Commemorations of the INLA’s fiftieth anniversary have so far been limited to graffiti – see Saoırse Go Deo in Derry and Let The Fight Go On in Belfast – but here we have two deliberately painted panels in the Bogside (specifically Meenan Square) (one replacing The Way We Were).
The “Men’s Mental Health” addition to the Mandela-Sands mural is also from the IRSP (Xitter)
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X10917 courtesy of Seosamh Mac Coille 2022
“From the river to the sea Palestine will be free.” The South Link, Andersonstown, murals seen recently (at end of March) in Though An Army Besiege Me, My Heart Will Not Fear have already been repainted, switching images of Israeli weapons for the images of death, suffering, and destruction seen here. According to the Al Jazeera tracker, the Palestinian death toll is approaching 40,000, with almost 90,000 injured.
Also in South Link: Humanitarian Intervention. For a mural of body-bags, see Another Martyr In The Earth.
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One of Lidl’s slogans (and a “corporate responsibility objective” of the company) is to work “For a better tomorrow”. The electoral-style placard above urges “Don’t vote Lidl” and alleges that the company is “funding genocide for a bleaker tomorrow” and that its “policy is to fund apartheid, occupation, genocide” – perhaps through selling Israeli-made goods – particularly wipes made by Lupilu (ig video | Fb video | Fb | Change.org) – and through its parent company Schwarz’s acquisition of an Israeli cyber-security company.
The final image is of a Lasaır Dhearg tarp in Lenadoon: “Israeli goods free zone – there are no products ‘Made in Israel’ for sale in this area”.
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Palestinian artist Taqi Spateen’s (web | ig) third piece in Belfast is in Crocus Street, in Beechmount, west Belfast, in conjunction with the Beechmount Residents’ Collective, which has images of the launch on June 23rd (ig). It replaces the vandalised-and-repaired lower part of the pro-immigrant mural seen in In Search Of A Better Life. In the mural, both an olive tree and slender Easter lilies emerge from the rubble. On these a new society can be built.
For Spateen’s first piece, in Kent Street in the city centre, see Anatomy Of Oppression.
For the second piece, in Palestine Street, see Women Carry The People.
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Palestinian artist Taqi Spateen’s (web | ig) second piece in Belfast is in Palestine Street in the Holylands of south Belfast, where he worked with Artists Against Genocide (ig) to produce a piece showing the strength of Palestinian women, carrying the land from which Palestinians have been evicted in the Nakba of 1948.
For the first piece, in Kent Street in the city centre, see Anatomy Of Oppression.
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Ahed Tamimi is a young Palestinian activist famous for slapping and pushing two Israeli soldiers in 2017, when she was 16 (footage at NBC News), after her cousin was hit in the head by an Israeli bullet. She was arrested soon after (USA Today) and served seven months (Al Jazeera | Guardian). She was also arrested last (2023) November (Al Jazeera) and released about three weeks later as part of a prisoners-for-hostages swap on November 29th (BBC).
The mural to Tamimi (above) is in Catherine Street, Newry. Also included (below) are an older mural with the cartoon character of resistance Handala (WP) in front of a Palestinian flag with the words “Let this child return home”, and a Connolly-Costello IRSP (Fb) board.
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“But now thus says the Lord, he who created you, O Jacob, he who formed you, O Israel: “Fear not, for I have redeemed you; I have called you by name, you are mine.”” Isaiah 43 continues: “When you pass through the waters I will be with you … When you walk through the fire, you will not be scorched.” Thus, although the text is addressed to Jacob/Israel and the lion is a symbol of Jacob’s son Judah, whose eponymous tribe later gives its name to the Jews, Christians interpret it more generally as a promise to all believers.
In this way, this new board at Rehoboth Evangelical Mission in Mount Vernon is perhaps in the same tradition as the previous board, with its quote from John 11 (in the New Testament) promising that believers shall never die (X04693).
The inclusion of the flag of modern Israel which dates back to the Zionist movement in the late 1800s, however, gives this board a political edge, seeming to make it a token of support for Israel in its current conflict with Hamas and attack on the Gaza Strip. (The roaring lion and the lightning also give a sense of physical power.) As such, it would be (to our knowledge) the first printed board in support of Israel and an advance over the more typical flying of the Israeli flag.
Hill & White (2007 – paywall) begin their article with a survey of newspaper articles (including this free piece in Salon) about the flying of Israeli flags in Northern Ireland in 2002, explaining the practice as a response to the flying of Palestinian flags during the Second Intifada (p. 33) and an expression of admiration for Israeli’s use of physical force against its minority population (p. 37). The first appearance of an Israeli flag in the Peter Moloney Collection is from 2006, at a republican bonfire site.
If the Rehoboth board is counted as religious rather than political, the most sophisticated graphical expression of PUL support for Israel is the small paste-up seen in Ulster Supports The People Of Israel. (There is also implicit support for Israel in the board in Peter’s Hill to John Henry Patterson, which includes amongst his other exploits – including Operation Lion – his role as Godfather Of The Israeli Army.)
See also: PUL swastika graffiti 1985 | 1993 | 2008 | BelTel 2015
See also: Rehoboth The Well
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“Attach an item for every child murdered by the IDF in Palestine”. If the practice were followed in accordance with Al Jazeera’s track of casualties in Palestine, there would be roughly 16,500 teddy-bears and other soft toys on these railings at William Street/Anne Street in Dungannon.
For galleries of bears on the railings and lamp-posts of Belfast, see Boycott Israeli Genocide and It Could Be You.
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“… to Genocide Joe”. This mural – a copy of a cartoon by Carlos Latuff – was painted in Divis Street in advance of the visit by Irish politicians to the United States for St Patrick’s Day – for background, see Don’t Look Away and The Fog Of War (which showed the same message on Slıabh Dubh).
In the mural, the leaders of “SF”, “FF”, and “FG” (Sınn Féın, Fıanna Fáıl, Fıne Gael) on their knees offer shamrock to US president Joe Biden, the blood dripping from whose hands spells “Gaza” on the ground.
However, the mural was completely blacked out the week before March 17th (Xitter) and then had to be cleaned, to give the version shown above.
In 2016, a Latuff reproduction in Beechmount, which was critical of Martin McGuinness’s shaking hands with Queen Elizabeth of England, was whitewashed (and was not subsequently restored). See The Butcher’s Apron for ‘before’ and ‘after’ photos.
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“Help us!” Two Carlos Latuff cartoons are combined in this pro-Palestinian board in Donegal, with Errigal/An Earagaıl providing the backdrop.
On the left, an Israeli soldier with a smoking rifle and swastika armband walks away from a mother holding a bloodied child (Xitter), while on the right, bombs from an Israeli fighter jet (Xitter) rain down on “An Phalaıstín”.
“Díbrıgh ambasadóır Iosrael láıthreach!” [Expel the ambassador of Israel immediately!] The current ambassador is Dana Erlich; a motion to expel Erlich was defeated in the Dáıl in November (Indo).
(As with the recent board in Belfast for the ‘Joe Cahill memorial tournament‘, the pseudo-Gaelic font chosen here includes both fadas and (incorrectly) dotted “i”.)
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Paddy Duffy Collection 