St James’s Community Farm

St James’s Community Farm/Feırm Phobaıl Naomh Séamus (web | Fb) started in 2015 with a dozen hens; it is now home to 38 animals, produces vegetables and eggs, and collects cans for recycling.

Belfast Media recently profiled the farm (in print) and is producing a series of short videos about the farm: one | two | three (on youtube).

Rodney Parade, St James’s, west Belfast, replacing the Garden Of Hope mural, and next to St James’s Youth.

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A Panorama Of Republicanism

Féıle An Phobaıl (web) is now headquartered in the renovated (BCC) St Comgall’s on Divis Street in Ionad Eileen Howell, and during this year’s (2025) festival is home to an exhibition called “Vibrant Colours, Violent Past”, the centrepiece of which is a 20-foot-long panoramic history of republicanism, with Wolfe Tone, James Connolly, and Martin McGuinness as pivotal figures.

A leaflet distributed at the launch (on August 1st) explained the genesis of the project, as follows:

“A few years ago I met a great friend of Ireland and art collector Darius Anderson from California who was here on a trip with his wife Wendy and hoping to see some new work by Irish artists, not only work destined for gallery walls but having been fortunate to be included on one of local guide Dee Morgan’s tours he developed a love for and focus on our world-recognised mural art tradition.

“Then last year on another trip here I was able to introduce Darius to my life-long friends and probably the most prolific contributors to our local landscape.

“From a casual meeting alongside Marty and Micky at work repainting the Vol. Kieran Doherty mural in Andersonstown came an inspired suggestion that we accept a challenge from him to tell our story graphically on a canvas rather than the usual brick wall, not just on canvas to hang on a wall in his gallery in L.A. but a canvas to cover the entire wall 20ft x 7ft!

“Excited by our positive response Darius wondered could we invite some loyalist artist/activist to contribute a similar large canvas celebrating the history of the British, Unionist, Loyalist community here.

“That was last July. This exhibition is a result of that meeting but also a chance for the public to remind themselves of our often colourful and unfortunately violent past. – Danny D, Muralist/Activist”

“History is like a rearview mirror! You must always check back but you must keep focused on the road ahead, otherwise you are going to crash!” (Similar wording was used in a piece – Painting From The Same Palette – painted by Danny D and Mark Ervine in 2008.)

The exhibition was launched on August 1st and also included four display boards featuring murals by Danny D (CNR) and Dee Craig (PUL) (Fb).

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Welcome To Ballynafeigh

Ballynafeigh is the neighborhood just across Ormeau bridge, containing Annadale flats and surrounding streets – home to Ormeau Road UDA/UFF and Ballynafeigh Apprentice Boys flute band (Fb). The painted boards shown here was painted by Daniela Balmaverde (web) with help from local volunteers and presents imagery from non-Western cultures along with slogans on tree-trunks: “Cultural dialogue”, “Celebrate identities”, Shared neighbourhood”, “Community development”, “Tolerance”, and “Respect cultural diversity”.

The mural is at the Ormeau Road entrance to Ormeau park opposite Candahar Street. The Brigada Romona Para mural was previously in this spot.

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Shore Life

Here is a survey of some street art in Donaghadee, Co Down (along with Donaghadee Harbour).

The owls, puffins, and bee painted on the electrical boxes on the Parade are by Sharon Regan (ig) who also did a series of windows in Bangor.

Grace Neill’s (web) which claims to be the oldest licensed bar in Ireland, dating back to 1611.

“S McC” and the artist(s) of the other pieces in High Street are unknown, as is the artist of the octopus on the front of The Captain’s Table (Fb).

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The Lurgan Ambush

“Fuaır sıad bás ar son saoırse na hÉıreann. Óglach Sean Burns, Óglach Gervase McKerr, Óglach Eugene Toman. “But they dared to hold their heads up high and never once did fail to declare their wish for freedom like true sons of the Gael” – The Lurgan Ambush (A poem by Ita Green [set to music at Irish Folk Songs])”.

The IRA volunteers were three of the six people shot in Lurgan in three incidents in November and December of 1982; the others were Seamus Grew, Roddy Carroll, and Michael Tighe. The deaths of the three would be investigated by the RUC and then by the Stalker Inquiry into the shoot-to-kill policy (RN); an inquest was begun by the Coroner in 2007 (BelTel | Madden-Finucane). Under the Legacy Act, which came into effect on May 1st (2024), the inquest has been suspended and the case transferred to the Independent Commission for Reconciliation and Information Recovery (Irish News).

Taghnevan Drive, Lurgan

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Honour And Respect His Last Request

“Honour and respect his last request. Bring him home. Roger Casement, executed 3rd August 1916 9.00AM Pentonville Prison, London. Roger Casement Commemoration & Re-Interment Association.”

Casement’s preferred resting-place was Murlough Bay, as explained in the original entry for the painting on the other side of the gates showing Casement in front of Murlough Bay, included again below but here with a wreath of yellow flowers.

This new (printed) board is on the left-hand side of the gates of the park named in Casement’s honour. Here is the background photo of the GPO at the top of the board; the photograph at the bottom is from NLI (available on Flickr).

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The Factory Girls

Tillie & Henderson’s shirt factory opened in 1856 at the junction of Abercorn Road and Foyle Road, Derry (next to the ‘Hands Across The Divide’ statue) and survived until 2003 when it was demolished after a fire (BBC); an apartment block was planned for the site (Derry Journal | BBC) but as yet nothing has happened. It was the largest such factory in the world and one of 44 shirt factories in the city in 1900, all of which employed women, many starting in their teens.

Derry Of The Past has a gallery of historical images.

The murals are in the courtyard of the Craft Village in Shipquay Street; they were designed by Joe Campbell and painted by UVArts (web).

(BBC | BBC | DEPOT | BelTel)

See also: Derry Women Make Communities

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Conspicuous Gallantry

“Dedicated to the memory of the men and women who served with the UDR C.G.C (Conspicuous Gallantry Cross) under OPERATION BANNER during the Troubles. Lest we forget. Also in memory of local veteran Geoffrey Lindsay who passed away on the 12th November 2022.”

The Conspicuous Gallantry Cross is shown (in the close-up below) at the top of the board; it was awarded to the UDR retroactively in 2006 for its role in ‘Operation Banner’, i.e. the deployment of British Army troops to Northern Ireland – the regiment had been folded into the Royal Irish Regiment in 1992. The mural is specifically to the 5th (Co. Londonderry) battalion – here is a list of the 11 battalions (and bases).

There is also a UDR information board (and an Ulster Volunteers board) in the green-space in front of this mural – see Leckagh Remembers The Fallen.

The memorial mural to the 36th (Ulster) Division on the end wall has also been completed since last (2023) year – in-progress images for both murals from last August are included below. For the previous murals on these walls, see C07766.

Two other pieces are included, below: the UVF mural was seen last year in Pause, Reflect, Remember; the ‘Ignite the fire’ board appears to be new.

Leckagh Drive, Magherafelt

August 27th green-washing of previous mural:

August 27th in-progress image of mural immediately above:

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Sweet Rockall

Nigel Farage yesterday had a banana milkshake from McDonald’s thrown over him by a protester in Clacton (Guardian) as Farage launched his own and the Reform Party’s campaign for the Westminster election on July 4th. It was not Farage’s first milkshake – he was doused by a banana-and-caramel shake from Five Guys in Newcastle in 2019 (BBC).

He is shown here (above) in a Ciaran Gallagher painting in the courtyard of the Dark Horse bar in Belfast city centre (at the end of the Ship Of Fools saga), with pint and cigarette in hand, looming over the UK’s most recent (and perhaps final) territorial expansion: the annexation of Rockall in 1955 and with it a claim of a 12-mile exclusion zone of sea and airspace; it is also claimed by Ireland, Iceland, and Denmark (WP).

Included below are other ethno-nationalists on display in the courtyard, portrayed as the four horsemen of the apocalypse, Donald Trump (famine), Vladimir Putin (death), Kim Jong Un (pestilence), and Ruhollah Khomeini (war).

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