The Bone Stands With Palestine

“Stop the war on Gaza! Pray for peace!” There are doves in the upper corners but the central imagery is of a clenched fist and the background shows a republican volunteer (perhaps from the INLA) comforting a Palestinian.

For the mural that this framed image has been added to, see Clós Ard An Lao.

Clós Ard An Lao/Ardilea Close, in the Bone, north Belfast

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African Blood

Sugarhouse Entry, running between Waring Street and High Street, and home to the Muddlers’ Club of the United Irishmen, was closed in 1972 as part of the “ring of steel” securing Belfast city centre (DC Tours) and for fifty years served only as a back alley to various businesses between Waring Street and High Street; there was talk in 2022 of reopening it (Irish News) and again in 2023 (BelTel). It has now (August, 2024) been refurbished and reopened (BelTel | UTv includes interview with Sean Napier | Belfast City Council video on youtube).

Peter Strain (web) produced illustrations for a number of entries in 2020 and 2022, including one from 2022 for Sugarhouse Entry. It quotes United Irishman Thomas Russell as saying, “Every time I look at a lump of sugar, I see a drop of African blood”.

The precise source of the quote is unknown (please comment/get in touch if you know it); towards the end of Russell’s 1796 Letter To The People Of Ireland, in which he exhorts Irish people to develop a national spirit and take an interest in politics, he takes as a present-day example refraining from supporting the Crown in the French Revolutionary Wars by serving in the army or by buying taxed goods (such as sugar): “Are the Irish nation aware that this contest involves the question of the slave trade, the one now of the greatest consequence on the face of the earth? Are they willing to employ their treasure and their blood in support of that system, because England has 70 or 7000 millions engaged in it, the only argument that can be adduced in its favour, monstrous as it may appear? Do they know that that horrid traffic spreads its influence over the globe; that it creates and perpetuates barbarism and misery, and prevents the spreading of civilization and religion, in which we profess to believe? Do they know that by it thousands and hundreds of thousands of these miserable Africans are dragged from their innocent families … transported to various places, and there treated with such a system of cruelty, torment, wickedness and infamy, that it is impossible for language adequately to express its horror and guilt, and which would appear rather to be the work of wicked demons than of men. If this trade is wrong, is it right for the Irish nation to endeavour to continue it? And does not every man who contributes to the war contribute to its support?” (archive.org p. 22)

(Other pieces by Strain in the entries can be seen in Handsome, Easy-Going, And Utterly Untrustworthy | The Blots On The Page Are So Black | As You Lived You Must Die | Trust Women.)

See also: the Visual History page on the Belfast Entries Project.

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Kneecap’s Fine Art

Kneecap’s new album Fine Art was released on June 14th on Heavenly Recordings. (The cover of the new album is included in the recent update to the mural on Madden’s bar – see Sásta A Bheıth Anseo.)

Their film, also called Kneecap, had its Belfast premiere in the Kennedy Centre, west Belfast, on Tuesday and has been on general release since Thursday (RTÉ | BBC).

The band yesterday (Friday August 9th) launched a third mural in Hawthorn Street/Sráıd Na Sceıthe, (joining Incendiary Device and England Get Out Of Ireland,) which blows up the sticker seen on the street-sign (below; and previously in Land Grab) into a mural: Saoırse don Phalaıstín [Freedom for Palestine]. The launch was moved to an earlier time (2:30 p.m.) so that it would not conflict with the anti-racism rally in the city centre (BelTel).

The mural had previously been a sticker (see the street sign, above) and flyer – this one is from Waterford Street, in April

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Naoıse Ó Caırealláın Móglaí Bap Lıam Óg Ó Hannaıdh Mo Chara JJ Ó Dochartaıgh DJ Próvaí

Gaels Against Genocide

“Seasann Léana An Dúın leıs An Phalaıstín [Lenadoon stands with Palestine]”. Gaels Against Genocide – “a collective of people from the Irish language, sporting & cultural communities” (Xitter) – was formed in January (Saffron Gael) and organised rallies in Belfast city centre in February (Pensive Quill | Belfast Media video on YouTube) and in June (BBC | Belfast Media gallery | Irish News).

Lenadoon Avenue, west Belfast

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Always Anti-Fascist

The Easter lily and the red star mark this graffiti-art-style slogan in Durrow Park, Derry, as republican-socialist; RSYM = Republican Socialist Youth Movement (Fb), IRSP = Irish Republican Socialist Party (web), AFA = Anti-Fascist Action (Fb)). There is a small “Victory to Hamas” graffito to the right.

For the large Arm Saoırse Náısıúnta Na hÉıreann (INLA) board, see Serious Trouble.

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The INLA

Commemorations of the INLA’s fiftieth anniversary have so far been limited to graffiti – see Saoırse Go Deo in Derry and Let The Fight Go On in Belfast – but here we have two deliberately painted panels in the Bogside (specifically Meenan Square) (one replacing The Way We Were).

The “Men’s Mental Health” addition to the Mandela-Sands mural is also from the IRSP (Xitter)

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X10917 courtesy of Seosamh Mac Coille 2022

Stop The Genocide – Save Palestine

“From the river to the sea Palestine will be free.” The South Link, Andersonstown, murals seen recently (at end of March) in Though An Army Besiege Me, My Heart Will Not Fear have already been repainted, switching images of Israeli weapons for the images of death, suffering, and destruction seen here. According to the Al Jazeera tracker, the Palestinian death toll is approaching 40,000, with almost 90,000 injured.

Also in South Link: Humanitarian Intervention. For a mural of body-bags, see Another Martyr In The Earth.

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For A Bleaker Tomorrow

One of Lidl’s slogans (and a “corporate responsibility objective” of the company) is to work “For a better tomorrow”. The electoral-style placard above urges “Don’t vote Lidl” and alleges that the company is “funding genocide for a bleaker tomorrow” and that its “policy is to fund apartheid, occupation, genocide” – perhaps through selling Israeli-made goods – particularly wipes made by Lupilu (ig video | Fb video | Fb | Change.org) – and through its parent company Schwarz’s acquisition of an Israeli cyber-security company.

The final image is of a Lasaır Dhearg tarp in Lenadoon: “Israeli goods free zone – there are no products ‘Made in Israel’ for sale in this area”.

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Life Finds A Way

Palestinian artist Taqi Spateen’s (web | ig) third piece in Belfast is in Crocus Street, in Beechmount, west Belfast, in conjunction with the Beechmount Residents’ Collective, which has images of the launch on June 23rd (ig). It replaces the vandalised-and-repaired lower part of the pro-immigrant mural seen in In Search Of A Better Life. In the mural, both an olive tree and slender Easter lilies emerge from the rubble. On these a new society can be built.

For Spateen’s first piece, in Kent Street in the city centre, see Anatomy Of Oppression.

For the second piece, in Palestine Street, see Women Carry The People.

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Women Carry The People

Palestinian artist Taqi Spateen’s (web | ig) second piece in Belfast is in Palestine Street in the Holylands of south Belfast, where he worked with Artists Against Genocide (ig) to produce a piece showing the strength of Palestinian women, carrying the land from which Palestinians have been evicted in the Nakba of 1948.

For the first piece, in Kent Street in the city centre, see Anatomy Of Oppression.

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