“Victory to the workers”. Costello House is home to the IRSP (tw) “Advice Hub” with representative Dan Murphy (Mid Falls & Springfield) and Michael Kelly (Lower Falls). Murphy (in Black Mountain) received 2.7% and Kelly (in Court) 3.2% of first-preference votes in the recent local elections (WP).
The first printing press in Belfast belonged to James Blow and his brother-in-law Patrick Neil in 1694 (DIB | Dublin Penny Journal gives 1696 | Mary Lowry Story Of Belfast gives 1690); a run of 8,000 Bibles is said to have been printed in 1751, one of which is part of the Linen Hall Library’s collection on Early Ulster Printing (RASCAL).
In 1895, Carswell & Sons opened a print-works and book-binders in a warehouse running with frontage in Queen Street and a rear in College Court (the building is now a bingo hall – see Kelly’s Eyes) which is currently being renovated as an office block (Bel Tel) – some of the scaffolding in College Cour can be seen in the later images in We Built This, the street art festival for International Women’s Day, 2023.
To complement those festival pieces, the mouth of College Court has been given a make-over, with work by Peachzz (ig) (above) and lettering by Woskerski (ig) that both draw on the street’s association with printing. If you know who did the “bookbinding” piece, please get in touch.
Previously on either side of College Court there were two pieces by Friz: Fox and Hare.
The bonus image, of a man leaning against the newsagent’s wall, is on the corner with Castle Street.
The gates on Lanark Way are part of the west Belfast “peace” wall. On this site we always put the word in scare-quotes to signify that it has a different meaning than it typically does. Without them, “peace wall” might suggest a place where people can go for a few moments of quiet reflection.
Rather, the wall – and the gates and the cages that surround many buildings on either side of the wall (see above) – is a divider meant to keep the peace by separating warring factions. Indeed the reason for the re-painting of the gates is not just the up-coming 25th anniversary of the Belfast or “Good Friday” Agreement (on April 10th) but the fact that they were damaged in the 2021 rioting (BBC). (This Irish News article surveys 150 years of violence at the site.)
The new art on the gates is inspired by the cover of the booklet sent to every household in advance of the May vote to ratify the Agreement (available at CAIN), which was similar in various ways to the television ad shown at the time (Ads On The Frontline). It showed a family of four in silhouette against a red-and-orange sunset; given the rioting associated with Lanark Way, on the gates this sunset could be mistaken for flames, and the rejoicing silhouetted figures for gesticulating and petrol-bomb-throwing rioters. For the previous art on the gates, see the Visual History page on the west Belfast “peace” line. (For the mural in the background, see Sailortown Dockers.)
HMS Caroline re-opened in March, post Covid (Royal Navy). It opened as a floating museum in 2016, in time for the centenary of the Battle Of Jutland on May 31st-June 1st, 1916. There were almost 10,000 casualties and 25 ships were sunk that day but the Caroline survived. She served as a Navy headquarters during WWII, in Belfast habour, before being returned to reserves. (WP)
These eight panels are in Tennent Street in the Shankill. There was previously a painting of HMS Caroline at the Battle Of Jutland off the Shore Road in north Belfast – see HMS Caroline.
“”It is not our differences that divide us. It is out inability to recognize, accept and celebrate those differences.” – Audre Lorde”, “Peace & reconciliation”.
This does not seem to be an authentic Audre Lorde quote but an extrapolation of some lines from the essay “Age, Race, Class, and Sex: Women Redefining Difference”, where she writes, “It is not our differences which separate women, but our reluctance to recognize those differences and to deal effectively with the distortions which have resulted from the ignoring and misnaming of those differences.” (p. 122 in Sister Outsider).
Painted in 2016 by students from Susquehanna University in Bread Street, Divis. “The river and bridge represent a Lutheran hymn about the peace of mind a river provides and the bridge connecting people” (Spaces4Learning). In 2017, students from the same university painted the gates on the “peace” line – see Ambassadors For Peace.
Here are three new pieces above the security gates on Northumberland Street, coving over the “Deserted! Well, We Can Stand Alone” graffiti in the last remaining spot on the wall without a mural. From left to right:
Arthur Guinness: “Black Protestant Porter” as a description of Guinness stems from Arthur Guinness’s opposition to the 1798 rebellion (Indo). The Union Star (newspaper in Belfast – A Planet Of Light And Heat) called Guinness a spy and advised that “United Irishmen will be cautious of dealing with any publican who sells his drink.” (An Phoblacht).
Gusty Spence, a former commander of the UVF, read out the ceasefire statement of the “Combined Loyalist Military Command” (UVF, RHC, and UDA): “Let us firmly resolve to respect our different views of freedom, culture and aspiration and never again permit our political circumstances to degenerate into bloody warfare – Gusty Spence, loyalist ceasefire [statement in full], 13 October, 1994.”
“Welcome To The Shankill Road – we are proud, resilient, welcoming”: The original ‘three hands’ was on Northumberland Street, just above this spot – see Proud, Defiant, Welcoming – which was then reproduced in reduced form in Gardiner Street – see Welcome To The Shankill Road.
This is the most conciliatory statement ever made by loyalism and the decision to put it on Northumberland Street, especially in the context of the internationally famous and associated-with-Ireland Guinness and the “welcome” mural, suggests that the trio is directed at tourists rather than locals.
“A champion shows who he is by what he does when he’s tested. When he gets up and says “I can still do it”, he’s “a champion.” In Irish mythology, the Tuatha invade Ireland and battle the Fır Bolg. They are successful but their king Nuadha loses his arm and with it his kingship of the Tuatha. He had it replaced with an arm made of silver and regained his position. He is used here as an inspiration for those struggling with mental health, who are encouraged to call Lifeline or Aware.
(A history of Nuadha in murals is included in the Visual History page on Jim Fitzpatrick.)
The modern-day hero accompanying Nuadha is boxer James “The Assassin” Tennyson, current Irish super-featherweight champion. There are also four mental health boards (shown below) around the corner from Urban Villages Colin Safer Streets Initiative with messages such as “Think, Talk, Feel – Positive”, “Everything that you are is enough”, “Learn from yesterday, live for today, hope for tomorrow”,
“Saoırse go deo.” INLA volunteer Kevin Lynch went on hunger strike on May 23rd, 1981. He would die 71 days later, on August 1st. His funeral is depicted in the top part of this IRSP/IRSM board commemorating the 40th anniversary of the 1981 hunger-strikes. The Tricolour (for the IRA) and Starry Plough (for the INLA) are used as blankets on the prison beds.
Here is a gallery of completed pieces produced for International Women’s Day 2023 in College Court. The new street art is part of a larger revitalisation project (Belfast City Council).
The works shown are (from Castle Street to College Street) by Claire Prouvost, Holly Pereira, Katriona, Kerri Hanna, Danni Simpson, Alana McDowell, ESTR; Laura Nelson, Novice Jess, Friz, (guest artist Hicks who was in town to repair and extend his piece in College Street Mews (see Cool) – it was damaged by a dumpster fire) and, on the other side of the street, HM Constance.
“CR Gas & The Burning Of Long Kesh, 15th-16th October, 1974 in Long Kesh. Operation Pagoda – the British government authorised and sanctioned the use of a chemical weapon against Irish Republican prisoners. Members of the 22nd S.A.S. carried out the attack from a helicopter.”
Operation Pagoda was the name of the SAS’s counter-terrorism programme (WP). Its role in the ‘Battle Of Long Kesh’ in October 1974 and its alleged use of CR (dibenzoxazepine) powder – the successor to CS powder (and before that, CN or “tear” gas) (New Scientist) – remains a classified matter. CR had been authorised for use in 1973 (Guardian).