“Remembered with pride – Stevie McCrea, Village, south Belfast”. A plaque has been added below the large board describing Stevie McCrea’s life in Kilburn Street (seen in 2022’s Here Lies A Soldier, which includes the text on the board).
Also included below are close-ups of the plaques to McCrea and Sammy Mehaffy in Tavanagh Street, (seen together in Village UVF).
“We don’t just inherit, we lead across time and space.”
Here is the second half of the Ulster-Scots (Visual History) mural painted in North Howard Street and Fifth Street, continuing the work seen in Echoes Of The Ulster Scots, which took the Scotch-Irish from Ulster to the Appalachians.
The new panels bring us from the founding of the United States in 1776 to the space age. The panel above is a rendition of John Trumbull’s painting ‘Declaration Of Independence’ (image at WP) along with (below the “250”) the signature of “Cha[rles] Thomson”, who was born in Maghera, served as Secretary of the Continental Congress, designed the Great Seal Of The United States (which appears next to the right), and signed the Declaration (Ulster Scots Agency pdf).
The person third from the left is Robert R. Livingston, one of the Committee Of Five that prepared the Declaration; he also negotiated the Louisiana Purchase in 1803 (Discover Ulster Scots).
The flag is a combination of a proposed Ulster Scots flag and the Stars And Stripes of the United States.
North Howard Street/Fifth Street, west Belfast
April 19th: Artist DMC at work on the second half of the mural.
“In memory of the lost, 15 April, 1912.” The majority lifeboats on the RMS (not “SS”) Titanic were made of wood, constructed at Harland & Wolff at the same time that Titanic was built. Of the 2,209 people on board the ship at the time of her collision with an iceberg late in the evening of April 14th, 706 people survived in lifeboats that could have carried 1,178 people. (WP)
This tribute to those who died in on a short section of pedestrian railings on the Cupar Way “peace” line (Visual History). In the background are the specially designated spots for tourists to sign the wall (see Collecting Signatures).
Saoradh describes itself as an all-Ireland, revolutionary, socialist, republican party (web) with the IRPWA (web) as its “prisoners’ welfare” department and Éıstıgí as its youth wing. The “revolutionary” is perhaps in reference to its (alleged) association with the New IRA.
The wall is notable for the wild-style writing and other art painted on the Shankill side – including this paste-up by Leo Boyd (web) – but the wall itself, at 30+ feet tall, is the main draw, and tourists sign their names (and patronising slogans) on top of the art.
“Echoes of the Ulster-Scots across the United States Of America”, “The Ulster-Scots … their footprints and songs graced the Appalachian Trails.”
These four panels are the first stage of a longer “pioneers to presidents”-style mural (Visual History) on Ulster-Scots (or, Scotch-Irish) emigration in the 1700s to the British colonies that in time became the United States.
Upon arrival at eastern sea-ports, many of the Scotch-Irish headed west across the Allegheny mountains and down into the Appalachians. By 1790, it is estimated, almost 200,000 people, or 6% of the population, of the recently-created United States Of America were of Ulster-Scots heritage (WP).
These four panels are in North Howard Street, west Belfast. As can be seen from the wide shot below, the mural will soon be extended around the corner into Fifth Street. (Update: see We Lead Across Time And Space.)
This entry updates 2022’s They Said We’d Never Last, showing the space where previously there were four panels of historical photographs from the Ulster Volunteer Force flute band.
For the John Singer Sargent painting in the bottom-left corner of the wall, see Observe The Sons Of Ulster.
St Leonard’s Crescent/(old) Newcastle Street, east Belfast
At its peak, the Harland & Wolff shipyard employed 35,000 people (IndustriAll) and the flat-capped worker became a symbol of east Belfast, along – much later – with Samson and Goliath, the two gantry cranes at the shipyard that were raised in 1974 and 1969 (WP) and which have become the symbol of Belfast.
The silhouetted workers and cranes are on a mobile office in Fraser Pass, Newtownards Road, Belfast, at the end of the Pitt Stop next to the Belfast Bikes racks.
St James’s Swifts (web) are a west Belfast club playing intermediate level soccer with Donegal Celtic Park on the Suffolk Road as a home ground.
The three pieces shown here are in St James’s Crescent, at the Park Centre on Donegall Road, and St James’s Road. The mural in progress (shown last) is in St Katherine’s Road
Here are three banners/posters spotted along the Falls Road during the Easter Rising parade on April 5th:
Above: “Sainsbury’s supports Israel! Don’t shop there. Easter Sat 4th [April, 2026].” For background see the post and reel on the BDS Belfast Fb page.
Below: “U.S. military not welcome in Ireland! Not in Shannon, not in Aldergrove.” For background, see Al-Jazeera | ShannonWatch. April 13th: a person was arrested for taking a hatchet to a C-120 Hercules (Democracy Now).
Last below: “PSNI target Catholics at much higher rate for stop-and-search. Source: PSNI stop-and-search data. Do not join the RUC/PSNI. Same aim, different name. IRSP [web] – the party of Connolly & Costello.” The data in question might be from the 2020-2021 period (PSNI | TheDetail) as the current (2025) data do not appear to report on sectional identification.