“Óglach Billy McKee, Óglach Alex Murphy, Óglach Breandan [Brendan/Breandán] Hughes (The Dark)” are featured in a new D Company board on the anti-Agreement wall below the Falls Garden Of Remembrance.
In the bottom corners is the emblem of Glór Na hÓglaıgh (Fb), a new (March 2026) “revolutionary republican socialist political party”, associated with Óglaıgh Na hÉıreann and feuding with the RNU.
As in the previous board, Alex Murphy is included (on the left); Murphy was sentenced to life imprisonment for his role in the killing of the two Signals corporals (Wood and Howes) in 1988 (UPI). He was released in 1998 under the provisions of the Agreement and died in 2019 (Pensive Quill). (The D Company board on the International Wall (Visual History) features Kieran Nugent rather than Murphy.)
A crude stencil pays tribute to IRA volunteer Sean Clinton, who died in April (2026) (Pensive Quill).
The stencil re-creates a famous photograph (CAIN), taken by Brendan Murphy of the Irish News (November 2025 BBC obituary), showing Clinton firing from this spot at an RUC checkpoint on Ormeau bridge. Clinton/the photo is also known as “The Last Gunman”, as the ceasefire was renewed a few days later, on July 19th, 1997.
Artana Street, lower Ormeau, south Belfast
For the Parades Protest mural, see Stand Off, Trade Off, which gives links back to its original appearance in 1998.
The “Roden Street Bonfire And Cultural Festival 2026” has events every day this week, leading up fireworks and the lighting of the bonfire on the Eleventh (Fb). This new board, at the Donegall Road end of Roden Street, was unveiled on June 28th (Fb video).
“William III and II, also known as William of Orange, was the sovereign Prince of Orange from birth, Stadtholder of Holland, Zeeland, Utrecht, Guelders, and Overijssel in the Dutch Republic from 1672, and King of England, Ireland, and Scotland from 1689 until his death in 1702.”
“Historical Significance. The Glorious Revolution: William was invited by English Protestant leaders to invade England depose his Catholic father-in-law, King James II. Battle of the Boyne (1690): He secured his rule in Ireland by defeating James II’s forces at this pivotal battle. Constitutional Monarchy: His reign with his wide, Mary II, marked a shift toward parliamentary power through the 1689 Bill of Rights. Cultural Legacy. The Orange Order: A Protestant fraternal organisation named in his honour, which celebrates his victory at the Boyne annually on The Twelfth (July 12). Iconography: He is famoulsy depicted on murals in Northern Ireland, often riding a white horse and wearing an orange sash. Place Names: He is the namesake of Williamsburg, Virginia, and the College of William and Mary. ‘Remember 1690 – King Billy’s on the Wall [youtube]'”
The portrait of William on the left is by Godfrey Kneller and part of the collection in the National Gallery Of Scotland.
“Bridie McBrearty (née Murphy) 1929 to 2024. A woman of devotion to God, family and country. Her light shines on within us.”
Bridie McBrearty passed away at home in Rathowen Park in June 2024 (Derry Now) and a plaque in her memory has been added below the mural to her son George, who was shot by the SAS on May 28th, 1981 along with Charles “Pop” Maguire, both of the IRA. On patrol in Creggan with two other IRA men, McBrearty and Maguire pursued and a car whose driver they suspected of being an SAS soldier and eventually stopped it at the bottom of Couch Road/Southway at the edge of the Brandywell. The driver shot McBrearty as he approached the car and Maguire was shot by the driver and/or by other undercover soldiers from 14th Intelligence who emerged from two other cars. A third volunteer was injured. (Lost Lives 2330)
The “Crann Na Poblachta”/”Tree Of The Republic” – a silver birch – was originally planted in front of the previous mural to George McBrearty mural in Rathkeele Way (see Freedom Fighter For The Republic) (Derry Journal). Both that mural and this one were painted by ‘Bogside Artist‘ Kevin Hasson.
There is a plaque to McBrearty & Maguire near the spot where they were killed on Coach Road/Southway (see M01544).
“[Scaoıl] saor Niall Sheerin anoıs”, “Republican prisoners still exist”. Niall Sheerin was imprisoned for seven years for possession of the weapon that police believe was used by the New IRA to shoot Lyra McKee in April, 2019 (BBC). The calls for his release have been prompted by Sheerin reaching the 50% mark of his stretch and becoming eligible for parole. (RN | Fb video of a protest | a Newry billboard (BBC) (previously used for Don’t Forget The Palestinian Children). There is also a large board supporting Sheering in Creggan.
“We must see our present fight right through to the very end – Bobby Sands IRA volunteer”. The quote does appear to be genuine, though its source is unknown, suggesting it was in a Marcella column in AP/RN. An extended version reads, “We must see our present fight right through to the very end. Generations will continue to meet the same fate unless the perennial oppressor – Britain – is removed, for she will unashamedly and mercilessly continue to maintain her occupation and economic exploitation of Ireland to judgment day, if she is not halted and ejected.” (Leave a comment/send an e-mail is you can provide the source.)
The ‘barbed wire’ emblem is from the IRPWA (web) and the ‘sunburst’ from Saoradh (web). The ‘green ribbon’ is a generic symbol of republican political prisoners going back to the ceasefire era (see the Peter Moloney Collection) and the ‘Easter lily’ of Irish republicanism. (There is a small Sheela-Na-Gig/Síle-Na-Gıgh plaque next to the lily, possibly part of Project Sheela (web).) The ‘clenched fist’ is the same fist as appeared in the old (1994) Battle Of The Bogside mural.
The same slogan – “We exist! We resist! We rise!” – has been used by Saoradh (web) in connection with Palestinian prisoners in west Belfast (see Springfield | Andersonstown) but here the accompanying image shows the sun rising on a native American in full headdress holding a spear, mirroring the Gal Gréıne and the pike that are part of the Saoradh emblem. It’s not clear if there is a current campaign around Native rights; in the past Saoradh has expressed support for Leonard Peltier.
This mural, painted in 1981, still exists as is and is thus the oldest original mural in the north. It shows a phoenix rising from the shields of the four provinces and a stand of three flags: Starry Plough, Tricolour, and Sunburst.
Text above: “Sir Edward Carson 1854 – 1935 “Uncrowned King of Ulster” Founding member and leader of the Ulster Volunteers. Carson led Ulster Unionist resistance to the British Government’s attempts to introduce Home Rule for the whole of Ireland.”
The epithet “uncrowned King” seems to be generally used of Carson and not attributable to any one source. Here is a September 1912 newspaper article that calls Carson the “uncrowned King of the North” and relays criticisms of a Carson reception in Portadown as “a parody upon a royal reception” and “an insult to the King”. A May 1914 review of (the book) The Reign Of Edward Carson refers to “King Carson”. (Here is a postcard depicting Carson as a king upon a throne – Postcards Ireland.)
The phrase is an echo of and response to the phrase “uncrowned king of Ireland”, which was used of both O’Connell and Parnell. Here is an 1847 article describing both O’Connell and the Napoleonic Governor-General of Algeria (WP) as “uncrowned monarch[s]”. According to WP, the epithet was first applied to Parnell in 1880, because he was so popular during a tour of the United States and Canada. At the end of James Joyce’s story ‘Ivy Day In The Committee Room’ a character recites a poem about Parnell, beginning “He is dead. Our uncrowned king is dead” (archive.com).
The wording “the British government’s attempts to introduce Home Rule” is more forthright than we are used to. Typically the resistance is simply to “Home Rule”. This wording makes clear that the Ulster Volunteers were a private militia preparing for the possibility of fighting the regular British Army and Navy. By being so explicit, this wording suggests that we are currently living through a time in which loyalists consider the “British government” to be insufficiently British, just as was the case in 1912.
Text below: “Sir Edward Carson being escorted by members of the Ulster Special Service Force on the Newtownards Road passing the Belvoir Bar in the company of Captain James Craig and the Officer Commanding of the Ulster Volunteer Force Sir George Richardson.”
According to a Regimental Band Fb post, “Sir Edward Carson was speaking at the Reform Club in Royal Avenue. There was an opinion that the British Government were going to try and arrest him so he was escorted to the safety of Craigavon House [shown on the right of the mural]. This photo was taken on the 20th March, 1914.” This October 1913 article, in addition to calling Carson “Ulster’s Uncrowned King”, notes that he travelled with a detective and carried a revolver.
By Dee Craig (Fb), presumably, replacing his hooded gunmen mural The Right To Defend Yourself, on the Newtownards Road at (the former) Bright Street.
These UVF boards can be found in Inverary Street, Gardens, and Drive, in the Sydenham area of east Belfast. They mix a memorial with symbols of an active organisation: an emblem (of the YCV) and a hooded gunman above the slogan “armed and ready”.
The memorial presents photographic portraits of four UVF members – Robert “Squeak” Seymour (east Belfast commander, shot dead by the PIRA in 1988), Robert Bennett (killed by the British Army during a riot in 1973), and Joe Long and James Cordner (killed in a premature explosion in 1977). “At Ulster’s call, they gave their all, a different war, on a different day, a bloody sacrifice, was the price to pay.”
