Ahed Tamimi is a young Palestinian activist famous for slapping and pushing two Israeli soldiers in 2017, when she was 16 (footage at NBC News), after her cousin was hit in the head by an Israeli bullet. She was arrested soon after (USA Today) and served seven months (Al Jazeera | Guardian). She was also arrested last (2023) November (Al Jazeera) and released about three weeks later as part of a prisoners-for-hostages swap on November 29th (BBC).
The mural to Tamimi (above) is in Catherine Street, Newry. Also included (below) are an older mural with the cartoon character of resistance Handala (WP) in front of a Palestinian flag with the words “Let this child return home”, and a Connolly-Costello IRSP (Fb) board.
Despite the quote “Times change; we need to change as well” (attributed to Nelson Mandela, though perhaps only from Francois Pienaar in the film Invictus) the riot going on in black-and-white is not from the past (as in this east Belfast mural) but the present, and in particular from the 2021 riots on Lanark Way (BelTel) which is the site of this new mural. Similarly, the mural depicted in the background of the riot scene is not from the past – it was refreshed in 2022 and continues to loom over Mount Vernon and the off-ramp from the motorway – see Prepared For Peace, Ready For War.
The mural thus asks young people to decide between two visions of present-day life: the grey world of violence and the colourful world of programmes from R-City – Communities Integrated Through Youth (www.rcitybelfast.com), including “one-one mentoring”, “leadership for life” (QUB), and “SHE” [Supporting Her Empowerment].
The Belfast marathon (web) took place on May 5th (the same day as Hit The North) and as the runners completed their twentieth mile at the Waterworks on the Antrim Road they might have seen the mile marker shown above, which hopefully inspired them to power through ‘the wall’ they typically hit around 18-20 miles/3.5 hours of running (Marathon Handbook).
Also along the route, in North Queen St, and with a suitable theme, is the Sınn Féın placard shown below: “Let’s not run from the conversation” about a united. Ireland.
In the myth of ‘The Pied Piper Of Hamelin’, the piper leads the children away from the village of Hamelin after the mayor there refuses to pay him for charming away their rat infestation. The piper takes his revenge and only the lame child, the deaf child, and the blind child survive to tell the tale. (Here is Browning’s poetic version, along with 30 other references.)
This piper at Holy Trinity primary school (web) and St Martin’s nursery (web) in Turf Lodge might be thought to be leading them away from their parents and into school, but as the final image makes clear, they are on their way to a cavern underground.
The source for the mural is perhaps the painting at The Palace Hotel, in San Francisco (WP).
This is a new mural on boards celebrating boxing in the Turf Lodge area of west Belfast.
Belfast Boxers (ig) gives the names as (l-r) Eoin Hamill, Damaen Kelly, John Ireland, Dee Irving, Damien Fryers, Sean/Jim “Spike” McCormack, Sean McComb.
Hamill (the youngster on the far left) was knocked down and killed on the Springfield Road in 2020 (BelTel | BBC | Irish Times). John Ireland (third from left, with blue collar) died in a crash 2014 at age 20 (Belfast Media).
“But now thus says the Lord, he who created you, O Jacob, he who formed you, O Israel: “Fear not, for I have redeemed you; I have called you by name, you are mine.”” Isaiah 43 continues: “When you pass through the waters I will be with you … When you walk through the fire, you will not be scorched.” Thus, although the text is addressed to Jacob/Israel and the lion is a symbol of Jacob’s son Judah, whose eponymous tribe later gives its name to the Jews, Christians interpret it more generally as a promise to all believers.
In this way, this new board at Rehoboth Evangelical Mission in Mount Vernon is perhaps in the same tradition as the previous board, with its quote from John 11 (in the New Testament) promising that believers shall never die (X04693).
The inclusion of the flag of modern Israel which dates back to the Zionist movement in the late 1800s, however, gives this board a political edge, seeming to make it a token of support for Israel in its current conflict with Hamas and attack on the Gaza Strip. (The roaring lion and the lightning also give a sense of physical power.) As such, it would be (to our knowledge) the first printed board in support of Israel and an advance over the more typical flying of the Israeli flag.
Hill & White (2007 – paywall) begin their article with a survey of newspaper articles (including this free piece in Salon) about the flying of Israeli flags in Northern Ireland in 2002, explaining the practice as a response to the flying of Palestinian flags during the Second Intifada (p. 33) and an expression of admiration for Israeli’s use of physical force against its minority population (p. 37). The first appearance of an Israeli flag in the Peter Moloney Collection is from 2006, at a republican bonfire site.
If the Rehoboth board is counted as religious rather than political, the most sophisticated graphical expression of PUL support for Israel is the small paste-up seen in Ulster Supports The People Of Israel. (There is also implicit support for Israel in the board in Peter’s Hill to John Henry Patterson, which includes amongst his other exploits – including Operation Lion – his role as Godfather Of The Israeli Army.)
Here are three pieces from the Drumcor Hill area of Enniskillen.
Above, “Enniskillen remembers the hunger strikers” – for the fortieth anniversary of the 1981 strike, against a background of sunburst and starry plough, in Loughview Drive.
Below, the emblem of Gaeıl Inıs Ceıthleann/Enniskillen Gaels (web) on the wall outside their home field of Brewster Park.
Finally, a memorial stone to Bobby Sands in Erne Drive. The inscription on the stone reads, “‘Is naofa ıad sıud sa fhulaıngíonn ocras ar son na córa.’ [= Holy are those who suffer hunger for the sake of justice/”Blessed are those who hunger for justice”] I ndíl [ndıl] chuımnhe ar Óglach Bobby Sands, feısıre [= M.P.] Fhearmanach-Thír Eoghaın Theas, a d’éag 5 Bealtaıne 1981 ın aoıs 27 ı ndıaıdh 66 lá ar staıle [staılc] ocraıs ar son stádas polaıtıúıl a chomhchımí agus saoırse na hÉıreann. I measc laochra na nGael go raıbh a anam uasal. ‘Is í gáıre ár bpáıstí an díoltas a bheas agaınn'”
For an alternative translation of Sands’s quote “Our revenge will be the laughter of our children”, see The Spirit Of Freedom in the Peter Moloney collection.
“A Róısín, ná bíodh brón ort fé’r éırigh dhuıt”/Róısín, be not sad about what has happened to you”. The song ‘Róısín Dubh’ [usually translated as ‘Dark Rosaleen’] is a love song to Ireland, in which the infatuated singer recounts the lengths he would go to on her behalf (song (youtube): Muıreann Nıc Amhlaoıbh | Caıtlín Maude | poem/lyrics in English: Mangan | Kinsella at WP).
This new piece in the New Lodge, north Belfast, was painted (presumably) by emic (ig), (presumably) under the same auspices as, and as a thematic complement to, the project we reported on in Communities In Transition. The lack of explicitly nationalist or republican signifiers is perhaps necessary if the piece is to be funded by Communities In Transition, while the cultural reference is perhaps necessary if the art is to survive on what has for the past dozen years been an anti-Agreement wall – see Damn Your Concessions, England and Unbowed, Unbroken. Another emic piece, in Creggan, Derry, has been marked with republican graffiti – see Stand Up And Speak Out. This very skilful piece walks a very fine line very precisely.
Thomas Clarke/Tomás Ó Cléırıgh (b. 1858) has a long career in Irish fenianism, including fleeing to America after firing at police (at age 20) and 15 years of hard labour for an attempted bombing in London, beginning in 1883 (DIB). He is best known for his role, along with Sean Mac Dıarmada (The Mainspring), as architect of the Easter Rising. He is particularly honoured in Dungannon, where he grew up from the age of nine onward, the last posting of his British-Army–sergeant father. This statue in the Lisnahull area was unveiled (in this location) in late November 2021 (We Are Tyrone | NI World).
The circular placard is on O’Neill Park, across the street from the Garden.
The ‘East Tyrone Remembers’ board to IRA volunteers Sean Loughran, Patrick Carty, Patrick Quinn, Patrick McDonald, Kevin Murray, Paddy Kelly, Patrick Vincent – either this one exactly or a re-print of it – is mounted periodically. It first appeared in 2010 to be replaced by the Clonoe Martyrs. It was back again in 2013 and has been in place since 2017.
Twenty portraits in circular frames have replaced the twenty-one square portraits seen on the ‘Out Of The Ashes Of 1969’ mural in the New Lodge. From left to right, those portrayed are Michael P Neill, Seamus McCusker, Gerard Crossan, Colm Mulgrew, Francis Liggett, Brian Fox, John Kelly, Robert Allsopp, Louis Scullion, Billy Reid, Danny O’Hagan, Michael Kane, Sean McIlvenna, Jim O’Neill, Rosemary Bleakley, Martin McDonagh, James McCann, James Sloan, Dan McCann. Paddy McManus is no longer included, as compared with the earlier portraits.
For the mural without any portraits, at the time of its launch in 2012, see X00857.
Paddy Duffy Collection 