeping Winds: Oh, Whispering [Whistling, in the original] winds why do you weep/When roaming free you are, Oh! Is it that your poor heart’s broke/And scattered off afar? Or is it that you bear the cries/Of people born unfree, Who like your way have no control/Or sovereign destiny? Oh! Lonely winds that stalk [walk] the night/To haunt the sinner’s soul/ Pray pity me a wretched lad/Who never will grow old. Pray pity those who lie in pain/The bondsman and the slave And whisper sweet the breath of God/Upon my humble grave.
The board is similar in design to the painted one it replaces, except that Éıre was at the centre rather than the “SF” logo.
As a player, the Dublin-born Patrick O’Connell started with Belfast Celtic before moving on to various English and Scottish clubs, including a period at Manchester United at the time of WWI. He then went on to manage a string of Spanish clubs. As manager (“Don Patricio”) of Barcelona during the Spanish civil war, he accompanied the club on their tour of Mexico and the United States. The money from the tour saved the club from bankruptcy but 12 of the 16 players went into exile in Mexico and France. (WP) Barcelona returns to the US this month (2015-07) for games against the LA Galaxy, Manchester United, and Chelsea. (FCBarcelona)
The newspaper in the mural above crams all of this news onto one page: “Civil war erupts in Spain – Barcelona bombed”, “Football suspended – President [of FC Barcelona] Josep Sunyol assassinated” [by Franco’s troops] (WP); “Irishman O’Connell takes players on tour – FC Barcelona saved from extinction”; “Funds lodged in Switzerland”. In the bottom left-hand corner of the newspaper is Robert Capa’s famous photograph of ‘The Falling Soldier’, purporting to show a Republican soldier at the very moment he is struck by a bullet and dies. The image is now thought to have been staged (WP).
The player on the right is Lionel Messi. The Argentinian forward is shown in front of the Spanish League cup, which Barcelona won in the year the mural was painted (2014-2015) with a goal from “La Pulga” (“the flea”) – Messi is 5’7″ but four-time world player of the year.
The stands of three football stadiums are shown in the background: Belfast Celtic’s Celtic Park (“Paradise”), Manchester United’s Old Trafford, and Barcelona’s Camp Nou. The Old Trafford stands bear the emblems of the teams Patrick O’Connell played for and managed: Liffey Wanderers (whose shirt is also featured, on the left), Sheffield Wednesday, Hull City (The Tigers), Manchester United, Dumbarton, Real Racing Club de Santander, Real Oviedo, and Real Betis Balompié (also shirt on the right).
“The first blanketman”. IRA prisoner Kieran Nugent is reputed to have said – upon being imprisoned after the removal of Special Category status in 1976 – “I’m not a criminal – the Brits will have to nail prison clothes to my back.”
The six weeks from July 8th to August 20th 1981 saw the death of six hunger strikers – McDonnell, Hurson, Lynch, Doherty, McElwee, and Devine – adding to the four who began in March and died in May. All ten, along with Michael Gaughan and Frank Stagg from 1974 and 1976, are remembered in this recent board in Rockmore Road.
To the left is a 1916 centenary board “Ag fíorú na poblachta”/“Realising the republic” – also seen in South Link and in Rockmount Street.
On the far left is a board from Republican Network For Unity (RNU)’s Cogús committee in support of “Attempted criminalisation of republican prisoners is alive and well”, “Republican prisoner welfare and support”: “End controlled movement, forced strip searches. now.”
Érıu/Éıre of the Tuatha Dé Danann, queen of Ireland, (as depicted by Richard J King) is at the centre of various representations of republican women. Along the top are Ann Devlin, Betsy Gray, Mary Ann McCracken, Countess Markievicz, Nora Connolly?, and Winifred Carney. Suffragettes, the modern IRA, and Cumman Na mBan are depicted, as are Máıre Drumm at the Falls Curfew, Tom McElwee’s sisters carrying his coffin, and Molly Childers and Mary Spring Rice running guns on the Asgard. There is also an unusual ‘four provinces’ in the corners.
The wide shot (below) shows the James Connolly mural below and the 1916 centenary board above – also seen in South Link: Ag fíorú na poblachta/“Realising the republic”.
“Sheas sıad le chéıle” [They stood together] – the New Barnsley memorial garden commemorates (on the large plaque) “Volunteers From The Greater New Barnsley Area” and (on the smaller one) commemorating support from the community.
The wrought-iron gates depict a phoenix and “Óglaıgh Na hÉıreann”.
The “Craigavon 2” are Brendan McConville and John-Paul Wootton; they were convicted of the 2009 murder of PSNI constable Stephen Carroll. The “set up by MI5” and/or “appeals sabotaged” on the RNU board shown above is a reference to the claim that MI5 agent Dennis McFadden had infiltrated the campaign for justice for Brendan McConville (Irish News).
Paddy Duffy Collection 