Operation Motorman, the British Army’s retaking of ‘Free Derry’, took place on July 31st, 1972. This is a repainting; for the previous version, see T02079, and for the 2001 original, see M01426.
The Easter lily and the red star mark this graffiti-art-style slogan in Durrow Park, Derry, as republican-socialist; RSYM = Republican Socialist Youth Movement (Fb), IRSP = Irish Republican Socialist Party (web), AFA = Anti-Fascist Action (Fb)). There is a small “Victory to Hamas” graffito to the right.
For the large Arm Saoırse Náısıúnta Na hÉıreann (INLA) board, see Serious Trouble.
Commemorations of the INLA’s fiftieth anniversary have so far been limited to graffiti – see Saoırse Go Deo in Derry and Let The Fight Go On in Belfast – but here we have two deliberately painted panels in the Bogside (specifically Meenan Square) (one replacing The Way We Were).
“H” for “H-blocks” and for “hunger” – the flower garden in front of the hunger strikers’ memorial in Rossville Street, Derry, has been replaced with this “H” in white pebbles among black.
The 1918 ‘Representation Of The People’ act gave 8.4 million women in the United Kingdom the right to vote (WP). (For the two women on the left holding the ‘Votes For Women’ sign, see Women’s Hall And Cost-Price Restaurant.) In that same year, Countess Constance Markievicz was the first woman elected to Westminster and became Sınn Féın Minister For Labour in the first Dáıl Éıreann that was established as an alternative. Ten years earlier, she had co-founded Na Fıanna Éıreann with Bulmer Hobson. The names of Derry fianna are listed on the right. “Fuaır sıad bás ar son saoırse na hÉıreann.” (This board replaces the former Fianna mural that celebrated the centenary in 2009.)
To the left (above) is a “Join RSYM” stencil with the names of the ten deceased 1981 hunger strikers; to the right is a picture of the memorial across the street to the dead of the 3rd battalion of the Doıre Brigade Óglaıgh na hÉıreann.
“But while Ireland is not free I remain a rebel, unconverted and unconvertible. There is no word strong enough for it. I am pledged as a rebel to the one thing – a free and independent republic.”
“Ach a fhad is nach bhfuıl Éıre saor, seasfaıdh mé an fód mar cheannaırceach, gan géılleadh, gan athrú. Níl focal dá bhfuıl atá chumhachtach go leor. Tá gealltanas tugtha agam mar cheannaırceach, cuspóır amháın a chur ı gcrích – poblacht shaor agus neamhspleach.”
Here is a painting of a model from Femelle Studios (ig) by London artist Mr Cenz (web | tw) in Londonderry’s Waterside, with support from UVArts (ig). With “Death dealers out” graffiti to the right.
This is the second mural in Derry to Sister Clare Crockett. The first was in her Brandywell home (see All Or Northing!!) while this one is in Shantallow. Crockett became a nun in 2001 and died at the age of 33 in an earthquake in Ecuador in 2016 – the mass for the seventh anniversary of her death was held last month (youtube).
This is the mural painted by UVArts (web) to accompany the About Us film exhibition that visited London-/Derry in March, showing life from the Big Bang until the present day, commissioned by Unboxed.
A new painting of Amelia Earhart has been created by JEKS (ig), on the side of the Foyle building, North West Regional College, on Queen’s Quay. A number of sources claim without citation or measurement that it is the tallest piece of street art in the north – both the BBC and the Chamber Of Commerce use the passive “thought to be”. Its closest competitor would be the recent piece by Zabou on the Telegraph Building in Belfast – see Broken Promises.
The Foyle Building has six “levels” (NWRC) while the original Telegraph Building had four storeys (Archiseek). In addition to comparing images of the two paintings, you can also judge by comparing Street View images of the buildings: Derry vs Belfast.
Information about Earhart’s connection to the Maiden City can be found in the entries on the printed board (But What Do Dreams Know Of Boundaries?) and the mosaic (Flying Solo) to Earhart in Derry.