The first printing press in Belfast belonged to James Blow and his brother-in-law Patrick Neil in 1694 (DIB | Dublin Penny Journal gives 1696 | Mary Lowry Story Of Belfast gives 1690); a run of 8,000 Bibles is said to have been printed in 1751, one of which is part of the Linen Hall Library’s collection on Early Ulster Printing (RASCAL).
In 1895, Carswell & Sons opened a print-works and book-binders in a warehouse running with frontage in Queen Street and a rear in College Court (the building is now a bingo hall – see Kelly’s Eyes) which is currently being renovated as an office block (Bel Tel) – some of the scaffolding in College Cour can be seen in the later images in We Built This, the street art festival for International Women’s Day, 2023.
To complement those festival pieces, the mouth of College Court has been given a make-over, with work by Peachzz (ig) (above) and lettering by Woskerski (ig) that both draw on the street’s association with printing. If you know who did the “bookbinding” piece, please get in touch.
Previously on either side of College Court there were two pieces by Friz: Fox and Hare.
The bonus image, of a man leaning against the newsagent’s wall, is on the corner with Castle Street.
Here are three new pieces above the security gates on Northumberland Street, coving over the “Deserted! Well, We Can Stand Alone” graffiti in the last remaining spot on the wall without a mural. From left to right:
Arthur Guinness: “Black Protestant Porter” as a description of Guinness stems from Arthur Guinness’s opposition to the 1798 rebellion (Indo). The Union Star (newspaper in Belfast – A Planet Of Light And Heat) called Guinness a spy and advised that “United Irishmen will be cautious of dealing with any publican who sells his drink.” (An Phoblacht).
Gusty Spence, a former commander of the UVF, read out the ceasefire statement of the “Combined Loyalist Military Command” (UVF, RHC, and UDA): “Let us firmly resolve to respect our different views of freedom, culture and aspiration and never again permit our political circumstances to degenerate into bloody warfare – Gusty Spence, loyalist ceasefire [statement in full], 13 October, 1994.”
“Welcome To The Shankill Road – we are proud, resilient, welcoming”: The original ‘three hands’ was on Northumberland Street, just above this spot – see Proud, Defiant, Welcoming – which was then reproduced in reduced form in Gardiner Street – see Welcome To The Shankill Road.
This is the most conciliatory statement ever made by loyalism and the decision to put it on Northumberland Street, especially in the context of the internationally famous and associated-with-Ireland Guinness and the “welcome” mural, suggests that the trio is directed at tourists rather than locals.
When this mural of Northern Ireland players from Killyleagh was originally painted in 2006 it featured only three players:
– Hugh Davey, from Shrigley, five caps for “Ireland” (that is, for the IFA team) from “1925-1928” (NI Football)
– Terry Cochrane, 26 caps for Nothern Ireland from “1975-1984”; he played in the ’82 World Cup qualifiers but was injured for the tournament itself (NI Football)
A space and a question-mark were left at the bottom of the rainbow for future stars, in particular for then-seventeen-year-old up-and-comer Trevor Carson (Glasgow Times) who indeed went on to win his first (senior) cap in 2018 and currently has eight in total. He was added to the mural in 2021 (tw).
Braeside Gardens/Frederick Street, Killyleagh. Carson’s mother lives in the estate (Sunderland Echo).
Here is a gallery of UVF stencils and boards in the Westwinds estate. Despite being in Newtownards, the UVF here is allied with the East Belfast brigade, rather than the North Down brigade – see Belfast Live for background.
Jon “Ugg” Clifford died in 2011, having founded Tristar Boys FC (web) in 1974. Bull Park in Creggan has been renamed in his honour and this portrait on boards has been mounted next to the park.
This piece was originally launched in 2014 and is now much the worse for wear. It celebrates the role of women in the cultural and economic life of Derry.
Castle Arcade is so-called because it is the site of both the original castle of Belfast, built by the Normans in the late 12th century and then rebuilt by Arthur Chichester in 1611. Chichester’s castle had “spacious gardens which extended from the river along to Cromac Woods and near Stranmillis” with “orchards, bowling greens and cherry gardens … fish ponds,” for “hunting, hawking, and other sports”. It was destroyed by fire in 1708 after which the area became commercialised as a market (ArchiSeek | Mary Lowry | BBC | Belfast Entries).
There has been a 36th Division board on this wall since 2003 (see Steeple Defenders) and this second one is now more than a decade old – see the 2013 post on Peter’s site. It is accompanied by two quotations: “Pass not this spot in sorrow but in pride/That you may live as nobly as they died.” These lines are also used in a WWI memorial mural in Carlingford Street, Belfast. “They shall not grow old as we that are left grow old./Age shall not weary them nor the years condemn./At the going down of the sun and in the morning, we will remember them.” from Binyon’s For The Fallen.
The mural below, with YCV and 36th Division emblems and a “South Antrim 1st Batt” flag was added in 2016. There’s no mention on-line of “Vol. Jimmy Fee” of the 1st (and only) battalion of the South Antrim brigade.
The board and mural are on the gable next to the Steeple memorial mural to Denver Smith; between the two gables is the UVF flag shown below.
“South East Antrim UDA UYM. In proud memory of Brig John Gregg, CO Gerry Evans, Andrew Gillespie, Billy Graham, Jamie Penny, Ken Thursby, T. Daly, J. McClure, B. Hobbs, B. Smyth”. Graham replaces William Hutchings, and Thursby is a new addition. The original version of the mural, dating back to 2004, included J. Kelly, W. Gordon, G. Fittis, A. Helm (M05230) – these are perhaps below the fence-line.
Gregg was a hero to loyalists for seriously injuring Gerry Adams in 1984; he was killed in the Adair feud in 2003 (Guardian). Evans was killed by the INLA on April 27th, 1994, shot at his shop in the Northcott centre. (Lost Lives 3472. Sutton describes Evans as a “civilian”.) He was remembered first/long ago (1996) in a Cloughfern mural – see T00217.
A ship’s figurehead (perhaps) cranes upwards – as the viewer must also do – in front of a background of decaying tile-work. Perhaps the decay is being left behind? In any case, Belfast City Council thought a suitable symbol of Belfast moving onward and upwards when used the art to announced the Belfast Stories project (tw; see The Rising Place).
The piece is by Irony (tw | ig | Fb | tumblr). According to Adam Turkington, Irony was inspired by “the commercial themes in Ciaran Carson’s many visions of Belfast” (Belfast Live). (Belfast Confetti was the inspiration for emic’s piece in Winecellar Entry.)