Three plaques at the Ballynafeigh Apprentice Boys social club on Blackwood Street:
“In loving memory of Allison Jane Smith – you’re missed so much by so many who knew you in Ballynafeigh”, “Celebrating the 100th anniversary of the foundation of Northern Ireland – Northern Ireland centennial 3rd May 2021”, “In memory of all our past members”.
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“We stand with Kneecap” – Kneecap yesterday announced a ten-date November tour of Scotland, Wales, and England, adding on to a jam-packed schedule of upcoming gigs that includes a string of European festivals and a tour of the United States. (The trio’s full schedule can be found at their web-site.) In between the France and Belgium dates, on August 20th, Lıam Óg Ó hAnnaıdh will make a different kind of appearance, in court, to face terrorism charges stemming from his display of a Hezbollah flag at a gig.
This tarp is on the Felons’ Club/Cumann Na Méırleach Poblachtach Éıreannach, replacing Seas Leıs An Phalaıstín. See also Seas Le Kneecap on the Falls Road.
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Preparations for Eleventh Night bonfires are underway in many estates, including Ballycraigy in Antrim which is getting help from an AI-generated Popeye. Ballycraigy used to boast the biggest Bonfire (see Lead The Way); you can keep track of this year’s build on the bonfire’s Facebook page.
Hollowburn Road, Ballycraigy, Antrim
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As part of the town’s VE Day celebrations, Donaghadee mounted a series of flower boxes, information boards, and crocheted poppies, along Hunter’s Lane (which runs between High Street and the Parade). Also included are small panels to twenty-three local soldiers who died during the War.
“Donaghadee Community Development Association [Fb], in collaboration with Donaghadee Community Partnership, Donaghadee Historical Society [Fb] and the In Stitches Group, is proud to present this floral and educational display in commemoration of the 80th anniversary of Victory in Europe. With support from Ards and North Down Borough Council, First Presbyterian Church, Abbeyfield, Wesley Housing and local residents, this project brings history to life in the heart of our town. / On 8th May 1945, the guns across Europe fell silent. After six years of devastating conflict, Nazi Germany surrendered unconditionally, marking the end of the Second World War in Europe. VE Day – Victory in Europe Day – was met with celebration, relief, and solemn reflection. Across the United Kingdom and the Commonwealth, crowds rejoiced, even as they grieved for the fallen and the irrevocable loss left in war’s wake. This display honours the 23 men and women from Donaghadee who gave their lives in service during World War II. We remember them with pride, gratitude, and sorrow. Through a series of commemorative panels, we also highlight the stories of eight wartime figures – from global leaders to everyday heroes – whose courage shaped history. / This is more than an remembrance. It is a space to reflect, to learn, and to give thanks. As we mark this significant anniversary, we commit ourselves anew to the values of peace, unity, and understanding. Let us remember – not only what was lost, but also what was won: the enduring freedom we enjoy today.”
The eight notable figures are: “Winston Churchill, the voice of defiance”, “King George VI and Queen Elizabeth”, “Her late majesty Queen Elizabeth II”, “Dame Vera Lynn, the forces’ sweetheart”, “Lt Col Blair Mayne, SAS trailblazer”, “Violette Szabo, the courageous spy”, “General Bernard Montgomery”, “Douglas Bader, the indomitable ace”.
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The image of the Ulster Tower at Thiepval in (Ulster) Tower Street, east Belfast, has now faded beyond recognition (see 2022 | 2016) and so been covered over with a variety of flags affixed to the wall.
First is “The Ulster People’s Army – the Great War 1914-18”, then a graveside mourner, and then three along the bottom, two from a series of “British Armies In France” showing images of the Royal Irish Rifles (with, unusually, the leek standing for Wales in the quartet of national flowers) and these two flanking a third showing the East Belfast regiment of the Ulster Volunteers transformed into the 8th battalion of the RIR (107th brigade, 36th Division), marching past a throng on their way to fight “for King and empire”.
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This is a series of ten boards in Craigyhill, Larne about WWII. (It replaces a set of twelve UDA boards – see The Loyalist Executioner.)
From left to right (top to bottom) their subjects are:
the Ulster Defence Volunteers/Ulster Home Guard, formed from the B Specials;
Paddy the pigeon;
submarine HMS Thrasher (using an image from the Seosamh Mac Coılle collection);
HMS Larne, a minesweeper built in Renfrew, Scotland;
the port of Larne through which passed “over 5 million people and Allied forces”;
Kilwaughter Castle, a training ground for UK and American troops;
the royal visit of King George VI and Queen Elizabeth in June 1942;
James Stuart Steele of Ballycarry, who served in both WWI and WWII;
the Larne Spitfire, one of seventeen spitfires funded by a Belfast Telegraph fund-raising drive (Wartime NI | see also the Ballymena spitfire in Per Ardua Ad Astra);
local casualties of WWII – “In remembrance of those from town of Larne that paid the supreme sacrifice during the Second World War”.
Shanlea Drive, Craigyhill, Larne
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“1st Shankill Somme Association [Fb] roll of honour. In memory of our esteemed past members. Lest we forget.” The Association celebrated its twenty-fifth anniversary in February of this year (2025) and celebrated with a march from the leisure centre up to the garden of reflection next to the Shankill graveyard (Fb). The new retrospective board above shows members of the Association at trips to various WWI landmarks across the years.
This board replaces the James Craig board seen in Because He Loves What Is Behind Him.
Also included is an image of the roll of honour to the left of the main memorial, which now has some new names and is topped by a tribute to Queen Elizabeth II. For Joe Coggle see S Company, C Company.
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“The Shamrock supports Kneecap”. Kneecap member Mo Chara (Lıam Óg Ó hAnnaıdh) appeared in court (in London) last week to face charges of displaying a flag of a proscribed organisation (Hezbollah). He was released on bail and will return on August 20th. (BBC | AP) In the meantime, the group appeared in front of 10,000 fans on the West Holts stage at Glastonbury on Saturday (June 28th) despite criticism from UK prime minister Keir Starmer (BBC).
For the band’s other woes, see Seas Le Kneecap.
The Shamrock Sport & Social Club (Fb) in Ardoyne is running a promotion by which people who post their selfies in front of the new mural in supoprt of Kneecap on social media can claim a bottle of Le Grá lager (web).
The fist is familiar from the pro-Palestine mural in Beechmount and the burning PSNI land-rover is familiar from the first (of three) Kneecap murals in Hawthorn Street – see Incendiary Device.
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The image above shows a unified and wider view of the two pieces seen previously in Bloomfield House and In All Theatres Of Conflict: on the left, a board marking the centenary of the Ulster Volunteers’ ‘Larne Gun-Running’; on the right, a board commemorating the casualties from the 36th (Ulster) Division in WWI; above them both are small boards from the ‘Poppy Trail’ collection of deceased locals.
A close-up of the circular plaque above ‘Gunrunners’ can be seen in the Peter Moloney collection.
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Charles Thomson was born in Maghera in 1729 and moved to North America in 1739. He served as the secretary of the Continental Congress and signed the Declaration of Independence. He helped design both the front and back of the nation’s Great Seal in 1782. (WP)
He is honoured in his home town by the board shown here. Thomson’s design for the reverse of the seal – the all-seeing eye over an unfinished pyramid (WP) – appears in the eagle’s left-hand wing, and his preliminary sketch, with wing-tips pointed downward (WP), in the right-hand wing.
Meeting House Avenue, Maghera
See also: the Visual History page of Ulster-Scots Murals.
Text of the information panel: “The Final Design of the Great Seal – June 20, 1782. On June 13, 1782, Congress asked Charles Thomson to come up with a suitable design for America’s Great Seal. With the reports and drawings of the three committees before him, he set to work. Thomson had served the past eight years as the Secretary of the Continental Congress where he acquired a reputation for fairness, truth, and integrity. Well-versed in the classics, he was once a Latin master the Academy of Philadelphia. Although today he is not a well-known founder, Charles Thomson was at the heart of the American Revolution. Thomson incorporated symbolic elements from all three committees with ideas of his own to create a bold and elegant design. He made a sketch and wrote a description of his preliminary design. For the front of the Great Seal, Thomson drew an American bald eagle and for the centrepiece he a [sic] placed the shield upon the eagle’s breast. Thomson envisioned an eagle “on the wing and rising.” In the eagle’s right talon is an olive branch. In its left, a tightly drawn bundle of arrows. Thomson said these symbols represent “the power of peace and war.” In the eagle’s beak, he placed a scroll with the first committee’s motto: E Pluribus Unum ‘Out of Many, One’. For the crest above the eagle’s head, Thomson used the radiant constellation of thirteen stars suggested by the second committee. He described the light rays as “breaking through a cloud.” For the reverse side of the Great Seal, Thomson used Barton’s (third committee) suggestion: an unfinished pyramid with the eye of Providence in its zenith, but added a triangle around the eye (like the first committee did). He also created two new mottos: Novus Ordo Seclorum ‘A New Order of the Ages’ and Annuit Coeptis ‘Providence has Favoured Our Undertakings’. After consulting with William Baron, the position of the eagle was changed to “displayed” (wings spread with tips up) and the chevrons on the shield were changed to the vertical stripes we see today.”
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Paddy Duffy Collection 