A Forgotten Atrocity

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Wreaths are laid at the Bayardo Bar memorial on the Shankill Road on the fiftieth anniversary of the attack, which involved the shooting of two people at the door and the bomb being left at the entrance, which caused the deaths of a further three people: “In memory of five innocent Protestants slaughtered here by a republican murder gang on 13th August 1975. William John Gracey aged 63, Samuel Gunning aged 55, Joanne McDowell aged 29, Hugh Alexander Harris aged 21, Linda Boyle aged 17. Erected by the Bayardo Somme Association. “A forgotten atrocity”.” Fifty other people were injured in the attack.

Here is an opinion piece in the BelTel claiming that “republican communities … have been far more active not only in memorialising violent events impacting upon them, but also campaigning for the truth about those actions … the lack of balance in how the past is being investigated here has created a one-track, green-tinted narrative”.

See also: the memorial in 2023. Included here are close-ups of two recent plaques, one “In memory of Neily Reid Scotland, true friend of the Bayardo Somme Association, died 4th February 2022. Lest we forget.” and the other “In memory of Billy Boyce, loyal friend of the Bayardo Somme, died 19-12-2018. Lest we forget.”

Shankill Road/Aberdeen Street, west Belfast

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Let Tyrants Tremble

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This entry updates Cuımhníonn Doıre from August 2024, in which the central part of the mural, showing Maıréad Farrell (above), was incomplete. In addition to a completed portrait of Farrell there are two quotations from Bobby Sands and one from Fidel Castro (along with a list of the twelve dead hunger-strikers of the Troubles era):

“‘Everyone, Republican or otherwise, has their own particular part to play. No part is too great or too small, no one is too old or too young to do something’ – Bobby Sands” [Diary, March 14th, 1981]

“‘Our revenge will be the laughter of our children’ – Bobby Sands”

“‘Let tyrants tremble before men who are capable of dying for their ideals after 60 days on hunger strike’ – Fidel Castro” [The line comes from Castro’s opening address on September 15th, 1981, to the Inter-Parliamentary Conference (pdf)]

Also included below are an adjacent IRA Derry Brigade roll of honour and a plaque to Maggie McAnaney.

The ‘roll of honour’ boards are the same as those seen in Lecky Road.

McAnaney died when a gun went off at an IRA checkpoint near Burnfoot, Co. Donegal, a month before the Civil War began (Derry Journal). This is an unusual use of the phrase “active service”, as McAnaney was travelling to a picnic at the time, rather than on exercises or preparing munitions; the phrase would later come to be associated primarily with a premature bomb explosion.

“In proud and loving memory of Margaret “Maggie” McAnaney, Cumann na mBan, died on active service at Burnfoot on 31st May 1922, aged 18 years. The McAnaney family home was situated on Bishop Street. Fuaır sıad bás ar son saoırse na hÉıreann.”

Beyond these are the pieces seen in Empower Your Community.

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Empower Your Community

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Here are IRSP (web) and RNU (Fb) signs side-by-side in Bishop Street, Derry, both employing the idea of ’empowerment’. Above: “Empower your community – Join the IRSP, the party of Connolly and Costello”; below: “RNU for the community – support, empower & prosper”.

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Centuries Of Resistance

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The United Kingdom Of Great Britain And Ireland was created in 1801, a reaction to the 1798 Rebellion, led by (amongst others) Wolfe Tone and Henry Joy McCracken, who were founding members of the Society Of United Irishmen in 1791 in Belfast.

In this mural, Tone and McCracken on the left gaze across the “centuries of resistance” from 1798 to 1916 Rising revolutionaries Countess Markievicz and James Connolly, and beyond to Troubles-era figures Maıréad Farrell, Bobby Sands, and Máıre Drumm.

Around the same time as this mural was painted, a Féıle exhibition called ‘Vibrant Colours, Violent Past’ included A Panorama Of Republicanism which contains dozens of figures but again chooses 1798/Tone, 1916/Connolly, and the Troubles/Martin McGuinness as the pivotal moments and figures.

“Comóradh Éırí Amach Na Cásca Bhéal Feırste/Belfast Easter Commemoration. This is the traditional place where on Easter Sunday Belfast republicans gather to honour Ireland’s patriot dead on their way to Milltown Cemetery.” “Honour Ireland’s patriot dead – wear an Easter lily.” “Unbowed, unbroken.”

The Beeechmount-Falls Corner has its own Visual History page, as the most-often painted wall in Belfast.

July 27th:

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Comóradh Blıantúıl Ar An Staılc Ocraıs

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Michael Devine was the last of the 1981 hunger-strikers to die, on August 20th, 1981, and although the strike was not called off until October 3rd, his death now marks the end of the strike for commemorative purposes. The 44th annual national commemoration of the strike will take place this year on the 24th, “assembling at Dunville Park” in west Belfast.

Beechmount Street, west Belfast. The MLK tarp goes back to 2014.

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Maıreann An Grá Go Deo

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This mural celebrates the Irish-language institutions in west Belfast. From left to right, the buildings by the loch are: Gaeltacht Bhóthar Seoıghe, Bunscoıl Phobal Feırste, Raıdıó Fáılte, An Chultúrlann, Teach Ard Na bhFeá, Coláıste Feırste, and Áras Na bhFál. In a sense they are all ripples from the initial drop that was the Shaw’s Road Gaeltacht, established in 1969 and which led quickly to the bunscoıl in 1971 (WP). The NVTv documentary about the Shaw’s Road gaeltacht borrows its title from the slogan motivating the early efforts, “Ná habaır é, déan é” [Don’t say it, do it] – the bunscoıl was not officially recognised until 1985.

Among the pioneers (“ceannródaıthe”) of those early ventures were the Mac Seáın family, who grew up in a house adjacent to the wall on which the new mural is painted: “Tógadh Séamus Mac Seáın, Seán Mac Seáın, agus Caıtlín Mıstéıl (née Mhıc Sheáın) sa teach seo. Bhí an trıúr seo ı measc na gceannródaıthe a bhunaıgh Gaeltacht Bhóthar Seoıghe.”

The mural was commissioned by Spórtlann Na hÉıreann’s Irish-language heritage project “Gael Staır” (Meon Eıle | Belfast Media), with support from Mary’s Gift (Belfast Media), and painted by Aodán Ó Manacháın (Fb). It was unveiled Sunday 10th.

Rodney Drive, St James’s, west Belfast

In-progress image from July 27th:

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Collecting Signatures

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Tourists from various countries – shown above are Brazil, Canada, France, Spain, the Netherlands, Italy, New Zealand, German, the United States – can now sign the Cupar Way war-wall in a specially-designated panel for their country; guests from other nations will have to continue defacing the wall wherever they can find a spot, whether or not it is covered in art.

The panels extend to the right of image and replace Only A Fool Would Fight, which already has various place-names of divided areas above it – Israel/Palestine, Shankill/Falls, Nicosia, Baghdad, Berlin.

For background, see the wall’s Visual History page.

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Join Your Local Band

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Here are three from Mersey Street, east Belfast.

Above, a recruitment tarp for the Blues And Royals flute band (Fb).

Below, (and on the wall above the flute band’s tarp) a NI Centenary board using the St Patrick’s saltire in the background. The saltire is an Anglo symbol of Ireland and was included in the Union Flag when the union was between Britain and Ireland and thus – like the word “Ulster” – has been reduced to signifying Northern Ireland after partition.

Last, street-art on the bridge over Conn’s Water.

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Paste No Paste-Ups

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Above and immediately below are two new paste-ups by Leo Boyd which attempt – by example and by reverse-psychology – to turn the hoarding around the War Memorial building in Waring Street into a paste-up gallery (similar to the new “legal wall” for graffiti and street-art in Little Patrick Street – see First!).

The third image is of a Boyd paste-up already on the wall, mixing the police land-rover (see Off The Edge for an index) with the cat looming over city hall (see Belfast Kitty Hall). The final stencil is by French artist MDLF (ig).

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