Ahed Tamimi is a young Palestinian activist famous for slapping and pushing two Israeli soldiers in 2017, when she was 16 (footage at NBC News), after her cousin was hit in the head by an Israeli bullet. She was arrested soon after (USA Today) and served seven months (Al Jazeera | Guardian). She was also arrested last (2023) November (Al Jazeera) and released about three weeks later as part of a prisoners-for-hostages swap on November 29th (BBC).
The mural to Tamimi (above) is in Catherine Street, Newry. Also included (below) are an older mural with the cartoon character of resistance Handala (WP) in front of a Palestinian flag with the words “Let this child return home”, and a Connolly-Costello IRSP (Fb) board.
“Ulster is ours”, says James Craig, first prime minister of Northern Ireland, in (a reproduction of) an election poster from c. 1940 (according to Whyte’s). If it is for his own seat in North Down, for Stormont – rather than a poster for the Ulster Unionist candidates in by-elections – it might be from 1938 (WP).
“A Róısín, ná bíodh brón ort fé’r éırigh dhuıt”/Róısín, be not sad about what has happened to you”. The song ‘Róısín Dubh’ [usually translated as ‘Dark Rosaleen’] is a love song to Ireland, in which the infatuated singer recounts the lengths he would go to on her behalf (song (youtube): Muıreann Nıc Amhlaoıbh | Caıtlín Maude | poem/lyrics in English: Mangan | Kinsella at WP).
This new piece in the New Lodge, north Belfast, was painted (presumably) by emic (ig), (presumably) under the same auspices as, and as a thematic complement to, the project we reported on in Communities In Transition. The lack of explicitly nationalist or republican signifiers is perhaps necessary if the piece is to be funded by Communities In Transition, while the cultural reference is perhaps necessary if the art is to survive on what has for the past dozen years been an anti-Agreement wall – see Damn Your Concessions, England and Unbowed, Unbroken. Another emic piece, in Creggan, Derry, has been marked with republican graffiti – see Stand Up And Speak Out. This very skilful piece walks a very fine line very precisely.
“No sovereignty = no control”. Great Britain and the European Union combine to push Ireland through the grinder for American profit. This mural is a cartoon by Carlos Latuff (ig) reproduced by 32CSM (web) on Divis Street, Belfast.
“Colonel Edward Saunderson MP, UDU founder, leader of the Irish Unionist Party. 1837-1906. Union is strength. ‘We must be prepared for every possible eventuality’ – on the issue of Home Rule 1893.”
The dates given are the span of Saunderson’s life, not his political career, which began in 1865 as MP for his home county of Cavan.
The bill under consideration in 1893 was the second Home Rule bill, which the UDU was formed to resist. The UDU initially met in Belfast in March; the manifesto of the meeting can be read on page 5 of the [Sydney] Freeman’s for 1893-04-29.
On June 8th, 1893, the Westminster government asked the police for a report on the Union, fearing its goal was armed resistance to Home Rule, and considering declaring it an illegal organisation ([Sydney] Daily Telegraph, 1893-06-10 page 5).
In September, the bill was passed in the Commons but defeated in the Lords. An account of the October meeting quotes Saunderson saying that the organisation should maintain itself by “if the necessity arose” “proving – not by words, but by deeds – that they meant what they said.” (Gympie Times & Mary River Mining Gazette, 1893-12-07 page 3).
Saunderson at the time was (also) leader of the Irish Unionist Alliance (here called the “Irish Unionist Party”) and he went on to be the first leader of the Ulster Unionist Party, from 1905 to 1906 (WP), when he died of pneumonia (WP).
The Ulster Defence Union is employed as an origin-story by the Troubles-era UDA as the UDU formed an ‘Ulster Defence Association’ – see UDU-UFF-UDA and UDU-WDA-UDA-UFF – and the name is used by the post-Agreement UDA – see Daffodil Days.
This Castlemara, Carrickfergus, board is not remarkable so much for what it depicts — the new prince and princess of Wales, “baron & baroness of [sic] Carrickfergus” — but for what it replaces, namely, the Carrickfergus Eddie, which had been in place since (at least) 2000 — see Show No Mercy.
This means that there are no large murals of Eddie remaining; there are only some smaller versions of Eddie of boards or tarps. Eddie has his own Visual History page.
This Castlemara, Carrickfergus, board is notable for its background, which follows that of old coronation and jubilee portraits. These would show the royal couple (and sometimes immediate family) in plush surroundings and standing in front of chairs. This style of composition has been seen in murals of George V’s jubilee in 1935 and George VI’s coronation in 1937 — see Visual History 01. In this board, however, Philip and Elizabeth are portrayed in old age and are not in coronation gear; the chairs shown are from the Throne Room in Buckingham Palace.
Also notable is that the board replaces a UDA mural – see Joint Manoeuvres. The other UDA mural in the estate — Carrickfergus Eddie — has also been replaced.
For the UVF/YCV gunmen in the background of the wide shot, see Out Of The Trenches.
Paddy Duffy Collection 