This mural (partly on boards, partly on the wall) celebrates 125 years of the GAA, particularly local teams Cumman [sic] Spóırt An Phobaıl, Cardinal O’Donnell’s, Gort Na Móna, and Cumann Naomh Eoın.
The Provisional IRA arose “Out of the ashes of 1969”, but the lineage is a long one and all but one of the organisations, events, and arms depicted here precede 1969: Cumann Na mBan, Na Fıanna Éıreann, Óglaıgh Na hÉıreann, a Celtic shield and sword, a pike (from the 1798 Rebellion), a Thompson gun, the Tricolour; only the assault rifle is modern and perhaps also is meant to indicate the “Belfast Brigade” Provisionals. “Fuaır sıad bás as son saoırse na hÉıreann.” Portraits of 21 locals appear along the roof-line.
“Is Gaeıl sınne” [we are Irish-speakers]. Pobal promotes abhcóıdeachy/advocacy, cearta/rights, forbaırt phobaıl/community development, straıtéıs/strategy, taıghde/research, faıreachán/monitoring, ealaíon/arts, carried out in Teach Uí Chorráın in Ionad an Dá Spuaic [Twin Spires], and the “Tá” campaign for “acht na Gaeılge” an Irish-language act.
IRA Volunteer Sean Martin is at the centre of these panels in the Short Strand. The image in the apex of the house depicts his death in nearby Anderson Street (which no longer exists; roughly where Arran Street is).
milltowncemetery.com (link now dead) reports that Sean Martin “was killed in April 1940 during a lecture on arms and a Millis hand grenade in a small terrace house in Anderson Street. In the course of the lecture Sean, who was giving the instruction, had dismantled the grenade, and was putting it together again. The detonator which he was using was thought to have been a dud one. In demonstrating how to throw the grenade, he pulled out the pin and released the lever. Hearing the hissing sound of the fuse he realised that the detonator was live and that the grenade was about to explode. He rushed to the window with the intention of throwing it out on to the street, but some children were playing outside. In the few seconds left to him, Sean had to make that terrible choice; shouting to the others to get out of the house – he pulled the grenade into himself with his two hands and leaned over the kitchen table with the grenade covered by his whole body. The device exploded and blew him right across the kitchen, killing him instantly. All the others escaped uninjured.”
The Irish at the bottom reads “Grádh níos fearr ní raıbh ag duıne na a bheo a thabhaırt ar son a chomrádaıthe” – “A greater love no person has than to give his life for his comrades” (John 15:13)
Belfast Forum has some pictures of Anderson Street; according to the accompanying conversation, the Martins (might have) lived at no. 29. Sean Martin’s CLG/GAA club was named after Martin.
“Ceol gan teoraınn” – “unlimited music” or “music without boundaries”. Belfast’s Sean Maguire (also McGuire) (1927-2005) was an All-Ireland fiddle champion and world-wide ambassador for traditional music (WP). The Short Strand artist’s signature can be seen in the bottom corner.
Cultúrlann McAdam – Ó Fıaıch was renovated in 2010-2011 at a cost of 1.9 million pounds, with the addition of the Dillon Gallery. It would be reopened on September 19th by President Mary McAleese (WP). The images here show some of the paintings on the construction hoardings from left (Nansen St) to front (Falls Road) to right (Fallswater St).
The main Lenadoon mural is refreshed and more portraits and a plaque added (on the right). The dying Cú Chulaınn (as portrayed in bronze by Oliver Sheppard, in a statue installed in the GPO in 1935) is used as a symbol for the locals from Lenadoon (including IRA volunteers) who fought for freedom (“saoırse”). They are listed on the scrolls to each side and in the portraits in the apex: Tony Henderson, John Finucane, Brendan O’Callaghan, Joe McDonnell, Laura Crawford, Maıréad Farrell, Patricia Black, Bridie Quinn (previously listed as Bridie O’Neill).
For the previous version (though without the three faces it initially had, of O’Callaghan, McDonnell, and Farrell) see M01934.
Andrea Redmond painted this mural in Andersonstown for the 200th anniversary of the 1798 rebellion by Na hÉıreannaıgh Aontaıthe (the United Irishmen), who used a harp – specifically a Maid Of Erin harp – as their emblem. To the right, out of shot, are the words Liberté, Égalité, Fraternité.
The mural is in decent shape despite being twelve years old, except for the graffiti at the bottom. The graffiti on the two boards to the side is more obscuring.
The first is devoted to the role of women in global struggles: “We too are strong. We too are a threat to the oppressive enemy. We are revolutionaries. We are the other half of our revolutionary men. We are their equal halves.” The IRA’s Maıréad Farrell is in the top left.
The second commemorates “Óglach Coımhín Mac Brádaıgh a fuaır bás agus é ag cosaınt a phobaıl.” [Volunteer Coımhín Mac Brádaıgh, who died while defending his people.] Mac Brádaıgh was killed pursuing loyalist gunman Michael Stone, who was attacking the funeral of the Gibraltar 3 (including Farrel), in Milltown Cemetery, on March 16th, 1988.
The Éırí Amach Na Cásca 1916 [Easter Rising 1916] mural is repainted (by DD and Seany McVeigh) due to the new doorway. Compare to the previous version. (See also the IRA plaque.)
Beechmount Avenue/Ascaıll Ard Na bhFeá/RPG Avenue, Beechmount, west Belfast