Gaelic Games

Tríocha Blıaın Ag Fás

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What is now Coláıste Feırste began life as Meánscoıl Feırste in 1991, teaching a group of nine students a curriculum inspired by Patrick Pearse (discussed previously in An Tusa An Chéad Laoch Eıle?) and based in Cultúrlann MacAdam-Ó Fıaıch (Cultúrlann). It moved to Beechmount in 1998 and in 2018 expanded into new buildings that were meant to accommodate 600 pupils (Doherty Architects), which it has now exceeded (BBC) as it enters its thirty-third year in existence.

The theme of preserving and promoting the Irish language occurs in several places in the mural: next to Pearse we see his saying, “Máırtín Ó Chadháın ” [a land without a language [is] a land without a soul], in the classroom scene we have “Labhaır í agus maırfıdh sí” [speak it and it will endure], and finally we see the Dream Dearg protesting for an Irish-Language Act (see previously #AchtAnoıs).

The in-progress images included below among completed detailed shots date from May 6th and 20th.

Giant’s Foot/Beechview Park. Replaces the short-lived mural of Olympians, seen in Sporting Giants.

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Pobal Ag Fás

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“Pobal ag foghlaım, pobal ag forbaırt, pobal ag fás” [a community learning, developing, growing]

Students from “Naíscoıl & Gaelscoıl An Lonnáın (Fb) bun[aithe] 1999″ [Nursery-school and Irish-language [primary] school of the loney, founded 1999] are shown playing Gaelic games, Irish dancing, and playing traditional instruments (and the guitar). On the left are representations from Irish mythology: the Children Of Lear and Setanta killing Culann’s hound (and taking the name Cú Chulaınn in taking its place), along with hedge-row school (see Hedge Row School).

The origin of the name is unclear; the nearest loney [lane] was the “Pound” loney, so-called because of the animal pen just outside Barrack Street, used to store livestock before moving on to the markets the following day (Rushlight | Uachtar Na bhFál). (The Pound Loney is included in the mural in Durham Street – see Et In Arcadia Ego.)

The other well-known loney in Belfast is the “buttermilk loney” which was either/both what is now Ballysillan Park (that is, connecting Olpark with the horsehoe bend) or the top part of the loney that connected Wheatfield (the top of Ardoyne) to the Ligoniel junction and on towards the old Ligoneil House (there are a mixture of usages in this Belfast Forum thread); this image from the 1930s might show the lane in (what was still at the time) the hills above Oldpark; a new housing-development towards the top of the Ballysillan Park is euphemistically called “Buttermilk Loney”. (It is also said to have been a prior name of Skegoniell Avenue (Belfast History).)

(The Uachtar Na bhFál page also mentions “Turf” loney, “Mountain” loney, and “Killoney”.)

The history of the Irish word “lonnán” is unclear. Uachtar na bhFál says the word is of Scots origin (perhaps as “loanin”). (See this BelTel article on the opening of the Ulster-Scots centre in 2014.) Spelled “lonnen”, it is also a Geordie word (Heslop’s Northumberland Words | wiktionary). The Irish News and Belfast Live, working from the same (uncited) press-release about Páırc An Lonnáın (which is along the Westlink below Raıdıó Fáılte), state that “loney” comes from the English word “loaning”. The Irish word “lonnán” does not appear in Dinneen 1904; Dinneen 1953 defines it (hyper-specifically) as “a grassy recess running up into high basaltic cliffs”.

The image above and immediately below are from May 19th, as the mural was nearing completion; other ‘in-progress’ images are as dated below. See Extramural Activity for images of the completed work.

May 10th:

April 20th:

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Marty Lyons

Youth Of North Belfast

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The local New Lodge GAA club Cumman An Phıarsaıgh is named in honour of Patrick Pearse, executed after the 1916 rising. The club’s new mural features footballers contesting a ball and Pearse’s image appears at the centre of a Celtic cross along with part of his 1912 poem Mıse Éıre in the bottom corner (shown below in a close-up). Painted by Lucas Quigley and Michael Doherty. Replaces ‘New Lodge 2000‘.

Mıse Éıre: Sıne mé na an Chaılleach Bhéarra.
Mór mo ghlóır: Mé a rug Cú Chulaınn croga.
Mór mo náır: Mo chlann féın a dhíol a máthaır.
[Mór mo phıan: Bıthnaımhde do mo shíorchıapadh.
Mór mo bhrón: D’éag an dream ınar chuıreas dóchas.]
Mıse Éıre: Uaıgní mé ná an Chaılleach Bhéarra.

I am Ireland: I am older than the old woman of Beare.
Great my glory: I who bore Cuchulainn, the brave.
Great my shame: My own children who sold their mother.
[Great my pain: My irreconcilable enemy who harasses me continually.
Great my sorrow: That crowd, in whom I placed my trust, died.]
I am Ireland: I am lonelier than the old woman of Beare.

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Gateway To West Belfast

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Fáılte Feırste Thıar‘s second mural (the first is outside its offices in the middle Falls – see Fáılte Feırste Thıar) reinforces the claim that (republican) west Belfast begins as soon as you cross the motorway, five minutes’ walk from the city centre. Coıste’s tour of republican murals begins at Divis Tower and the new mural already seems to be drawing tourists – see the final image, below. The previous Coıste mural (M04900) has been deleted and incorporated into the mural, promising tourists “a unique walking tour by former political prisoners”.

The mural is a mix of landmarks – the new Raıdıó Fáılte building (which is located just below the mural), Divis tower, St Peter’s, Conway Mill, the “international wall” of murals, the Bobby Sands mural, the Falls library, the new James Connolly centre, Cultúrlann, and Milltown cemetery – cultural images (Irish dancing and Féıle An Phobaıl) – and sporting images (clubs include Immaculata ABC, Gort Na Móna GAC, St Paul’s GAC). A gay pride ‘rainbow’ stripe runs below the Divis Street portion. Before the previous mural was painted (M07533), there was a Gateway To Belfast board at this spot.

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For Twinbrook

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In 2019, images of Bobby Sands before his (second and final) arrest and imprisonment were rediscovered in the collection of French photographer Gérard Harlay. Sands was serving as a flag-bearer in an August 1976 march from the Busy Bee to Dunville Park to protest the withdrawal of political status. (For some of Harlay’s images, see Bobby Sands Trust.) This new mural in his home area of Twinbrook copies one of the images (though presents him as carrying a Tricolour rather than a harp) along with protesters protesting for “Public transport for Twinbrook now” and “Social housing for Twinbrook now”.

Twinbrook Road, Dunmurry

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Pride Of Glencolin

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Glencolin estate was built next to Moyard House (which in 1984 became home to the Roddy’s (web)) on the Glen Road in 1979 (Belfast Forums). For the fortieth anniversary of “eastát Ghleann Collaınn” the mural at the entrance to the estate was (belatedly) repainted. The composition of the mural remains as in the previous version, with the Roddy’s and Oliver Plunkett church in the shadow of Dubhaıs and Slıabh Dubh; they are now joined by images of Gaelic games. The Bobby Sands quote has been removed.

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St Malachy’s

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St Malachy’s (tw | Fb) is a junior (i.e. 2nd division/B-tier) GAA club established 1936 in the Markets area of south Belfast. It is not known who the six portraits are of (there were originally only the four at the corners – see M08137) or who the four players are. Get in touch if you have any information.

With sponsorship from Pulse, Belfast City Council, New Belfast Community Arts Initiative, the Housing Executive, and ?Brighten Belfast?

Shaftesbury Avenue, Belfast

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Stronger Together

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mural featuring (from left to right in the image below) Ardoyne Youth Club, Ard Eoın Kickhams, and the John Paul II Youth Club as alternatives to bullying, racism, homophobia, addiction, and other social ills. This panel shows Irish dancing, soccer, and Gaelic games; there are also images of young people practicing martial arts, DJing, and boxing on a side wall.

Havana Way, Ardoyne

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Joe Cahill Perpetual Cup

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“Mol an óıge agus tıocfaıdh sÍ”. [Praise youth and it will flourish/Youth responds to praise] Above is the Joe Cahill mural in Beechview Park, next to the GAA pitch. The mural was unveiled on September 2nd, 2013. (Images of the unveiling from An Phoblacht.) Joe Cahill (WP) holds the cup aloft. The group in the bottom left corner (see the second image, below) are Pat O’Hare, Frank Cahill, Tom Cahill, (the three Cahills were featured in the previous mural) Ned Maguire, Jr., Ned Maguire, Sr., Alec Crowe, Paddy Meenan, Tommy Crowe, Dal Delaney, and Hugh Elliot. In the crook of Cahill’s arm are Rita McParland, Sean Wallace, Paddy Corrigan, John Pettigrew, and John Stone. None of these adults is still alive; all were from the local area.

The chalet bungalows in the background on the left are gone, but you can see images of them on the Belfast Forum.

The plaque on the left names others in addition: Billy Kelly, Alice Cush, Kate Campbell, John Mulligan, Mary Mulligan, David Mulhern, Margaret Mulhern, John Clarke, Margaret Farrelly, Marie Williams, Kevin Sullivan, Michael Rock, John McColgan, Bridget Maguire, Martin Maguire, Sally Corrigan, Sonny O’Reilly, Maggie McArdle, Jimmy McArdle, Kathleen Wallace, Maragret McGuinness, John Flanagan, Maisie McGuckian, Charlie McGuckian, Anthony Muldoon, Jim Logue, Ellen Weir, Liam Mackie, Oliver McParland, Sadie McMahon, Tommy Crowe, Maddie Holden, Sarah Doyle, Jimmy Doyle, Kathleen Pettigrew, Mary Cushnihan, Bell Cosgrove, Gerry Campbell.

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