Society Of United Irishmen

This is a trio of murals along the New Lodge Road to William Steel Dickson, William Drennan, and Mary Ann and Henry Joy McCracken. What the three have in common is that they were all Presbyterians and Irish republicans, and members of the Society Of United Irishmen.

William Steel Dickson was adjutant-general of the County Down Irishmen (see the blue plaque in Portaferry M08948) and was arrested a few days before the insurrection (WP). Like the McCrackens, he is buried in Clifton Street Cemetery.

William Drennan, 1754-1820, was a doctor, poet, a founder of the Society of United Irishmen, and the first person to refer to Ireland as “the Emerald Isle”, in his poem When Erin First Rose. The words in the mural are the epitaph on his stone in Clifton Street Cemetery: “Pure, just, benign. Thus filial love would trace the virtues, hollowing [sic] this narrow space. The Emerald Isle may grant a wider claim and link the patriot with his country’s name.”

Mary Ann McCracken (“What a wonderful clamour is now raised at the name of union, when in reality there has always been such a union between England and this country, as there is between husband and wife by which the former has the power to oppress the latter.”) and her older brother Henry Joy McCracken (“These are the times that try men’s souls … the rich always betray the poor.”) are the best-known of the figures. Henry led the Antrim uprising of the United Irishmen in 1798 and was executed for it; Mary Ann was an abolitionist and social reformer.

Ludlow Square/New Lodge Road, north Belfast

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Copyright © 1998 Paddy Duffy
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Free The POWs

A collage of image from the previous 30 years, including banging bin-lids on the ground, Maıréad Farrell in Armagh prison, men on the blanket, the cages of Long Kesh, marches in support of the hunger strikers, and reproductions of various posters, against Margaret Thatcher, plastic bullets, internment, and censorship. There’s a quote from Bob Dylan in the middle, “How many times can a man turn his head and pretend that he just doesn’t see – the answer, my friend, is blowing in the wind, the answer is blowing in the wind.”

Ludlow Square, New Lodge, north Belfast

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Copyright © 1997 or 1998 Paddy Duffy
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Peace With Justice

“Peace with justice”, “Fáılte go dtí Bóthar Garbh Achaıdh”, “Re-route sectarian marches”.

Three murals were painted by three Belfast artists (DD, Marty Lyons, Mo Chara Kelly) in 1997 in Hurson Park (renamed from Churchill Park), Portadown, along the route of the Orange Order parade to and from Drumcree, in order to support the local residents who were attempting to block the march through the CNR Garvaghy Road.

In 1996, an initial decision to block the parade was overturned at the last minute, and 1,200 Orangemen marched down Garvaghy Road. The 1997 march also went ahead and “sit-down” protesters were physically removed from the road. (Here is 90 minutes of news footage from 1997 (youtube). There are brief clips of the muralists at work, at 20m44s, 28m48s, 35m16s, 37m32s, 43m26s, 53m23s, and 58m44s. The images of protestors being removed begin at 1h02m)

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Copyright © 1997 Paddy Duffy
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Stop At Nothing

“Our rulers will stop at nothing to attain their ends. They will continue to rule and rob until confronted by men who will stop at nothing to overthrow them.” The quote is from James Connolly on Conscription. Local volunteer Joe McDonnell is portrayed between the names of the ten deceased 1981 hunger strikers. 

Lenadoon Avenue, west Belfast

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Copyright © 1997 Paddy Duffy
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Nothing Has Changed!

“Old Labour 1969 – new Labour 1997 – nothing has changed!” Members of the Orange Order march with a large Union Flag on the backs of the RUC (with an Orange accent on their helmets) who are holding back the protesting local Catholic residents – particularly of the Garvaghy Road in Portadown and the Ormeau Road in Belfast.

The party in power (of the UK government) was the Labour party under Harold Wilson; in the general election of May 1st, 1997, Tony Blair’s Labour party regained power from the Conservatives. The mural hopes to pressure Labour into taking definitive action on the issue of parading – see (e.g.) Approved Parade Route, No Consent, No Parade and Not All Traditions Deserve Respect.

The mural in the distance to the left is the 1994 Fleadh mural.

Ardoyne Avenue/Ascaıll Ard Eoın, north Belfast

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Copyright © 1997 Paddy Duffy
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An Gorta Mór

An Gorta Mór is the Great Famine, or the Great Hunger among those who point out that there was plenty of food in Ireland in the late 1840s, just not made available to peasants. Of a population around eight million, a million people died and a million more emigrated.

“They buried us without shroud or coffin” is a line from an unrelated Seamus Heaney poem Requiem For The Croppies.

The mural comprises three images from Illustrated London News: (left) Bridget O’Donnel And Children (ILN) and (right) Funeral At Skibbereen (ILN). 

Ardoyne Avenue, north Belfast

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Copyright © 1997 Paddy Duffy
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Robert Emmet Commemoration

A Robert Emmet mural was painted by Robbie Kane in 1953 (for the 150th anniversary of the 1803 rebellion and his execution) in Crumlin Street. This was one of a very few CNR murals painted prior to the Troubles, and nationalist symbols were formerly outlawed in the Flags And Emblems Act of 1954. (See Visual History 02.) As can be seen below, the original was accompanied by a Christian cross and the words “Hail Christ our king”. This version reproduces only the two medallions, showing a Celtic harp (left) and a dramatic portrait of Emmet waving his hat, from the mid-1800s (WP/LoC).

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Copyright © 1997 Paddy Duffy
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Draoıchláırseoırí An Chınn Bhaıle

In Táın Bó Cúaılnge, the “sweet-mouth harpers of Caın Bıle” are also “druids, men of great cunning and great power of augury and magic.” They come to Medb and Aılıll to entertain them, carrying mistletoe by which they sing, but are mistaken as Ulster spies; the harpers turn themselves into deer to escape their pursuers, near the Lıa Mór (Great Stone) (Death Of Lethan). 

The source for the image is unknown.

Springhill Avenue, west Belfast

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Copyright © 1997 Paddy Duffy
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Ireland’s Soldiers Of Freedom

IRA volunteers are superimposed upon the flags of the four provinces. In the top left (Ulster) and bottom right (Connacht) they are aiming weapons (one with a sniper’s scope), while in the top right (Leinster) they are firing a funeral volley, and in the bottom left (Munster) are reading a statement at a microphone; in the middle are a lark and a Tricolour.

South Link, Andersonstown, west Belfast, replacing the even-more-heavily armed volunteers in Beıdh Ár Lá Lınn.

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Copyright © 1997 Paddy Duffy
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