Belfast

A Champion Gets Up

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“A champion shows who he is by what he does when he’s tested. When he gets up and says “I can still do it”, he’s “a champion.” In Irish mythology, the Tuatha invade Ireland and battle the Fır Bolg. They are successful but their king Nuadha loses his arm and with it his kingship of the Tuatha. He had it replaced with an arm made of silver and regained his position. He is used here as an inspiration for those struggling with mental health, who are encouraged to call Lifeline or Aware.

(A history of Nuadha in murals is included in the Visual History page on Jim Fitzpatrick.)

The modern-day hero accompanying Nuadha is boxer James “The Assassin” Tennyson, current Irish super-featherweight champion. There are also four mental health boards (shown below) around the corner from Urban Villages Colin Safer Streets Initiative with messages such as “Think, Talk, Feel – Positive”, “Everything that you are is enough”, “Learn from yesterday, live for today, hope for tomorrow”,

Laurelglen Pharmacy, on the Stewartstown Road.

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Copyright © 2023 Paddy Duffy
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We Built This

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Here is a gallery of completed pieces produced for International Women’s Day 2023 in College Court. The new street art is part of a larger revitalisation project (Belfast City Council).

The works shown are (from Castle Street to College Street) by Claire Prouvost, Holly Pereira, Katriona, Kerri Hanna, Danni Simpson, Alana McDowell, ESTR; Laura Nelson, Novice Jess, Friz, (guest artist Hicks who was in town to repair and extend his piece in College Street Mews (see Cool) – it was damaged by a dumpster fire) and, on the other side of the street, HM Constance.

For in-progress shots, see Women’s Work.

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Saoırse Go Deo

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“Saoırse go deo.” INLA volunteer Kevin Lynch went on hunger strike on May 23rd, 1981. He would die 71 days later, on August 1st. His funeral is depicted in the top part of this IRSP/IRSM board commemorating the 40th anniversary of the 1981 hunger-strikes. The Tricolour (for the IRA) and Starry Plough (for the INLA) are used as blankets on the prison beds. 

Shaws Road and Norglen Gardens, west Belfast

The same board appeared on the Falls Road and in Galliagh, Derry.

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Socialism Is Neither Protestant Nor Catholic

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“Socialism is neither Protestant nor Catholic, Christian nor Freethinker, Buddhist, Mahometan, nor Jews [sic]. It is only human. We of the Socialist working class realise that as we suffer together we must work together that we may enjoy together. We reject the firebrand of capitalist warfare and offer you the olive leaf of brotherhood and justice to and for all.” From part 6 of Connolly’s Labour, Nationality And Religion in 1910.

The mural is in Beechview Park, across the street from Áras Uí Chonghaile/James Connolly Visitor Centre.

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Operation Pagoda

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“CR Gas & The Burning Of Long Kesh, 15th-16th October, 1974 in Long Kesh. Operation Pagoda – the British government authorised and sanctioned the use of a chemical weapon against Irish Republican prisoners. Members of the 22nd S.A.S. carried out the attack from a helicopter.”

Operation Pagoda was the name of the SAS’s counter-terrorism programme (WP). Its role in the ‘Battle Of Long Kesh’ in October 1974 and its alleged use of CR (dibenzoxazepine) powder – the successor to CS powder (and before that, CN or “tear” gas) (New Scientist) – remains a classified matter. CR had been authorised for use in 1973 (Guardian).

The original photograph of the central scene (IWM HU 7025, included in this article from An Phoblacht) was in black-and-white and was reproduced as such in the three previous versions of this mural: 2021 Chemical Warfare In Ireland, 2018 The Battle Of Long Kesh, 2014 The Maze Ablaze. This new version adds burning reds and oranges. It replaces the No Profit On Pandemic mural.

International Wall, Divis Street, west Belfast

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Copyright © 2024 Paddy Duffy
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Silence Speaks When Words Can Not

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There was previously a (painted) mural on this wall – see Passchendaele Court – but this latest display is a large printed board, with photographs blended together and framed by graveside mourners, poppies, and the emblems of the Pride Of Govan flute band and the Govan Somme Association (Fb), which also supported the previous mural.

To the left, as seen in the final images, is a smaller UVF (1st Battalion) A Company 5th Platoon board – like the other new board in the street We Will Always Be Ready (and on the other side of Conway Street – see When Needed We Shall Rise Again).

Conway Walk, Belfast

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Nerone

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Here are both the new and the old pieces from French artist (now based in London) Nerone (ig | web). The new piece is a wide arrangement of flowers in Upper Arthur Street. The older piece (shown in the final image, below) is from 2021’s Hit The North, “Life Won’t Wait” above the night-club (currently Club Lux) in Dunbar Road.

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The Belfast Blitz

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900 people died and half the homes in Belfast were destroyed or damaged in the Belfast Blitz of WWII (WP). in the apex of this mural a Nazi bomber sets buildings alight; in the main panel, people, including a milkman, walk among the bombed-out buildings and play a piano that has been pulled from the rubble.

Painted in 2013 by JMK, in Hogarth Street, Tiger’s Bay, north Belfast

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A Planet Of Light And Heat

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The Northern Star newspaper began publication in 1792 in Wilson’s Court, Belfast, under the editorship of Samuel Neilson, to cover local news and express the views of the United Irishmen. It became so popular that it survived until 1797, despite the Irishmen being outlawed in 1793 with the declaration of war between Britain and France and Neilson being arrested in 1796. Walter Cox, editor of The Irish Magazine And Monthly Asylum For Neglected Biography) wrote a ‘Sketch Of The Life Of Samuel Neilson’ for the September, 1811, edition (p. 396 ff) and wrote that “The Northern Star, under his managment, was indeed a planet of light and heat; its influences were commensurate with its circulation and its circulation was only restricted by the ocean. It warmed the cold; it animated the feeble; it cheered the afflicted; it stimulated the intrepid and instructed all. Pernicious dogmas, false reasonings, slavish superstitions and gothic prejudices, which broke the people into different sects and marshalled them against each other, disappeared before it.” (O’Brien 1998 | History Ireland)

The mural – in Wilson’s Court, Belfast – is by Rob Hilken and called “Light And Heat”.

See previously: Olaudah Equiano | Belle Martin and the Visual History page on the Belfast Entries Project

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