
The large “H” bears the names of the ten dead 1918 hunger strikers; for the names on the other hunger strikers on the two smaller stones, see M01549.



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The large “H” bears the names of the ten dead 1918 hunger strikers; for the names on the other hunger strikers on the two smaller stones, see M01549.



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Here is a small gallery of the boards from anti-Agreement groups on the green-spaces around Free Derry Corner (Visual History) and the hunger strikers memorial in the Bogside, Derry.
“Stop extradition! Oppose the extradition of Irish citizens”, “Justice for the Craigavon 2 – innocent!”, “Sovereignty not Stormont”, “Stop the extradition of Liam Campbell, victim of MI5 entrapment & condemned by five judges in Lithuania”.


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For the Derry 2021 street art festival – rebranded as Roots Street Art – seven pieces were scheduled, one for each of Derry’s gates and celebrating Irish roots around the globe (Derry Journal) but the on-going pandemic made things difficult. Among the artists who did take part were Inkie (Mighty Oaks From Little Acorns Grow), Sufek (Eat Like A Bird), Mr Cenz (Femelle Fatale), the Glöbel Bros (Conzo Throb and Ciaran Glöbel, who painted The Donegal Bus), and Sean Atmos (ig) who painted the piece above. Atmos is from Dublin but has roots in Dungiven.
Organised by UVArts (Fb).
Great James Street, Derry.
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This board from the Maiden City Somme Society (Fb) traces the history of 1912-1918, from the protests against Home Rule and the signing of the Ulster Covenant (both the men’s (middle left) and women’s (top row, second from left) versions of the declaration are shown; also in the top row are postcards seen previously in The Red Hand And The Winning Hand and Ulster Girl), to the formation and training of the Ulster Volunteers (specifically the City of Derry regiment – emblem left of the city crest), to the Ulster Division’s service in WWI (specifically the 10th Battalion Royal Inniskilling Fusiliers or ‘Derry Volunteers’ – emblem right of the city crest) shown in the bottom row by JP Beadle’s painting (see Over The Top) flanked by the Thiepval and Ulster Tower memorials.
The board was launched in August 2016 in the Fountain, Londonderry.
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This is a repainted version of the mural in the Bogside to the victims of Bloody, now with a purple background and white oak leaves. The Christian cross in the centre was absent from the original version of the mural, and added to the version painted in 2005.
The mural is part of the Bogside Gallery (Visual History), painted by the Bogside Artists.
Westland Street, Bogside, Derry
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“Don’t let drugs destroy your community.” “Community initiative supported by Resolution North West.”
This board is on the spot of the former UWC mural in Lincoln Court, Londonderry, re-imaged by Resolution North West, alongside work to reduce remove flags from bonfires (Community Foundation).
With support from the International Fund For Ireland (pdf).
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The city of (London)Derry takes its named from the Irish word “doire” meaning “oak wood” (and generically a “grove”) and the oak leaf is often used as a symbol of the city (here are 11 murals with oak leaves from the Peter Moloney Collection – Murals). In the mural above, in addition to the three leaves on the right-hand side, we also have some acorns.
The moniker “maiden city” is derived from the city’s resistance to sieges throughout its history, most famously in 1689 (again – a variety of images from Peter Moloney). The walls of the old city are shown above the river Foyle, with landmark buildings such as the Peace Bridge (see Waterside, Cityside, Quayside) behind them.
Graffiti-art by Inkie (ig) in Carlisle Road, Derry. The second piece, which shows two hands planting seeds in the ground (artist unknown) is at Butcher Gate.

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“Everyone has oceans to fly, if they have the heart to do it. Is it reckless? Maybe. But what do dreams know of boundaries?” When she left Harbour Grace, Newfoundland, on the evening of May 20th, 1932, Amelia Earhart’s intended destination for the first solo trans-Atlantic flight by a woman was Paris, France, but after various mechanical difficulties she landed instead in Ballyarnett, just outside Derry. For the 90th anniversary of her history-making flight, the artwork above was created by Joe Campbell (web), commissioned “by Community Restorative Justice in partnership with Derry & Strabane Distict Council’s Good Relations Programme and with the assistance of Greater Shantallow Community Arts.”
For the mosaic already mounted in 2010, see Flying Solo.
Fairview Walk, Derry.



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Lahinch street artist SUFEK brings a puffin from the west coast to Derry for the “Roots Street Art” festival (Derry Journal) in 2021.
Previously by SUFEK in Belfast: Beachcombing. Also, a puffin in Larne.
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Copyright © 2023 Paddy Duffy
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In August (2022), Saoradh Doıre (web) and the Derry IRPWA (web) unveiled a new memorial to the Derry Brigade IRA/Brıogáıd Dhoıre Óglaıgh Na hÉıreann on the green at the Fahan Street turn which it is calling “the people’s monument” (Derry Now) perhaps in parallel with the series of murals by the Bogside Artists called “the people’s gallery” (Visual History page).
In the centre is a Derry Brigade roll of honour with 42 names; on the left is a role of remembrance of naturally-deceased óglaıgh and activists, including Geordie McGilloway who worked on the nearby hunger strike memorial (An Phoblacht); on the right is a list of the deceased twentieth century hunger strikers, beginning with Thomas Ashe.
“This monument is dedicated to the people of Derry City who have resisted & still resist the occupation of our country by Britain. We acknowledge with pride the sacrifices they made throughout every decade. Their names would be too numerous to mention & their deeds of bravery & resistance unequaled in the history of our struggle. The republican movement of Derry City salute you and your families. Your reward will only be a united Ireland.”

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