Two by Chop Suey (ig): above, 2Pac in Library Street in the city centre; below, Busta Rhymes on the Cupar Way “peace” line, lower Shankill, west Belfast.
The bodies, faces, and limbs of seven women – Homcira, Maria, Leyli, Rym, Clara, Julie, and Stacey – are presented in eleven panels by Iranian artist Leyli Rashidi Rauf (web), currently at ArtEZ University, Netherlands; some students from the university’s International Masters Artist Educator Programme were working out of the Shankill Mission this summer and put on an exhibition of their work in June. (Alternatives Fb | ArtEZ Fb)
Tomorrow (August 30th, at 12:30) there will be a family fun-day and the launch of a new mural of a colourful drummer boy. The mural is on Peter’s Hill; it takes the place of the “Original Belfast” murals (2009 and 2020) and before that a UDA emblem (M02480).
Painted by Glen Molloy (ig) with support from SAFE Shankill (see Woodvale OK), Alternatives (web), Executive Office, Communities In Transition.
A new mural was unveiled yesterday in memory of Jim McCabe, the husband of Norah McCabe who was hit by a plastic bullet in 1981 and died a day later. Jim went on to become a “lifetime campaigner for truth + justice” and a “founder member of Relatives For Justice [web] and United Campaign Against Plastic Bullets [web]”. (For a profile of Jim’s campaigning work, see Belfast Media.) Jim died in January of this (2023) year.
The Shankill Area Social History (SASH) (Fb) celebrates the people and events of the Shankill Road with a new mural in Downing Street.
From left to right: girls wrapped in Union Flags watching the parade; boys on pallets; the Shankill Mission; Orange Order parade; the Summer festival in Woodvale Park (The Cabin); the former Belfast Savings Bank, now an undertaker’s; the Winter festival and switching-on of the Christmas tree lights, with Mrs. Claus, the Grinch in Santa costume, and last year’s (2022) celebrity guest Charlie Lawson (youtube); local band Casual Riots (ig). (SASH Fb Gallery)
For a mural of famous Shankill faces and places, see Save The Shankill.
“Est 1913 Irish Citizen Army / Irish National Liberation Army Est. 1974”. The Irish Citizen Army was founded in Dublin in 1913 to protect striking workers from police violence. After taking part in the Easter Rising of 1916, however, the ICA did not participate in the War Of Independence and the Civil War. In 1974, some founding members considered reviving the “ICA” name to reflect the organisation’s “allegiance to the working class” while Costello (pictured on the right) suggested “National Liberation Army”, which was then amended to include “Irish” (History Ireland | WP | WP). MNI includes an “ICA-INLA” Starry Plough on the stairs into the New Lodge from 1989 (C00105).
The banner raised over the Liberty Hall headquarters of the ICA read “We serve neither king nor kaiser but Ireland” – the famous photograph is included in the post of the same name – but this has been updated. The Belfast version of the board, on Northumberland Street (above) and outside Costello House on the Falls Road (below), reads “nor Nato”.
Long-time Palestinian activist and former spokesperson for Islamic Jihad Khader Adnan died on May 2nd, at the age of 45, after 87 days on hunger strike in Ramla prison, in central Israel (Al Jazeera).
This was Adnan’s fifth time on hunger strike. In 2017, he spent 58 days on hunger strike and in 2015, 56 days. The strike in 2011-2012 lasted 66 days, during which time a mural was painted just to left of the mural shown here, featuring Adnan and Hanna Shalabi; they, along with many other prisoners, were on hunger strike to protest the “administrative detention” (imprisonment without trial) of more than 300 Palestinians – see Administrative Detention. Earlier, shorter, strikes took place in 2002 and in 2000, when he was imprisoned by the Palestinian National Authority for directing a protest against Lionel Jospin, then French Prime Minister (Gulf News).
According to Amnesty International, there are currently more than 1,000 Palestinians being held on ‘administrative detention’ (Amnesty).
As can be seen from the in-progress shots below, Rısteard Ó Murchú painted Latuff’s cartoon, with Latuff looking on.
What is now Coláıste Feırste began life as Meánscoıl Feırste in 1991, teaching a group of nine students a curriculum inspired by Patrick Pearse (discussed previously in An Tusa An Chéad Laoch Eıle?) and based in Cultúrlann MacAdam-Ó Fıaıch (Cultúrlann). It moved to Beechmount in 1998 and in 2018 expanded into new buildings that were meant to accommodate 600 pupils (Doherty Architects), which it has now exceeded (BBC) as it enters its thirty-third year in existence.
The theme of preserving and promoting the Irish language occurs in several places in the mural: next to Pearse we see his saying, “Máırtín Ó Chadháın ” [a land without a language [is] a land without a soul], in the classroom scene we have “Labhaır í agus maırfıdh sí” [speak it and it will endure], and finally we see the Dream Dearg protesting for an Irish-Language Act (see previously #AchtAnoıs).
The in-progress images included below among completed detailed shots date from May 6th and 20th.
Giant’s Foot/Beechview Park. Replaces the short-lived mural of Olympians, seen in Sporting Giants.
“Pobal ag foghlaım, pobal ag forbaırt, pobal ag fás” [a community learning, developing, growing]
Students from “Naíscoıl & Gaelscoıl An Lonnáın (Fb) bun[aithe] 1999″ [Nursery-school and Irish-language [primary] school of the loney, founded 1999] are shown playing Gaelic games, Irish dancing, and playing traditional instruments (and the guitar). On the left are representations from Irish mythology: the Children Of Lear and Setanta killing Culann’s hound (and taking the name Cú Chulaınn in taking its place), along with hedge-row school (see Hedge Row School).
The origin of the name is unclear; the nearest loney [lane] was the “Pound” loney, so-called because of the animal pen just outside Barrack Street, used to store livestock before moving on to the markets the following day (Rushlight | Uachtar Na bhFál). (The Pound Loney is included in the mural in Durham Street – see Et In Arcadia Ego.)
The other well-known loney in Belfast is the “buttermilk loney” which was either/both what is now Ballysillan Park (that is, connecting Olpark with the horsehoe bend) or the top part of the loney that connected Wheatfield (the top of Ardoyne) to the Ligoniel junction and on towards the old Ligoneil House (there are a mixture of usages in this Belfast Forum thread); this image from the 1930s might show the lane in (what was still at the time) the hills above Oldpark; a new housing-development towards the top of the Ballysillan Park is euphemistically called “Buttermilk Loney”. (It is also said to have been a prior name of Skegoniell Avenue (Belfast History).)
(The Uachtar Na bhFál page also mentions “Turf” loney, “Mountain” loney, and “Killoney”.)
The history of the Irish word “lonnán” is unclear. Uachtar na bhFál says the word is of Scots origin (perhaps as “loanin”). (See this BelTel article on the opening of the Ulster-Scots centre in 2014.) Spelled “lonnen”, it is also a Geordie word (Heslop’s Northumberland Words | wiktionary). The Irish News and Belfast Live, working from the same (uncited) press-release about Páırc An Lonnáın (which is along the Westlink below Raıdıó Fáılte), state that “loney” comes from the English word “loaning”. The Irish word “lonnán” does not appear in Dinneen 1904; Dinneen 1953 defines it (hyper-specifically) as “a grassy recess running up into high basaltic cliffs”.
The image above and immediately below are from May 19th, as the mural was nearing completion; other ‘in-progress’ images are as dated below. Here are images of the completed work.