Cú Chulainn

Ní Thıg Leat Éıre A Chloígh

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“Ní thıg leat Éıre a chloígh, ní thıg leat fonn saoırse mhuıntır na hÉıreann a mhúc[h]adh.” [“You cannot subdue Ireland; you cannot extinguish the desire for the freedom of the Irish people.”]

The mural presents images of Ballymurphy including the mural of McCrudden-O’Rawe–Jordan and memorial garden on Divismore Way (left) and Springhill (right), under the title “Ballymurphy unbowed, unbroken”.

The male figures in the foreground are unnamed but the four in jackets are presumably Stone, McWilliams, McCracken, and Dougal after their mural in Springhill Drive was blanked; the female activists on the left of Sheppard’s Cú Chulaınn are Mary Austin, Kathleen Clarke, Annie McWilliams. “This mural was unveiled by Gerry Adams MP 2nd May 2010” but Adams’s name has been scratched out from the (painted) low wall.

Glenalina Road, Ballymurphy, west Belfast

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Copyright © 2012 Paddy Duffy
T00756

Léana An Dúın – Unbowed Unbroken

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The main Lenadoon mural is refreshed and more portraits and a plaque added (on the right). The dying Cú Chulaınn (as portrayed in bronze by Oliver Sheppard, in a statue installed in the GPO in 1935) is used as a symbol for the locals from Lenadoon (including IRA volunteers) who fought for freedom (“saoırse”). They are listed on the scrolls to each side and in the portraits in the apex: Tony Henderson, John Finucane, Brendan O’Callaghan, Joe McDonnell, Laura Crawford, Maıréad Farrell, Patricia Black, Bridie Quinn (previously listed as Bridie O’Neill).

For the previous version (though without the three faces it initially had, of O’Callaghan, McDonnell, and Farrell) see M01934.

Lenadoon Avenue, Lenadoon, west Belfast

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Copyright © 2010 Paddy Duffy
T00537

Cuchulainn, Defender Of Northern Ireland

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The mythological hero Cuchulainn, defender of Ulster against the forces of Queen Medb of Connacht, is placed below the flag of Northern Ireland. “Here we stand, here we remain. We simply want to take our God ordained place as indigenous Ulster people, understanding and living out our calling. We assume our identity without shame, retaliation or indignation against those who have caused harm to our past and tried to castrate our culture, our identity and our place on this island.”

Cú Chulaınn has his own Visual History page. This is the most active depiction of the hero; he is usually depicted in his death throes.

Hopewell Crescent, lower Shankill, west Belfast

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Copyright © 2008 Paddy Duffy
T00437 T00467

Champions Of Ulster

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Cú Chulaınn (or, as here, Cuchulainn) is usually shown dying, in the pose made famous by Oliver Sheppard in his statue that was installed in the General Post Office in Dublin in 1935. (See the Visual History page about Cú Chulaınn in murals.) Here, however, he is a living warrior (carrying a sword and a shield emblazoned with the crest of Northern Ireland) as an analogue to loyalist paramilitaries and prisoners of war (“LPOW” on the right).

Lincoln Court, Londonderry

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Copyright © 2000 Paddy Duffy (no date given)
T01194

Ulster’s Defenders

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Ulster’s defenders, past and present, from Cuchulainn “Ancient defender of Ulster from Gael attacks”, via the 1893 UDU and WWI soldiers memorialised in the towers at Messines and Thiepval, to the modern UDA/UFF: “In memory of the officers and volunteers of A. Coy. [“Glencairn, Highfield, Springmartin”] UDA/UFF West Belfast Brigade who unselfishly dedicated their lives in defence of their country.”

High Green, Highfield, west Belfast

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Copyright © 2000 Paddy Duffy
T00267

Mıse Éıre

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The dying Cú Chulaınn and the Blessed Virgin Mary make an odd pairing in this Ligoniel memorial garden to locals who died during the Troubles. Cú Chulaınn is typically used to memorialise paramilitary volunteers (see the Visual History page) but the plaque does not mention volunteers and the statuary suggests prayer rather than a final salute as a fitting form of remembrance.

The plaque in the centre, which was previously at the crux of a Celtic Cross mural, reads “I ndıl chuımhne [in fond memory]. This plaque is dedicated to the memory of all those from Ligoniel who lost their lives as a result of the conflict in our country. A Mhuıre banríon na nGael guıgh orthu [Mary, queen of the Gael, pray for them]”

The other mural in the yard is a greatly re-designed presentation of Éıre, taking up the whole wall, and replacing the Maid Of Erin harp with Érıu, the mythological queen of Ireland/Éıre, as designed by (or at least, in the style of) Richard J King/Rísteard Ó Cíonga. (Also seen in the Short Strand.)

Millview Court, Ligoniel, north Belfast

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Copyright © 2000 Paddy Duffy
T00329rc T00787

Leana An Dúın Unbowed Unbroken

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The dying Cú Chulaınn (as portrayed in bronze by Oliver Sheppard, in a statue installed in the GPO in 1935) is used as a symbol for the locals from Lenadoon area of west Belfast who fought for freedom (“saoırse”): Tony Henderson, John Finucane, Brendan O’Callaghan, Joe McDonnell, Laura Crawford, Maıréad Farrell, Patricia Black, Bridie O’Neill (subsequently changed to Bridie Quinn).

There were originally portraits of all nine people in the apex when the mural was launched in 1996, but only three remain.

See also the Cú Chulaınn Visual History page.

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Copyright © 1999 Paddy Duffy (no date given)
T00109 T00160

Mé A Rug Cú Chulaınn Cróga

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Words from Padraıg Mac Pıaraıs’s poem Mıse Éıre are included alongside the portraits of the seven signatories to the 1916 Proclamation. It includes the line “Great is my glory, I who bore brave Cú Chulaınn” and Cú Chulaınn is pictured on the right, in the death pose made famous by Oliver Sheppard in a statue installed in the GPO in 1935 – see Cú Chulaınn’s Visual History page.

Mıse Éıre: Sıne mé ná an Chaılleach Bhéarra.
Mór mo ghlóır: Mé a rug Cú Chulaınn cróga.
Mór mo náır: Mo chlann féın a dhíol a máthaır.
[Mór mo phıan: Bıthnaımhde do mo shíorchıapadh.]
[Mór mo bhrón: D’éag an dream ınar chuıreas dóchas.]
Mıse Éıre: Uaıgní mé ná an Chaılleach Bhéarra.

Painted by Mo Chara Kelly in Norglen Gardens, west Belfast

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Copyright © 1988 Paddy Duffy
T00084

Táın Bó Cúaılnge

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This is an interesting mural from North Queen Street, if only because of its psychedelic colour-scheme and composite style.

The two bulls (presumably from the Táın though they are not the classic brown and white bulls) provide a centre, on either side of which we find Cú Chulaınn dying (and Tuan the eagle) and a dolmen. The horse on the right is perhaps Galloper. There are four faces superimposed on flying geese. The cranes Samson and Goliath are on the left (which suggests a cross-community sponsorship) and a Pride rainbow is on the right.

A wide shot of the whole can be seen in the Peter Moloney Collection. If you have any information about the piece, please get in touch.

North Queen Street, presumably at the bottom of the New Lodge (either where the playing pitch opposite (what was then) Artillery House (now Teach Ghráınne) is, or on a wall of Gallagher’s factory, where the car park for the shopping centre now is?).

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Copyright © 1988 Paddy Duffy
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