CNR

The Irish Holocaust

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“The Irish holocaust, 1845, 1,397,740 deaths”. A family of four sits with their meagre possessions, perhaps having been evicted from their home or waiting to board a ship to America. The source of the (hyper-precise) number of deaths is unknown; deaths are roughly put at a million and emigrants at two million for the period from 1845 to 1852. The period is commonly known as “the famine” but the term is rejected by many, given the continued production and exportation of other foodstuffs, contrary to the policy enacted for the famine of 1782-1783 (History Ireland | Great Hunger Museum | NJ Schools’ Commission pdf). Hence the use of “holocaust”

This is the earliest mural depicting the Great Hunger; in 1995, for the 150th anniversary, at least nine pieces were painted on the topic in Belfast – see the Visual History page. Many of those pieces reproduced drawings from the Illustrated London News; the source of this image is unknown.

Malcolmson Street/Springfield Road, west Belfast

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Copyright © 1993 Paddy Duffy
T00170

Núada

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Núada and Morrígan (from Jim Fitzpatrick’s Beneath The Sky Of Stars) embrace below a ram (from Fitzpatrick’s Senach The Spectre) and between Celtic creatures inspired by the Book Of Kells.

This is a bright and colourful mural in stark contrast to the greys and browns of Unity flats, west Belfast

For many more images of Nuada, see the Visual History page on Jim Fitzpatrick.

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Copyright © 1990 Paddy Duffy
T00173

Freedom’s Sons

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The writing – D coy, 2nd batt, Belfast Brigade [IRA] – has been added where the volunteer’s legs used to be – see the Peter Moloney Collection for the original. A small plaque has been added at the top. Otherwise, the mural remains as before, with a hooded volunteer raising an assault rifle in front of a sunburst and Tricolour, with a row of barbed wire and the four provinces named in Irish.

Falls Road, west Belfast, now the site of the Garden Of Remembrance

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Copyright © 1990 Paddy Duffy
T00088

The Spirit Of Freedom

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A smiling Bobby Sands on the side of the Sınn Féın offices on the Falls Road, (also the west Belfast office of An Phoblacht/Republican News), with his famous statement that “Everyone, republican or otherwise, has his [here: “his/her”] own [particular] part to play” (and the lark with its “spirit of freedom“). This version was painted by Mo Chara Kelly in 1989, and an image of Sands has been on the wall continuously since then.

Sevastopol Street, west Belfast

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Copyright © 1990 Paddy Duffy
T00089

Liberty

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Both of these murals by Mo Chara Kelly in the old Linden Street remained unfinished. “I was doing one about the Falls Curfew [for the 20th anniversary march – shown above]. … It never got finished because we had to start Women Against Oppression. When you’re available, people just came up to you, “Mo Chara, we need a mural on this. Could you stop that one? We need to do this one. There’s a Nelson Mandela one needs doing, could you do that?” Everything was chopped and changed all the time, and I never got back to it.” (Painting My Community/An Pobal A Phéınteáıl – English-language version available for free)

The second shows a barefoot woman carrying a large Tricolour and a lark overhead. It is based on the Women’s Day (“Frauen Tag”) poster from 1914. “Heraus mit dem Frauenwahlrecht” – “Forward with women’s suffrage”. German women were given the right to vote in 1918. This mural was replaced by Women Against Oppression.

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Copyright © 1990 Paddy Duffy
T00090 T00096

Free Ireland

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Manacles “Made in Britain” constrain the republican desire for a united Ireland, contrary to the burning GPO and rising phoenix.

“Numerous foreign groups and delegations visited Ballymurphy and west Belfast during the troubles. I remember one meeting I was at in Conway Mill, I picked up a pamphlet with a drawing of a manacled fist. The caption read “Made in the USA.” So I just took the image and changed the slogan to “Made in Britain”.” (Painting My Community/An Pobal A Phéınteáıl – English-language version available for free)

The plaque – which pre-dates this mural – is to local (A Company 2nd Battalion) IRA volunteers Stan Carberry, Frankie Dodds, Paul Fox, Sean Bailey, Paul Marlowe, and Tony Campbell. “Fuaır sıad bás ar son na hÉıreann”, “Ireland unfree will never be at peace”. (See the Peter Moloney Collection.)

Painted by Mo Chara Kelly in Beechmount Avenue/RPG Avenue.

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Copyright © 1990 Paddy Duffy
T00097 T00098

Beıdh An Bua Agaınn

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“Beıdh an bua agaınn” [victory will be ours] is a slogan that Mo Chara Kelly saw inside a cell in the H-Blocks. A circle of four hands – perhaps intended to be in the colours of humankind – releases three doves: “freedom, justice, peace”. “We will be free.”

Painted by Mo Chara Kelly at the top of the Whiterock Road, west Belfast.

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Copyright © 1990 Paddy Duffy
T00095

Ireland First, Ireland Last, And Ireland Over All

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A revolutionary soldier raises the Irish Tricolour while trampling on a Union Flag on a broken mast that was perhaps attached to the poorly drawn GPO in the background. The card on which the image is based can be seen below.

On the right hand side are the Easter lily and halberds/pikes and an assault rifle, indicating the historical roots and present-day inheritors of the 1916 revolt.

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Copyright © 1990 Paddy Duffy
T00094

Our Struggle, Your Struggle

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Chief sitting Bull with his back to the flag of the United States, with a lark (for the Irish struggle) and an eagle (for the Native American) and a border of the colours of humankind.

Painted by Mo Chara Kelly with Jan Attridge on the wall of the (then) Ballymurphy Community Centre just off the Whiterock Road, west Belfast.

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Copyright © 1990 Paddy Duffy
T00092

So I Always Looked The Other Way

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A cartoon by ‘Cormac‘ (Brian Moore) is turned into a mural on Belfast’s Whiterock Road by Mo Chara Kelly. The mural satirizes the ad included below, which urges people to call the confidential telephone to report terrorist activity. Instead, the protagonist can no longer ignore the violence of the British Army (and RUC) and calls the Sınn Féın office.

1 When the Brits were having a go … “Who cares?” I thought.
2 And when something really rough happened I just trained harder to forget it … [Speech-bubble:] Anything for a quiet life, see.
3 But where’s it got me? What have these brave lads in khaki done for me? [British Army soldier:] We’re not here to do things for you; we’re here to do things to you.
4 [RUC commander:] Hey, don’t forget us. We’ve done our share of wrecking homes, harassing people. We’ve murdered and tortured and …
5 And when I saw their kind of justice I thought “There’s got to be something better than this.” [Judge:] You may think I’m a corrupt Orange bigot. But I know that I’m a very well-paid corrupt Orange bigot! And the only justice you’re going to get is British justice.
6 So I made up my mind. I wanted these thugs off our backs. [Thought-bubble:] Is it any wonder that the British tourist is the most despised person on earth?
7 You see I want a decent future, and it’s not going to happen while these “hero[e]s” are doing the dirty work of British imperialism. And it’s not going to happen if you’re waiting for someone else to do something.
8 622112. Hallo? Is that the Sınn Féın office?

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Copyright © 1990 Paddy Duffy
T00091