“Victory [to the] IRA”. Volunteers with RPGs and armalites in Rossnareen, kneeling over an outline of Ireland in green, white, and gold. The central trio comes from an IRA publicity photograph, included below.
The design for this mural comes from a poster sent by the Iranian Ayatollah Khomeini, which featured the head of Bobby Sands against a backdrop of skeletal bodies. The hunger-strike imagery is somewhat in contrast with the quote to the right, which advocates for armed resistance: “The Irish Republican Army is right: The British government does not listen to the ballot box in Ireland and the only thing they will listen to in Ireland is what they listened to in other colonies: agitation, rebellion, and armed forces”.
This Whiterock Road mural shows a blanketman/hunger-striker being watched over by a uniformed volunteer, on a large tricoloured bunting/drape at the feet of an angel holding a banner reading “blessed are those who hunger for justice“. Above are the words “Their hunger, their pain, our struggle“. The shields of the four provinces of Ireland and two shamrocks complete the mural.
This is a difficult mural to interpret and might be incomplete. It appears to show an indigenous child, whose skin is marked with a Union Flag, feasting on the bloody arm of a human adult whose skull sits behind the child. It is perhaps a reference to the colonial exploits of the British in Kenya or in the Putumayo – please comment/get in touch if you can shed any light on the mural.
The mural is in the bricked-up display-window of a shop between Spinner Street and Leeson Street (on the eastern/Dunville Park side of the Falls Road).
The first names of the ten deceased 1981 hunger-strikers — Bobby, Francis, Patsy, Raymond, Joe, Martin, Kiersn, Tom, Micky, Kevin — appear on a ribbon held by a tricoloured phoenix against a sunburst, flanked by Starry Plough and Tricolour and volunteers firing a final salute.
A Long Kesh/H-Block blanketman is on his knees, protesting for (political) “status now”, surrounded by barbed wire and two flags on halberds: the Irish Tricolour and the Starry Plough.
The quote on the left (in the wide-shot, below) is from Sean O’Casey, not “Bobby Sands MP”: “You cannot put a rope around the neck of an idea; you cannot put an idea up against the barrack-square wall and riddle it with bullets; you cannot confine it in the strongest prison cell that your slaves could ever build.”
(The quote is reportedly from O’Casey’s prose lament for Thomas Ashe, either the initial pamphlet in November 1917 (?entitled “The Story Of Thomas Ashe”?) or the expanded version of 1918 (entitled “The Sacrifice Of Thomas Ashe” (auction site)), though no copy of this can be found on-line, only two poems ‘Thomas Ashe’ and ‘Lament For Thomas Ashe’ (eastwallforall).
A hunger-striker lies in bed praying with rosary beads and bathed in beams of light coming from the hands of the Blessed Virgin Mary.
(Painted by Con, who describes the mural as an attempt to break through with nationalists (as distinct from republicans); though one source says “by a Ballymurphy man, named something like Tim Skillen/Skelly”.)
This mural depicts (one part of) the IRA’s 1979 ambush of the British Army at Narrow Water Castle, near Warrenpoint (WP), on the same day that Louis Mountbatten was killed (see 13 Gone But Not Forgotten).
depicting (from left to right) Ireland in the grip of a fist with a Union Flag cufflink, a prison guard whose mouth holds prison bars and the arm of a bleeding prisoner, and a naked figure in a tricoloured scarf crucified on a Union Flag.
There is a fourth panel to the right, of the island of Ireland bearing a cross “Made in Britain”.
At least three of the original images are by Jack Clafferty, a founder member of the Troops Out Movement (see the Peter Moloney Collection).
Jeff Perks’s 1979 linotype “The Training Ground” was reproduced on Beechmount Avenue in 1981. It depicts the history of the British Army in Ireland. Rolston (“Politics, Painting and Popular Culture: the Political Wall Murals of Northern Ireland”, Media, Culture and Society 9.1, 1987) claims (p. 19) that the image would have been familiar to nationalists from the cover of “Ireland: Voices For Withdrawal” (shown below). The baton-wielding policeman on the right was also reproduced in a famous 1996 Derry mural (“68-96 Nothing Has Changed” M01279).
Missing on the far left are four Cromwellian soldiers (see M00123); on the right, the arrested are loaded onto The Conveyor Belt.