African Blood

Sugarhouse Entry, running between Waring Street and High Street, and home to the Muddlers’ Club of the United Irishmen, was closed in 1972 as part of the “ring of steel” securing Belfast city centre (DC Tours) and for fifty years served only as a back alley to various businesses between Waring Street and High Street; there was talk in 2022 of reopening it (Irish News) and again in 2023 (BelTel). It has now (August, 2024) been refurbished and reopened (BelTel | UTv includes interview with Sean Napier | Belfast City Council video on youtube).

Peter Strain (web) produced illustrations for a number of entries in 2020 and 2022, including one from 2022 for Sugarhouse Entry. It quotes United Irishman Thomas Russell as saying, “Every time I look at a lump of sugar, I see a drop of African blood”.

The precise source of the quote is unknown (please comment/get in touch if you know it); towards the end of Russell’s 1796 Letter To The People Of Ireland, in which he exhorts Irish people to develop a national spirit and take an interest in politics, he takes as a present-day example refraining from supporting the Crown in the French Revolutionary Wars by serving in the army or by buying taxed goods (such as sugar): “Are the Irish nation aware that this contest involves the question of the slave trade, the one now of the greatest consequence on the face of the earth? Are they willing to employ their treasure and their blood in support of that system, because England has 70 or 7000 millions engaged in it, the only argument that can be adduced in its favour, monstrous as it may appear? Do they know that that horrid traffic spreads its influence over the globe; that it creates and perpetuates barbarism and misery, and prevents the spreading of civilization and religion, in which we profess to believe? Do they know that by it thousands and hundreds of thousands of these miserable Africans are dragged from their innocent families … transported to various places, and there treated with such a system of cruelty, torment, wickedness and infamy, that it is impossible for language adequately to express its horror and guilt, and which would appear rather to be the work of wicked demons than of men. If this trade is wrong, is it right for the Irish nation to endeavour to continue it? And does not every man who contributes to the war contribute to its support?” (archive.org p. 22)

(Other pieces by Strain in the entries can be seen in Handsome, Easy-Going, And Utterly Untrustworthy | The Blots On The Page Are So Black | As You Lived You Must Die | Trust Women.)

See also: the Visual History page on the Belfast Entries Project.

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Ársa Ach Ór

The Power’s whiskey (web) slogan “Old but gold” has here been translated into Irish as “ársa ach ór” and the red diamond from the ‘gold label’ is now agitating for “An Dream Dhearg [web] – #AchtAnoıs #CeartaTeanga” [The Red Group – #BillNow #LanguageRights].

There is also (below) a new tribute to Rónán Mac Aodha Bhuí, similar to the one at An Chultúrlann – for which, see Dorn San Aer.

At Tí Mhadáın/Madden’s Bar in Berry Street, Belfast city centre

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Tunnel Vision

Here is a gallery of the street art and wild-style writing painted in the tunnel at the redeveloped York Street Station (BBC), formerly Yorkgate Halt. Get in touch if you can supply any of the missing artists in the list below …

NOYS (ig)
KONE (ig)
JAM2 (ig)
Karl Fenz (ig)
SNAK (ig)
Kyle McGinley (ig)

WEB1 (ig)
emic (ig)
?emic?
NOKA (ig)
Friz (ig)
?BORE?
KVLR (ig)

Doodles by passers-by (with help from Anie Poole (ig))
Strangford (ig)
Lost Lines (ig)
?train
Cha Cha (ig)

Other side …

Outside Hoarding

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A Bird In The Hand

These bird-boxes and platforms were installed by Wild Belfast (web) – a group aimed at enhancing natural habitats – in order to attract house-martins, who visit Ireland in the summer in order to breed, but whose numbers are in decline because of a loss of nesting sites (under the eaves of houses) and building materials (mud).

The boxes are in front of street art by artist Daniela Balmaverde (web) on the end of one of the stands at Cliftonville FC (BBC) – the shamrock earrings are the club’s emblem.

July 30th

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Kneecap’s Fine Art

Kneecap’s new album Fine Art was released on June 14th on Heavenly Recordings. (The cover of the new album is included in the recent update to the mural on Madden’s bar – see Sásta A Bheıth Anseo.)

Their film, also called Kneecap, had its Belfast premiere in the Kennedy Centre, west Belfast, on Tuesday and has been on general release since Thursday (RTÉ | BBC).

The band yesterday (Friday August 9th) launched a third mural in Hawthorn Street/Sráıd Na Sceıthe, (joining Incendiary Device and England Get Out Of Ireland,) which blows up the sticker seen on the street-sign (below; and previously in Land Grab) into a mural: Saoırse don Phalaıstín [Freedom for Palestine]. The launch was moved to an earlier time (2:30 p.m.) so that it would not conflict with the anti-racism rally in the city centre (BelTel).

The mural had previously been a sticker (see the street sign, above) and flyer – this one is from Waterford Street, in April

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Naoıse Ó Caırealláın Móglaí Bap Lıam Óg Ó Hannaıdh Mo Chara JJ Ó Dochartaıgh DJ Próvaí

Garden Of Hope

The new “Garden Of Hope” in Springmadden is also a memorial garden, with a (second) plaque to four of the victims of the “Ballymurphy Massacre” who were shot near the spot, which was across the street from the old Henry Taggart base. (For the first plaque, see this 2010 entry in the Peter Moloney Collection.) Also in Springmadden is the Reaching Out mental-health art.

Springfield Road, west Belfast

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Honour And Respect His Last Request

“Honour and respect his last request. Bring him home. Roger Casement, executed 3rd August 1916 9.00AM Pentonville Prison, London. Roger Casement Commemoration & Re-Interment Association.”

Casement’s preferred resting-place was Murlough Bay, as explained in the original entry for the painting on the other side of the gates showing Casement in front of Murlough Bay, included again below but here with a wreath of yellow flowers.

This new (printed) board is on the left-hand side of the gates of the park named in Casement’s honour. Here is the background photo of the GPO at the top of the board; the photograph at the bottom is from NLI (available on Flickr).

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The Language Of Nature

These images are from Mosey’s Arch, Killyleagh, which is an entry off High Street, just below the Hans Sloane Centre (web). Sloane was born (in 1660) and raised in Killyleagh and his interest in the natural world spurred him to study botany and medicine in London (WP).

The cuneiform markings (in the image below) are a reference to Edward Hincks – born in Cork but rector in Killyleagh – who helped decipher Akkadian (Mesopotamian) cuneiform (WP).

The art – by Pigment Space/MWAK (ig), with support from Newry, Mourne and Down District Council (web) – also features the buildings in Killyleagh: above are Killyleagh Presbyterian (left) and St John The Evangelist church (right); below are mills in the area (perhaps reproducing this Fb image).

Also by MWAK and featuring the Killyleagh shore-line: The Great Wall.

(Also in Killyleagh: The Future Of Football)

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Gaels Against Genocide

“Seasann Léana An Dúın leıs An Phalaıstín [Lenadoon stands with Palestine]”. Gaels Against Genocide – “a collective of people from the Irish language, sporting & cultural communities” (Xitter) – was formed in January (Saffron Gael) and organised rallies in Belfast city centre in February (Pensive Quill | Belfast Media video on YouTube) and in June (BBC | Belfast Media gallery | Irish News).

Lenadoon Avenue, west Belfast

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The Spirit Of Brotherhood

“”To embrace the story of Mesen/Messines and its spirit of brotherhood is to be freed from the slavery of bigotry and intolerance.” – Glen[n] Barr O.B.E. 2001″

Glenn Barr was a UDA brigadier and spokesperson for NUPRG and its policy of an independent Northern Ireland – see Common Sense. In the 1980s and beyond, his efforts were directed mainly at tackling youth unemployment in Londonderry, for which he received an OBE in 2005. He died in 2017. (WP)

The tower in the mural shown here is (perhaps) the round tower at the ‘Island Of Ireland Peace Park’ in Messines, a cross-community project of Barr’s and (former Donegal T.D.) Paddy Harte’s. The Park honours the soldiers – from both the 36th (Ulster) and 16th (Irish) divisions – who were killed or wounded in the Battle Of Messines Ridge in June, 1917. The source of Barr’s quotation is unknown but he made similar remarks on other occasions (NIWorld | ISPS).

The mural is in the Ebrington Centre’s car park, off Bond’s Street, Waterside, Londonderry. It joins three other murals to the Irish dead of WWI: The Cost of War (which also features the Peace Park) | We Are The Dead | Comrades In Arms.

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