William III, statholder of Holland, landed at Torbay, England, in November, 1688 with 250+ ships and 30,000 men in order to overthrow the Catholic convert James II who had become king in 1685. As he came ashore he proclaimed “the liberties of England and the Protestant religion I will maintain.” As king of England, William was automatically made king of Ireland, but he and his forces had to go to Ireland to win the island from James and the forces loyal to him. Schomberg had already successfully besieged Carrickfergus in 1689 when William landed in June 1690.
The mural reproduces the illustration from a postcard.
This is and old (2009) repaint of the mural in the Markets to IRA volunteers: They are: Tony Nolan, Joseph Downey, Frank Fitzsimons, Joey Surgenor, Paul Marlowe, Jim Templeton, and Brendan Davison.
One of the first casualties of the Easter Rising, on the evening of Good Friday, was Belfast-born Charles Monahan (Charlie Monahan, Cathal Ó Monacháın/Ó Muıneacháın), who died along with Con Keating and Daniel Sheehan in a motor accident in Kerry, when their car – which only had one headlamp – was driven off a pier. His body was not found until October 30th. The driver, Tommy McInerney – shown here studying a map – survived. This mural is in the Markets; Monahan is also claimed by east Belfast and a 2006 mural to him was painted on Mountpottinger Road (Visual History).
“Born in Riley[‘s] Place in the Market area of Belfast, Charles was one of many people who left Belfast to take part in the events leading up to the Easter Rising. Charles[‘s] role was to meet up with 3 other vols and help guide Roger Casement (top left) land a ship full of weapons. On the 21st April, 1916, the driver took the wrong road and drove off the pier into the Laune at Ballykissane. Charles, 37, drowned along with two of his comrades.”
“Saint Malachy’s G.A.C. is more than a club. It’s our club. To participate is to represent your community and an expression of your cultural identity.”
This is the 2021 repaint of the mural celebrating Gaelic games in the parish of St. Malachy/Naomh Maolmhaodhóg, in the Markets area of Belfast. The parish church – featured in the top centre – has a celebrated fan-vaulted ceiling (WP). This mural, on the other hand, features a bay window.
“Conaíonn [Cónaíonn] muid ı scath dá chéıle” is a straightforward rendering of the epigrammatic “Ar scáth a cheıle a mhaıreann na daoıne”, which was included in the previous version – see Cultural Identity.
Left: “Murdered for their political beliefs: Tom Berry, Robert Elliman, Robert Millen, John Browne”. All four had a connection Markets or Ormeau area of south Belfast. Millen, from the Ormeau area, was shot in 1973 by the UVF; he played on the same soccer team (Bankmore Star) as Thomas Berry, who was shot in a Short Strand GAA club; Elliman was shot in a Markets pub; John Brown (without the “e”) was shot in his Cooke Street home in front of his family. The first three were all Protestants; the latter three were among 11 people who died in the 1975 feud between the Officials and the Provisionals. (Lost Lives)
“The war they wage is not a war of bigotry or greed, their struggle is a workers one, so everyone may lead a life with rights and liberty, in a land where they can say “Up the Army of the people, the Official IRA”.” “Erected by the Official Republican Movement.”
Centre: Internment (imprisonment without trial) was introduced on August 9th, 1971 by NI Prime Minister Brian Faulkner, with 342 people arrested on the first day. The Bogside was “hysterical with hated”, according to Eamonn McCann (History Ireland) and of Belfast Kevin Myers wrote “Insanity seized the city.” Two dozen people would die in the rioting and gun-battles that followed, leading to the suspension of Stormont rule (WP). In the Markets area, OC Joe McCann and other (Official) IRA volunteers took over the Inglis bakery and reportedly prevented 600 British troops from entering the area – the image to the left of the board above is a Ciaran Donnelly photograph showing McCann during the battle, kneeling beneath a Starry Plough and holding an M1.
Right: After serving in the IRA in the War Of Independence, Liam Mellows was elected to the First Dáil and as a member of the second Dáil voted against the Treaty in January 1922 (his speech is recorded in Oireachtas.ie under the name “Liam Mellowes”). In the Civil War that followed, he served as IRA quartermaster in the force in the Four Courts that surrendered to Free State forces on June 30th, 1922. He was imprisoned in Mountjoy and executed in December, in reprisal for the killing of Seán Hayes (see Executed). (WP | An Phoblacht) His proposals for government were published posthumously as ‘Mellows Testament’ (NLI) and include state ownership of heavy industry, large estates, the transport system, and the banks. The sticker below quotes from that document: “Ireland, if her industries and banks were controlled by foreign capital, would be at the mercy of every breeze that ruffled the surface of the world’s money-markets.”
The re-painted mural to plastic-bullet victim Julie Livingstone was rededicated on October 15th. For the previous mural, see 2010. “The Stolen Child – Come away, O human child/To the waters and the wild/With a faery hand in hand/For the world’s more full of weeping/Than you can understand… – WB Yeats.”
“Where so ever, how so ever or whenever we are called upon to make our exit, we will do as proud men.” This is quite a different message from the one produced within the Rathcoole estate for the 50th anniversary of the Red Hand Commandos, which stated that despite its venerable age, the four Rathcoole companies of the RHC “Await In The Shadows“. (That mural also depicted the kneeling men with sticks (on the left of today’s mural) and the linked post also contains the original photograph.)
It’s not clear who or what within loyalism might call upon the RHC to stand down; loyalist rhetoric at the moment is full of anger at the protocol and warnings/threats about of a return to violence (e.g. BelTel | BBC).
For the use of “Lamh Dear Abu” as the slogan, see Ulster Says “Tá”.
Paddy Duffy Collection 