Here are only three of many painted utility boxes that have been recently painted as part of the on-going Belfast Canvas project, begun in 2020.
These three pieces are … ‘Hang In There’ by CG Chimp (Chaingun on ig) on the Holywood Road in east Belfast, ‘I (Heart) Pool!’ by PaperSleeve/Niamh McWilliams (web) on Donegall Road in south Belfast, and an abstract piece by Bláthnaıd Ní hAogáın (ig) in University Square, Belfast city centre.
For about 140 painted boxes, from the Belfast Canvas project and otherwise, see the Visual History page for the boxes.
The image above shows a unified and wider view of the two pieces seen previously in Bloomfield House and In All Theatres Of Conflict: on the left, a board marking the centenary of the Ulster Volunteers’ ‘Larne Gun-Running’; on the right, a board commemorating the casualties from the 36th (Ulster) Division in WWI; above them both are small boards from the ‘Poppy Trail’ collection of deceased locals.
“Break the stigma – be kind to your mind” – mental-health messaging by Pigment Space (ig) on the shutters of the Walk Inn Charity Shop, Holywood Road, east Belfast – next to Forever Changes (Bill Harris hair salon) and The Holywood Arches (Arches café), and across from Be Your Own Kind Of Beautiful (Norah Mitchell flowers).
“Welcome to Maghera”. These images are of the lockdown-era art on the public bathrooms in Maghera, with a variety of mental-health messages: “Don’t pretend. Don’t bottle it up. You are good enough”, “No matter what you do, you will allways [sic] be forgiven”, “Our mind’s our own”, “Mask your face, not your feelings”, “Mental health matters”, “Unlock skills in lockdown”,
Charles Thomson was born in Maghera in 1729 and moved to North America in 1739. He served as the secretary of the Continental Congress and signed the Declaration of Independence. He helped design both the front and back of the nation’s Great Seal in 1782. (WP)
He is honoured in his home town by the board shown here. Thomson’s design for the reverse of the seal – the all-seeing eye over an unfinished pyramid (WP) – appears in the eagle’s left-hand wing, and his preliminary sketch, with wing-tips pointed downward (WP), in the right-hand wing.
Text of the information panel: “The Final Design of the Great Seal – June 20, 1782. On June 13, 1782, Congress asked Charles Thomson to come up with a suitable design for America’s Great Seal. With the reports and drawings of the three committees before him, he set to work. Thomson had served the past eight years as the Secretary of the Continental Congress where he acquired a reputation for fairness, truth, and integrity. Well-versed in the classics, he was once a Latin master the Academy of Philadelphia. Although today he is not a well-known founder, Charles Thomson was at the heart of the American Revolution. Thomson incorporated symbolic elements from all three committees with ideas of his own to create a bold and elegant design. He made a sketch and wrote a description of his preliminary design. For the front of the Great Seal, Thomson drew an American bald eagle and for the centrepiece he a [sic] placed the shield upon the eagle’s breast. Thomson envisioned an eagle “on the wing and rising.” In the eagle’s right talon is an olive branch. In its left, a tightly drawn bundle of arrows. Thomson said these symbols represent “the power of peace and war.” In the eagle’s beak, he placed a scroll with the first committee’s motto: E Pluribus Unum ‘Out of Many, One’. For the crest above the eagle’s head, Thomson used the radiant constellation of thirteen stars suggested by the second committee. He described the light rays as “breaking through a cloud.” For the reverse side of the Great Seal, Thomson used Barton’s (third committee) suggestion: an unfinished pyramid with the eye of Providence in its zenith, but added a triangle around the eye (like the first committee did). He also created two new mottos: Novus Ordo Seclorum ‘A New Order of the Ages’ and Annuit Coeptis ‘Providence has Favoured Our Undertakings’. After consulting with William Baron, the position of the eagle was changed to “displayed” (wings spread with tips up) and the chevrons on the shield were changed to the vertical stripes we see today.”
Korda’s famous photograph of the 31-year-old Che Guevara was taken in Havana, Cuba, in 1960, and was turned into the ubiquitous two-tone poster by Irish artist Jim Fitzpatrick in 1968. (For a more complete history of both the photo and the print, see the Visual History page on the influence of Jim Fitzpatrick.) This very faithful reproduction of Fitzpatrick’s Che is in Glen Road, Maghera.
“Marcella”, in the bottom right, might be the name of the artists; Bobby Sands used his sister’s name – “Marcella” – to sign the pieces that he wrote for newspapers outside Long Kesh.
Poet Seamus Heaney grew up in Bellaghy, about seven miles from Maghera where this street-art in the centre of the town (on Walsh’s Hotel) includes lines from his poem ‘Digging’: “Between my finger and my thumb the squat pen rests. I’ll dig with it.”
The central space in Ardoyne’s Easter Rising centenary wall, combining stencils of the signatories to the Proclamation around a tarp of the document (see In Commemoration Of 1916) has been empty – except for some electoral signs – since 2019’s board marking the centenary of Sınn Féın (see Still The People Spoke). This new tarp returns to the Proclamation and Easter lily and matches the frame of signatories once more.
The last full mural on the wall fell down in 2014 and there does not appear to have been the energy to paint another full mural since then – but perhaps the fading paint around Clarke and Connolly will provoke a complete re-do.
This is (at least) the third different tarp at the entrance to Cluan Place in memory of Ian Ogle, who was killed on the evening of January 27th, 2019. Five people have been found guilty of the murder and officially received their sentences in March; four others have been convicted of lesser charges (BBC | ITv | Belfast Media | Judiciary NI).
The small board “In memory of Ian Ogle” (immediately below) is also a recent addition.
Paddy Duffy Collection 