The Lion Of Judah

“But now thus says the Lord, he who created you, O Jacob, he who formed you, O Israel: “Fear not, for I have redeemed you; I have called you by name, you are mine.”” Isaiah 43 continues: “When you pass through the waters I will be with you … When you walk through the fire, you will not be scorched.” Thus, although the text is addressed to Jacob/Israel and the lion is a symbol of Jacob’s son Judah, whose eponymous tribe later gives its name to the Jews, Christians interpret it more generally as a promise to all believers.

In this way, this new board at Rehoboth Evangelical Mission in Mount Vernon is perhaps in the same tradition as the previous board, with its quote from John 11 (in the New Testament) promising that believers shall never die (X04693).

The inclusion of the flag of modern Israel which dates back to the Zionist movement in the late 1800s, however, gives this board a political edge, seeming to make it a token of support for Israel in its current conflict with Hamas and attack on the Gaza Strip. (The roaring lion and the lightning also give a sense of physical power.) As such, it would be (to our knowledge) the first printed board in support of Israel and an advance over the more typical flying of the Israeli flag.

Hill & White (2007 – paywall) begin their article with a survey of newspaper articles (including this free piece in Salon) about the flying of Israeli flags in Northern Ireland in 2002, explaining the practice as a response to the flying of Palestinian flags during the Second Intifada (p. 33) and an expression of admiration for Israeli’s use of physical force against its minority population (p. 37). The first appearance of an Israeli flag in the Peter Moloney Collection is from 2006, at a republican bonfire site.

If the Rehoboth board is counted as religious rather than political, the most sophisticated graphical expression of PUL support for Israel is the small paste-up seen in Ulster Supports The People Of Israel. (There is also implicit support for Israel in the board in Peter’s Hill to John Henry Patterson, which includes amongst his other exploits – including Operation Lion – his role as Godfather Of The Israeli Army.)

See also: PUL swastika graffiti 1985 | 1993 | 2008 | BelTel 2015

See also: Rehoboth The Well

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Róısín Dubh

“A Róısín, ná bíodh brón ort fé’r éırigh dhuıt”/Róısín, be not sad about what has happened to you”. The song ‘Róısín Dubh’ [usually translated as ‘Dark Rosaleen’] is a love song to Ireland, in which the infatuated singer recounts the lengths he would go to on her behalf (song (youtube): Muıreann Nıc Amhlaoıbh | Caıtlín Maude | poem/lyrics in English: Mangan | Kinsella at WP).

This new piece in the New Lodge, north Belfast, was painted (presumably) by emic (ig), (presumably) under the same auspices as, and as a thematic complement to, the project we reported on in Communities In Transition. The lack of explicitly nationalist or republican signifiers is perhaps necessary if the piece is to be funded by Communities In Transition, while the cultural reference is perhaps necessary if the art is to survive on what has for the past dozen years been an anti-Agreement wall – see Damn Your Concessions, England and Unbowed, Unbroken. Another emic piece, in Creggan, Derry, has been marked with republican graffiti – see Stand Up And Speak Out. This very skilful piece walks a very fine line very precisely.

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New Lodge Volunteers

Twenty portraits in circular frames have replaced the twenty-one square portraits seen on the ‘Out Of The Ashes Of 1969’ mural in the New Lodge. From left to right, those portrayed are Michael P Neill, Seamus McCusker, Gerard Crossan, Colm Mulgrew, Francis Liggett, Brian Fox, John Kelly, Robert Allsopp, Louis Scullion, Billy Reid, Danny O’Hagan, Michael Kane, Sean McIlvenna, Jim O’Neill, Rosemary Bleakley, Martin McDonagh, James McCann, James Sloan, Dan McCann. Paddy McManus is no longer included, as compared with the earlier portraits.

For the mural without any portraits, at the time of its launch in 2012, see X00857.

See also the New Lodge IRA memorial garden.

New Lodge Road, north Belfast.

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Hold On, Pain Ends

“North Belfast is in a crisis. RNU [Republican Network For Unity (Fb | ig)] calls for better mental health provision. Hold on, pain ends. Hope.”

Northern Ireland has the highest suicide rate in the UK, at 14.3 per 100,000 (2021), and Belfast has a suicide rate of 24.9 people (2022), and north Belfast the highest in Belfast, at a rate of 31 per 100,000 (2013-2018) (Assembly Research Matters | Zero Suicide Alliance). Here is a Bel Tel article (£) about the lack of GPs and mental health services in north Belfast, from 2021.

Berwick Road, Ardoyne, north Belfast. Replaces Don’t Ever Give Up.

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The Defence Of Ardoyne

Martin Meehan joined the IRA in 1966 and was one of a few IRA volunteers defending Catholics in Ardoyne (Ard Eoın) in August 1969. Rioting did not cease there until the 16th, when British troops were finally deployed to the Crumlin Road to block mobs coming from the Woodvale and Shankill. Meehan resigned after the failure of the IRA to defend Ardoyne, Clonard, and Divis. This Magill article from the time summarises the IRA’s actions as “late, amateur and uncertain”. (Meehan would later rejoin the IRA and PIRA.)

For a close-up of the plaque, see Show Me The Man.

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Pride Of Ardoyne

The Pride Of Ardoyne flute band memorial site was overhauled in November. The silhouetted bandsmen (seen in Pride Of Ardoyne) are gone and the cross and wooden plaque at the top (see Billy Hanna) have been joined by two large boards, naming “J. Bailey, W. Hanna, S. Rockett, B. McClure” and, (on the drum) “Charlie Dunn (1957-2021)”, along with 20 small plaques of these five plus 15 more who are an “absent member”, “absent friend”, and “loyal supporter”.

For Bailey, see On This Day. For Rockett, see Essence And Space. For McClure, see UPI. For Dunn, see the band’s Fb Page.

2025-10 Update: the main board was damaged when a wreath was set alight – Belfast Live.

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Communities In Transition

Here is a gallery of the flowers painted last summer (2023-06) in the New Lodge, with some details and some new additions (as compared with New Lodge Gardens), including a pair of hands by emic (ig).

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The Scots In Ulster

The name “Ulster-Scots” refers to the emigrants to North America from Ulster that had previously come from Scotland and the English borders, and most of the Ulster-Scots murals in the 2000s focused on emigration to America and on US Presidents with Scotch-Irish heritage (see the Visual History page of Ulster-Scots murals).

In 2017, a series of boards along York Street focused on industrialists in Northern Ireland with Scottish backgrounds: 13 panels in five posts: one | two | three | four | five. And this new collection of “Ulster-Scots” luminaries (which is 100 paces away) likewise presents figures who are associated with Northern Ireland rather than America. Modern folk such as those portrayed in these new boards presumably have Scottish heritage rather than Scotch-Irish. (The title of this entry – The Scots In Ulster – comes from a Discover Ulster Scots poster about the Scots who came to Ulster in the 1600s, regardless of whether or not they or their descendants later moved to America.)

From left to right, the people shown are as follows. (Links are to previous entries in the Extramural collection.)

Mountcollyer: motorcyclist Rex McCandless, author CS Lewis, physicist John Stewart Bell, song-writer Jimmy Kennedy, medical inventor Frank Pantridge

York Rd: snooker player Alex Higgins, singer Ruby Murray, soldier Blair Mayne, agricultural inventor Harry Ferguson, missionary Amy Carmichael

For the political tarp on the gable in the background, see Choose One Or The Other.

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