“The UDA formed in 1971 as an umbrella for Loyalist Vigilante groups being formed. There [sic] role to defend the Protestant community from IRA violence. They remain today. Ask yourself this question: When the battle has been finally won, will I be able to stand and be counted amongst the men won it? Make sure the answer is yes – join your local unit of the UDA. Your country needs you.” This is an addition to the panels shown in Show No Mercy, Expect None Back.
And (on the other side of the street) the tarp is an addition to ‘We Will Never Accept A United Ireland’. “We remember our culture, from the siege of Derry to the battle of the Boyne. ‘No Surrender’.”
These three panels form a single installation at the top (Woodvale) end on the Shankill Road. The one above celebrates the ties between Belfast and the Stirling & District Campsie Club, a branch of one of the associated clubs of the Apprentice Boys Of Derry. It features the cannon “Roaring Meg” (“presented by the Fishmongers Company of London 1642″) which is used as the seal for the club, the club’s flag which includes a red hand of Ulster, the key to the gates, and the emblem and coat of arms of the Apprentice Boys.
“Formed on the 2nd May 1987 we have been at the forefront of loyalist culture in our area since then and were the first club in Scotland to have a Battle of the Somme Commemoration Parade. Since our inauguration we have formed many friendships with our brethren and bands from the province many of which are still active today. For many years the club has participated with Belfast Campsie Club at the closing of the gates parade in December. We have through the years had great affinity with the many bands from Belfast some who are unfortunately no longer with us. The club would like to thank the people of Belfast for their support and friendship through the years and to the people of the Shankill for giving us the privilege of this murals. No surrender.
The Campsie Club is the only Apprentice Boys Club to be named after one of the “Brave 13″. It is persumed presumed that Henry Campsie was the first man to shed blood in the Defence of Londonderry. Campsie was the inspiration behind the Shutting of the Gates and was severely wounded whilst leading his associates to secure the City Magazine and armoury. The emblem of the Roaring Meg was adopted as the Seal of the new club.”
The middle panel celebrates the Stirling Protestant Boys Flute Band and its association with the Shankill Road: “Stirling Protestant Boys Flute Band [Fb] were formed in February 2003 and to this day take part in parades across Scotland, England and Northern Ireland. The band has a great connection with our friends from Belfast, especially those from the Greater Shankill area. In November 2012 Stirling Protestant Boys were presented with the battle honours of the Young Citizen Volunteers and the 36th (Ulster) Division. The band would like to thank the people of the Shankill Road for their continued support.”
The third celebrates the Apprentice Boys contains a long description of the Shutting Of The Gates in December 1688 and the Siege Of Derry, which was ended with the breaking of the boom of the river Foyle in July 1689.
Oak Street is a fitting place for a mural about the Siege of Derry, as the oak leaf, shown to the left and right of the board above (and in the wide shot, below) is a symbol of the town, “doire” meaning an oak grove. The gates to the city were locked by thirteen apprentices, against the wishes of Governor Robert Lundy who wised to surrender the city. When the deposed king James II and his army arrived and demanded the surrender of the city of Derry, the cry from within was “No surrender!” The city was then besieged for 105 days until relief arrived in the form of ships of the navy of the newly crowned William & Mary.
The board shown above celebrates 50 years of the No Surrender Club South Belfast (1963-2013) a club affiliated with the Apprentice Boys Of Derry.
Left: “The Annals of the Four Masters record that in 665 AD, the Battle of Farset (Belfast) took place between the County Down Dal Fiatach, self styled Ulaid, and the Pretani or Cruthin where Cathasach, son of Laircine, was slain. This was an attempt by the Dal Fiatach to encroach on the Curtain territory of Trian Congail. The “third of Congal”, which encompassed territory on both sides of the Lagan, corresponding more to less to Uppers and Lower Clandeboye, including modern Belfast. Cathasach was Congal’s grandson. The battle was the first mention of Belfast in Irish history.”
The battle scene shown is Jim Fitzpatrick’s vision of the battle of Moira (in 637), rather than “Bellum Fertsi”. The salience of this description of intra-Ulster fighting is that there is a contention that the Cruthin were Scots (Picts) thus allowing for the idea (employed especially by the UDA – see Ulster’s Defenders and Defender Of Ulster From Irish Attacks) that present-day northern Protestants have a heritage, and a history of fighting for what is roughly Co. Antrim, that pre-dates the plantations. For more information and a similar board, featuring the tower blocks of Rathcoole rather than Cuchulainn and the Battle of Moira, see Kingdom Of The Pretani. For the debate over a connection to the Picts, see WP.
The Annals date back to the 1630s though they mostly comprise a variety of earlier sources.
The image of the gentleman with the sword appears to be a stock fantasy image, used for at least two characters in Game Of Thrones fandom (Rhaegon Targaryen and Lord Cameron Umber).
Middle: 2021 was the centenary of the creation of Northern Ireland and the year in which Scottish football club Glasgow Rangers won their 55th league title. Support for the club is widespread among the PUL community in Northern Ireland; local soccer and the international team is overseen by the IFA.
Right: “Centenary of cultural expression 1921-2021. Sons Of Belfast LOL 743. Castleton Temperance LOL 867. The Memorial LOL 1197. Belfast Harbour LOL 1883. The Coote Memorial LOL 1921. Cave Hill Temperance LOL 1956.”
This mural shows Orange Order marchers in front of a banner depicting previous gatherings in Malvern St. The text on the side wall reads “This mural depicts Malvern St arch which was where the local community gathered to celebrate the traditional 12th of July commemoration.”
By Blaze FX in Hopewell Crescent, lower Shankill, west Belfast
Northern Ireland’s first Prime Minister, James Craig, said in 1934, that Stormont was “carrying on a Protestant Government for a Protestant People” (NI Parliamentary Debates), though the phrase has now been transformed into the doubly alliterative “A Protestant parliament for a Protestant people”. In the centre of a long mural at the waste-ground at the top of Mountpottinger Road, people carrying Irish Tricolours tear down the statue to Northern Ireland’s most prominent leader, Sir Edward Carson, that stands outside Stormont, “claiming equality”.
The main issue that has tested the resolve of governments both local and national to the equality declared in the 1998 Belfast (Good Friday) Agreement is Orange Order parading through nationalist areas, such as the Garvaghy Road below Drumcree church in Portadown, and the Ormeau Road in south Belfast.
“Short Strand people support Garvaghy and Ormeau Roads.” On the left: The spectre of intolerance – Drumcree.” Centre: “A Protestant parliament for a Protestant people no more!” On the right “1996: Ormeau residents battered; 1997: Garvaghy residents beaten; 1998: The third reich to march.” and “Fascism lives! in Portadown”.
The piece is next to a hunger-strikers commemoration piece with ten portraits on shaped wooden boards against a painted background with blanket-man Hugh Rooney in the center. Between the two is a “spirit of freedom” lark and the names of the ten deceased 1981 strikers.
Here (in three parts) is a wide community mural replacing the POW mural in Linfield Road, in the Sandy Row area of south Belfast, depicting a parade marching along Sandy Row past a lot of landmarks (not all in appearing as they actually do along the road).
From left to right, the buildings shown are: the Carnegie Library on Donegall Road, Weaver’s Court (which is at the end of the road that the mural is on), the Royal Bar (Hamilton’s), Gilpin’s shoe shop, Orange Hall, Murray’s tobacco factory, the Belfast & Ulster Brewery building (the courtyard of which was used as a drilling ground by the Ulster Volunteers), Sandy Row District No 5 (Fb) arch.
“We demand the right to march”, “Portadown District LOL No 1 [Fb]”, “Here we stand – we can do no other”.
This mural in the lower Shankill estate is about the disputed Orange Order parade (WP entry, including a map of the route) to Drumcree Church (in Portadown, shown in the mural) part of which goes along the Catholic Garvaghy Road. After many contentious years (beginning in 1995), the re-routing of the marches in 2000 led to some rioting, but was the last year of notable conflict over the parade (CAIN).
On the left, the Belfast/Good Friday Agreement establishes “The right to freedom from sectarian harassment” but, on the right, the Orange Reality involves “10 Catholics murdered as a result of Drumcree, 150 Catholic homes petrol bombed, 1350 Catholic families forced out, many dozens or pipe bombs, attacks on Catholic homes”. The left-hand panel shows the cover of the Agreement booklet that was sent to every household ahead of the vote, showing a family of four silhouetted against a sunset; the right-hand panel shows the same family, but the source of light is now burning houses.
An Orange Order marcher (with skeletal face, glowing eyes, and a ‘Give way’ sign) is about to step on a protestor from the lower Ormeau who holds a sign reading “Peace – Justice” and has just released a dove that is sitting on top of the road-sign on the corner.
The scene is the Ormeau Road at Farnham Street, and the mural is in Farnham Street at the Ormeau Road; the mural thus includes a depiction of itself: the edge of the mural (with blue sky and grey pavement) appears on the wall to the left of the pizza shop with painted shutters reading “What part of NO don’t you understand?” (An image of the actual shutters, from the squire93 collection, is included below.)
In the top left is a smaller piece painted on a board: the words “Will there ever be peace? No.” are super-imposed on a grave.
Paddy Duffy Collection 