For many years there were portraits of the hunger strikers (either the 10 deceased from 1981 or the 12 from the 70s and 80s) along the long wall in Bishop St Without – see 2009, 2004, and 1998 (before that time the wall was divided into a number of panels for a variety of republican imagery – see 1984 and 1982) but in the portraits – which were on boards – soon started coming off and over the next decade the wall began to fade and become covered in graffiti (as can be seen in Street View). For the 40th anniversary, the deceased hunger strikers were restored to the wall, as shown here. From the info board (to the left of Sands’s head): “Cuımhníonn Doıre: 40th anniversary of the 1980-1981 hunger strikes. Rededication of mural, by the Bogside and Brandywell Monument Committee.”
Patsy O’Hara was born in 1957 Bishop Street, Derry, and joined Na Fıanna in 1970 and the local Sınn Féın cumann in 1971 and, in August was shot in the leg by British soldiers. In 1972 he joined the Republican Clubs and in 1975 the IRSP. He was imprisoned multiple times, the final time being in January 1979 for possession of a hand grenade (Bobby Sands Trust). He went on hunger strike 41 years ago tomorrow (March 22nd) and was the first of the three INLA hunger strikers to die in 1981. The long-standing mural in Bishop Street was repainted for the 40th anniversary of his death. (For the previous version, see Let The Fight Go On.)
“Óglach Patsy O’Hara, INLA Derry Brigade, Irish hunger striker, who died after 61 days on 21st May 1981, age 23. Last words ‘Let the fight go on’.”
“After we are gone, what will you say you were doing? Will you say you were with us in our struggle or where you conforming to very system that drove us to our deaths?” – these words also appeared in the 2013 mural to O’Hara on Shaws Road, west Belfast.
The board remembering Queen Elizabeth II below the Old Warren “community transformation” board has been updated with the accession and coronation of Charles III: “Lisburn is proud of the history and heritage of our royal family – faith, blood, service, sacrifice – God save the King” with images of William III, the present king Charles III, and his mother and predecessor Queen Elizabeth II. For a (brief!) explanation of the line from William (1689) to Elizabeth (1952), see Elizabeth, Queen Of Orange.
For the previous (QEII remembrance) board (and an image of the old UDA mural at the top of the estate which is included in the “Before” panel on the left), see Conflict To Peace.
A new board was unveiled on July 1st 2024, by the 1st Raven Somme Society and The Loyal (Fb) at the Raven social club (Fb), putting together the Ulster Tower (see e.g. A Thought Is Not A Lot), JP Beadle’s painting of the 36th going ‘over the top’ (see The Trenches Have Vanished Under The Ploughs) and Wilfrid Spender’s famous quote about the first day of the Battle Of The Somme (see I Would Rather Be An Ulsterman).
This board takes the place of the King Charles board (seen previously in Long Live The King), which has been moved to the other side of Castlereagh Street and joined by the board that it replaced, to Queen Elizabeth (both on top of some old (2012) panels depicting east Belfast of yesteryear – see Shipyard Workers).
God so loved the world that he gave his only begotten son (John 3:16). And greater love hath no man but to lay down his life for his friends (John 15:13, often used in the context of military sacrifice). But local homes are for local people. (The use of a stencil is a step up in sophistication.)
The Union Flag fills the empty frame where there used to be a list of locals who died in The Belfast Blitz.
Kieran Doherty died in the 1981 hunger strike after 73 days of fasting; the Andersonstown mural in his memory shows scenes from his funeral cortège on August 4th.
In preparation for this year’s anniversary, the mural has been refreshed and a new, enlarged image of Doherty’s parents, Alfie and Margaret, included. The photograph that provides a source can be seen in the An Phoblacht report on the funeral of Alfie, who died in 2008. Margaret Doherty died in 2019 (Bobby Sands Trust).
See Kieran Doherty for images of the mural when originally launched in 2014. For the memorial stone depicted in the fourth image, see Those Who Endure The Most.
“Welcome to Carrickfergus, a host town of “The Twelfth” 2024. It’s coming back to our home town. Join us on “The Twelfth” to help celebrate the 334th anniversary of The Battle of the Boyne.”
Carrickfergus was one of nineteen host towns for Twelfth “demonstrations” this year (GOLI); the parade went from the top of Sunnylands, through the town, and out to the grounds of the rugby club (GOLI). “It’s coming back” is perhaps in reference to the fact that Carrickfergus is the town where William III landed in 1690 before making his way to Belfast, Lisburn, and the Boyne – see June 14th, 1690.
The image above is of William III landing at Brixham in Devon, England, but the central panel (immediately below) and the fake “blue plaque” celebrate the 1690 landing of William at Carrickfergus. The postcard reproduced in the central panel, as well as an old Londonderry mural which also reproduced it, can be seen in the Peter Moloney collection. For details of the landing, and William’s subsequent travels to Whitehouse, Belfast, Lisburn, and the Boyne, see June 14th, 1690.
The two passages cited here have been cited before on the side wall at the junction of the Limestone Road and N Queen St, with images of Orange symbols and Union Flags, in order to promise that Your Kingdom Will Endure Forever. That theme has now been invoked in upper Tiger’s Bay, to celebrate the latest king (Charles III) of the everlasting kingdom demarcated by the shields of the “four nations” in the corners of the main gable, Northern Ireland included.
The people in question in the second book of Samuel are the people of Israel but as with previous scriptural references on the lower wall (Lamentations | Chronicles | Revelations | Psalms | Genesis), the Protestant people in Ireland and Britain are under discussion (though they might also refer to contemporary Israel).
In the King James version, 2 Samuel 7:10-16 the prophet Nathan is speaking to David: “Moreover I will appoint a place for my people Israel, and will plant them, that they may dwell in a place of their own, and move no more; neither shall the children of wickedness afflict them any more, as beforetime, and as since the time that I commanded judges to be over my people Israel, and have caused thee to rest from all thine enemies. Also the Lord telleth thee that he will make thee an house. And when thy days be fulfilled, and thou shalt sleep with thy fathers, I will set up thy seed after thee, which shall proceed out of thy bowels, and I will establish his kingdom. He shall build an house for my name, and I will stablish the throne of his kingdom for ever. I will be his father, and he shall be my son. If he commit iniquity, I will chasten him with the rod of men, and with the stripes of the children of men: But my mercy shall not depart away from him, as I took it from Saul, whom I put away before thee. And thine house and thy kingdom shall be established for ever before thee: thy throne shall be established for ever.”
In Luke 1:31-33, an angel is speaking to Mary: “And, behold, thou shalt conceive in thy womb, and bring forth a son, and shalt call his name Jesus. He shall be great, and shall be called the Son of the Highest: and the Lord God shall give unto him the throne of his father David and he shall reign over the house of Jacob for ever; and of his kingdom there shall be no end.”
The large gable at the junction of the Limestone Road and North Queen Street in north Belfast – most recently the site of a celebration of Rangers’ 55th title – see We Are The People – is being repainted, beginning with the low wall in front, as shown above. The side wall on the right of the wide shot below dates back to 2017 (see Your Kingdom Will Endure Forever) and the scriptural references on it also appear in the new installation in Mervue Street – see I Will Plant Them, That They May Dwell In A Place Of Their Own. It’s possible that a King Charles installation is in progress here, too.
The final image is of another Tiger’s Bay territorial marker in Upper Canning Street.
Paddy Duffy Collection 