This is the second Bobby Sands mural on the wall of the offices of Sınn Féın and An Phoblacht/Republican News on the Falls Road. For the first, see The Spirit Of Freedom. Gone from that first mural is the lark in barbed wire, replaced by a skyline of Maze/Long Kesh watch-towers, but the smiling Sands and the quotation from him remain: “Everyone, republican or otherwise, has his [here: “his/her”] own [particular] part to play”.
“In loving memory of Stevie McCrea”. Red Hand Commando volunteer Stevie McCrea was sentenced to 16 years for the murder of James Kerr in 1972 (Behind The Mask) and was subsequently “murdered by the enemies of Ulster” on February 18th, 1989 in an IPLO attack on the Orange Cross (WP). (The door of the club can be seen next to the mural in M00560.)
On the side-wall, Binyon’s ‘For The Fallen‘ is modified for the singular “he”: “For he shall not grow old as we that are left grow old. Age shall not weary him nor the years condemn. At the going down of the sun and in the morning, we will remember him.”
Tina Turner’s cover (youtube) of Bonnie Tyler’s song “The Best” reached #5 in the UK charts in 1989 and the phrase “simply the best” from the chorus would appear in a number of UDA murals over the years, beginning with this 1995 mural depicting hooded gunmen from the UDA/UFF’s second battalion C company.
Dover Place, west Belfast. This mural would be repainted in the Adair era to include a list of mass killings of Catholics.
“Compromise” in “Compromise or conflict” hints at the potential of the peace process but loyalist muraling continues to present hooded gunmen (in this case from “1st battalion, west Belfast UVF”) engaged in physical-force activity. In the same vein, see Prepared For Peace, Ready For War.
The first appearance of Eddie The Trooper – a definite increase in the intensity of violent imagery – will be in 1996.
Later with a side-wall (to the right of image) that read simply “A. company / 1st battalion”
Irish people climb on-board ship in order to escape the Great Hunger. The mural is based on The Embarkation, Waterloo Docks Liverpool in the Illustrated London News. This is one of about nine murals painted in 1995 on the Great Hunger (Visual History).
“When the potato crop failed causing the great hunger, people watched in despair as shiploads of food were escorted away by British troops …”. This mural combines an image from Illustrated London News (Bridget O’Donnel And Children) with five bodies faces drowning in the sea.
This is one of about nine murals painted in 1995 on the Great Hunger (Visual History).
A tearful eye beholds both the Great Hunger, which claimed one million lives, and, within the eye itself, the wave of emigration which took more than a million others away from Ireland.
This is one of about nine murals painted in 1995 on the Great Hunger (Visual History). The number “150” appears on the chimney and would last until 2008 and beyond.
There are two side-walls out of frame to the right, going around a corner. The first gives a list of the artists in Irish (“[Dón]al Ó Dalaıḋ, [Cıa]rán [Mac] Taírnan [sic], Brían Ó Lúaın, […]rán Ó hÉır, […]áın Mac Pháıl, [perhaps one more]” (Donal Daly, Ciaran McKernan, Brian O’Loan, […] O’Hare, […] McFall. Daly, McKernan, and O’Loan would paint the History Is Written By The Winners mural in 1996) and the second reads “Dedicated to those who died in the Great Hunger” with a Celtic cross and some knotwork.
There is also a plaque to local man Kieran Doherty, reading “Vol. Kieran Doherty T.D. Óglaıgh Na hÉıreann. Age 25. Commenced his hunger strike on May 22 and tragically died on Sunday afternoon 2 Aug 1981. Kieran was elected T.D. by the people of Cavan And Monaghan in their support of the prisoners’ campaign for political status.” This plaque would be retained when this wall became a memorial mural to Doherty in 2001.
“Weary people, what reap ye? Golden corn for the stranger. What sow ye? human corpses that wait for the avenger. Fainting forms, hunger–stricken, what see you in the offing? Stately ships to bear our food away, [amid the stranger’s scoffing]. There’s a proud array of soldiers — what do they round your door? They guard our masters’ granaries from the thin hands of the poor. – Speranza”
The poetry is the first few lines of The Famine Year by “Speranza”, i.e. Lady Jane Wilde, mother of Oscar.
In Irish mythology, the children of Lear were turned into singing swans for 900 years by their step-mother Aoıfe. They are then restored to human form but, being 900 years old, die immediately.
“Lır” (in Irish) is the genitive of (the Irish) “Lear” and the story is often referred to in Irish as “Clann Lır“; neither “Lear” nor “Lır” is pronounced like the English “(King) Lear”.
Painted at “Cáısc [Easter] 1995” by “Síle-Na-Gıg”.
Paddy Duffy Collection 