“Gaelic games – part of our heritage.” Athletes play hurling, football, and camogie and the local GAA club Ardoyne Kickhams (Fb) is celebrated. “Is treıse dúchas ná oılıuınt” means “heritage is stronger than upbringing”. “Fáılte go dtí Ard Eoın” [“Welcome to Ardoyne”] appears in the apex.
Havana way, Ardoyne, north Belfast
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Copyright © 1994 Paddy Duffy (undated image)
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The frame of this mural in St James’s was originally painted by Andrea Redmond (Fb) in 1994 for a mural (included below) showing local pensioners remonstrating with a British Army soldier, under the title “The Spirit Of Freedom”, reproducing a photo that appeared in a French-language magazine (see below).
The central circle was repainted (again Redmond) for the 1995 “green ribbon” campaign: the dove holds the keys that will set free the republican prisoners, symbolised by the barbed wire and the lark in the apex. There was also a side-wall, showing two rows of green ribbons, each with the name of a POW (see immediately below).
“Sponsored by AP/RN” has been moved from the side-wall to the main wall.
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Copyright © 1995 Paddy Duffy
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The 1994 ‘Spirit Of Freedom’ mural:
In small letters on the part of the circle at the back of the soldier is written “This mural is dedicated to the memory of J[…] D[…] and M[…] Fitzsimons”.
On the side wall is a verse from the poem The Crime Of Castlereagh by “Volunteer Bobby Sands MP”: “All things must come to pass as one/So hope should never die/There is no height or bloody might/That a freeman can’t defy./There is no source or foreign force/Can break one man who knows,/That his free will no thing can kill/And from that freedom grows.”
The Blind Piper is a painting (original) by Joseph Haverty (WP), here placed in the context of North Belfast’s Cave Hill.
Sponsored by North Belfast Cultural Society (both along the bottom and in the apex).
The signatures in the corners read “Seán Doran ’94” “Paul McCullough”
Brompton Park, Ardoyne, north Belfast
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Copyright © 1994 Paddy Duffy (undated image)
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“The Irish holocaust, 1845, 1,397,740 deaths”. A family of four sits with their meagre possessions, perhaps having been evicted from their home or waiting to board a ship to America. The source of the (hyper-precise) number of deaths is unknown; deaths are roughly put at a million and emigrants at two million for the period from 1845 to 1852. The period is commonly known as “the famine” but the term is rejected by many, given the continued production and exportation of other foodstuffs, contrary to the policy enacted for the famine of 1782-1783 (History Ireland | Great Hunger Museum | NJ Schools’ Commission pdf). Hence the use of “holocaust”
This is the earliest mural depicting the Great Hunger; in 1995, for the 150th anniversary, at least nine pieces were painted on the topic in Belfast – see the Visual History page. Many of those pieces reproduced drawings from the Illustrated London News; the source of this image is unknown.
Malcolmson Street/Springfield Road, west Belfast
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Copyright © 1993 Paddy Duffy
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This pair of murals was painted by Mo Chara Kelly at the top of Springhill in 1987 after his release from prison. Both are inspired by the work of Jim Fitzpatrick. The central figure of the Rí Nuadha [King Nuada] mural above and immediately below comes from a painting of Fitzpatrick‘s called ‘Nuada Journeys To The Underworld’ while the background has a Fitzpatrick style and colour-scheme.
Of the myth of Nuada, Mo Chara said, “I had never heard the story of King Nuada before. Then I read the story. Wow! What a yarn! Nuada Of The Silver Arm is one of my favourite stories. As one of the Tuatha Dé Danann you had to be whole and physically perfect to hold the kingship. Nuada lost an arm in the first battle of Moy Tura and so he lost his kingship. He went into the other world, to middle earth, fought through trials and tribulations until Dıan Cécht made a silver arm for Nuada and he was restored to the kingship for another twenty years. But the moral of the story to me was that, no matter what happens, get up again and fight back. No matter how bad the situation you are in, you get back up and fight again. Do not let people isolate you. Get up and fight again. It was very inspiring!” (Painting My Community/An Pobal A Phéınteáıl – English-language version available for free.)
The Loch gCál/Loughgall mural likewise draws on Fitzpatrick for the landscape behind the Celtic cross and funeral guard in memory of the eight IRA volunteers from the East Tyrone brigade who were killed in an SAS ambush during an attack on an RUC base in May, 1987 (WP).
The names of the eight volunteers are given here in Irish and (partially) in the old script:
“I ndıl cuimh[n]e de [= ar]
Óglach Pádraıg Ó Ceallaıġ [Patrick Kelly],
Óglach Séamus Ó Donn[ġ]aıle [Seamus Donnelly],
Óglach Deaglán Mac Aırt [Declan Arthurs],
Óglach Séamus Laıghneach [Jim Lynagh],
Óglach Gearóıd Ó Ceallacháın [Gerry O’Callaghan],
Óglach Pádraıg Mac Cearnaıgh [Pádraıg McKearney],
Óglach Antóın Ó Garmaıle [Ó Gormghaıle | Tony Gormley],
Óglach Eoghan Ó Ceallaıġ [Eugene Kelly]
an ochtar óglach de óglaigh na hÉireann a dúnmharú ag Loch gCál ar an ochtú lá Bealtaine 1987.”
[the eight volunteers from the Irish Volunteers [IRA] who were murdered at Loughgall on the eighth day of May, 1987]
The town (Loughgall) and the four provinces are also named in Irish. An Easter lily is at the centre of the Celtic cross in the middle of the image, above a lark in barbed wire and a gal gréıne/sunburst.
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Copyright © 1988 Paddy Duffy
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“‘From the graves of patriot men and women spring … living nations’ – Pádraıg Mac Pıaraıs”. The quote is from Pearse’s oration at the funeral of O’Donovan Rossa on August 1st, 1915 (Wikisource).
The mural is in progress for the 1982 anniversary of the Easter Rising. This image is from “April 1982” which perhaps gives it enough time to be completed by Easter Monday, which fell on the 19th.
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Copyright © 1982 Paddy Duffy
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Paddy Duffy Collection 