Ahed Tamimi is a young Palestinian activist famous for slapping and pushing two Israeli soldiers in 2017, when she was 16 (footage at NBC News), after her cousin was hit in the head by an Israeli bullet. She was arrested soon after (USA Today) and served seven months (Al Jazeera | Guardian). She was also arrested last (2023) November (Al Jazeera) and released about three weeks later as part of a prisoners-for-hostages swap on November 29th (BBC).
The mural to Tamimi (above) is in Catherine Street, Newry. Also included (below) are an older mural with the cartoon character of resistance Handala (WP) in front of a Palestinian flag with the words “Let this child return home”, and a Connolly-Costello IRSP (Fb) board.
“But now thus says the Lord, he who created you, O Jacob, he who formed you, O Israel: “Fear not, for I have redeemed you; I have called you by name, you are mine.”” Isaiah 43 continues: “When you pass through the waters I will be with you … When you walk through the fire, you will not be scorched.” Thus, although the text is addressed to Jacob/Israel and the lion is a symbol of Jacob’s son Judah, whose eponymous tribe later gives its name to the Jews, Christians interpret it more generally as a promise to all believers.
In this way, this new board at Rehoboth Evangelical Mission in Mount Vernon is perhaps in the same tradition as the previous board, with its quote from John 11 (in the New Testament) promising that believers shall never die (X04693).
The inclusion of the flag of modern Israel which dates back to the Zionist movement in the late 1800s, however, gives this board a political edge, seeming to make it a token of support for Israel in its current conflict with Hamas and attack on the Gaza Strip. (The roaring lion and the lightning also give a sense of physical power.) As such, it would be (to our knowledge) the first printed board in support of Israel and an advance over the more typical flying of the Israeli flag.
Hill & White (2007 – paywall) begin their article with a survey of newspaper articles (including this free piece in Salon) about the flying of Israeli flags in Northern Ireland in 2002, explaining the practice as a response to the flying of Palestinian flags during the Second Intifada (p. 33) and an expression of admiration for Israeli’s use of physical force against its minority population (p. 37). The first appearance of an Israeli flag in the Peter Moloney Collection is from 2006, at a republican bonfire site.
If the Rehoboth board is counted as religious rather than political, the most sophisticated graphical expression of PUL support for Israel is the small paste-up seen in Ulster Supports The People Of Israel. (There is also implicit support for Israel in the board in Peter’s Hill to John Henry Patterson, which includes amongst his other exploits – including Operation Lion – his role as Godfather Of The Israeli Army.)
“Attach an item for every child murdered by the IDF in Palestine”. If the practice were followed in accordance with Al Jazeera’s track of casualties in Palestine, there would be roughly 16,500 teddy-bears and other soft toys on these railings at William Street/Anne Street in Dungannon.
“… to Genocide Joe”. This mural – a copy of a cartoon by Carlos Latuff – was painted in Divis Street in advance of the visit by Irish politicians to the United States for St Patrick’s Day – for background, see Don’t Look Away and The Fog Of War (which showed the same message on Slıabh Dubh).
In the mural, the leaders of “SF”, “FF”, and “FG” (Sınn Féın, Fıanna Fáıl, Fıne Gael) on their knees offer shamrock to US president Joe Biden, the blood dripping from whose hands spells “Gaza” on the ground.
However, the mural was completely blacked out the week before March 17th (Xitter) and then had to be cleaned, to give the version shown above.
In 2016, a Latuff reproduction in Beechmount, which was critical of Martin McGuinness’s shaking hands with Queen Elizabeth of England, was whitewashed (and was not subsequently restored). See The Butcher’s Apron for ‘before’ and ‘after’ photos.
“Help us!” Two Carlos Latuff cartoons are combined in this pro-Palestinian board in Donegal, with Errigal/An Earagaıl providing the backdrop.
On the left, an Israeli soldier with a smoking rifle and swastika armband walks away from a mother holding a bloodied child (Xitter), while on the right, bombs from an Israeli fighter jet (Xitter) rain down on “An Phalaıstín”.
“Díbrıgh ambasadóır Iosrael láıthreach!” [Expel the ambassador of Israel immediately!] The current ambassador is Dana Erlich; a motion to expel Erlich was defeated in the Dáıl in November (Indo).
(As with the recent board in Belfast for the ‘Joe Cahill memorial tournament‘, the pseudo-Gaelic font chosen here includes both fadas and (incorrectly) dotted “i”.)
Here is an INLA/IRSP/RSYM pro-Palestine mural from Derry (see also يومنا قادم). “PFLP” stands for “Popular Front For The Liberation Of Palestine” (WP). A very similar PFLP-INLA board was seen in west Belfast: Peoples United. There was PFLP graffiti in Creggan: Victory To The PFLP.
The first two are from William Street and the Bogside; the small INLA nail-up in the final image is in Creggan.
In 2000, during the Second Intifada, Palestinian teenager Faris Odeh was photographed by an AP photographer in the act of throwing a stone at an Israeli tank. He was shot and killed a few days later and the image became a symbol of resistance. (A mural of the photograph was painted in Springhill: see David And Goliath.) The iconic image is updated here for Israel’s current invasion of Gaza, showing a young girl with a soft toy standing in front of a tank that is bedecked with the flags of the European Union, France, the USA, the UK, and Germany.
The F-16 jets and rubble and child with teddy-bear are the same as in the We Stand With Palestine mural in Ardoyne.
On March 25th, Israel declared that it would no longer work with UNRWA to deliver aid into Gaza (Reuters | Guardian). On March 28th, Foreign Minister Micheál Martin announced that Ireland plans to “intervene” in South Africa’s ICJ case against Israel, asserting that the Genocide Convention includes blocking humanitarian aid (BBC | Guardian | RTÉ).
The support for Palestine by Ireland and South Africa is illustrated here by Irish, Palestinian, and South African children standing hand-in-hand. The same type of image was also used, with younger children, in the Painting For Palestine project on the International Wall – see The International Court Of Justice, which also gives details of South Africa’s initial case against Israel.
Two murals have been added to the exterior of Felons’ Club in Andersonstown to show support for Palestine. Above, on the Lake Glen side of the club, a printed board reading “We stand with Palestine – seas leis an Phalaıstín” and including an Emmalene Blake image (ig) on the right (shown in close-up, below); further below, a “Stop the genocide in Gaza” tarp above the entrance.
Also included are images of several memorial plaques from the courtyard, to James Smyth, Anraí (Harry) Osborne, Seosamh Ó Conghaıle (Joseph Connolly), and Roger Casement. “County Antrim Memorial: Tógaḋ an leaċt seo mar ċoṁarṫa urraıme, grá agus dílse do na saıġdıúırí uaısle as Contae Aontroma, a martraíoḋ ar son Ṗoblaċt Na hÉıreann. Ṡeas gaċ glúın díoḃ sa ḃearna ḃaoıl, ag troıd go cróga ċun aontaċt agus saoırse a ṫaḃaırt ar aıs do náısıún na nGael. Go spreaga an leaċt cuımhne seo na daoıne feasta ıonas go leana sıad lorg na laoċra dtí go mbéarfar bua uasal na saoırse ar ball. Erected by the Belfast Committee of the National Graves Association with generous co-operation from sub-committees in America and Dublin.”
The launch event for the Painting For Palestine project (Fb) took place on March 3rd. A large paper Palestinian flag (with the cartoon character of resistance Handala (WP) on it) was used as a cover over the mural of three children – Irish, Palestinian, and South African – and unveiled by local children who had worked on the piece.
For the ten pieces linked by Alareer’s poem on a red ribbon, see Tell My Story.
Paddy Duffy Collection 