“Venceremos” is a Spanish Civil War slogan meaning “we will win (or: overcome)”, here alongside two Irish revolutionaries armed with a rifle and a machine gun, against a background of the Tricolour and sunburst flags.
“‘From the graves of patriot men and women spring … living nations’ – Pádraıg Mac Pıaraıs”. The quote is from Pearse’s oration at the funeral of O’Donovan Rossa on August 1st, 1915 (Wikisource).
The mural is in progress for the 1982 anniversary of the Easter Rising. This image is from “April 1982” which perhaps gives it enough time to be completed by Easter Monday, which fell on the 19th.
A phoenix rises from a pair of disembodied hands tearing apart an “H” made of brick, illustrating the lines (out of view to the right) “… and then I prayed I yet might see/our fetters rent in twain/and Ireland long a province be/a nation once again”. Also on the right are the names of six hunger strikers: Bobby Sands MP, Francis Hughes, Ray McCreesh, Patsy O’Hara, Joe McDonnell, Martin Hurson. On the left are the lark in barbed wire, and the shields of the four provinces.
Three female activists, one with a rifle, proclaim “Resistance” on the Falls Road, Belfast. The phrase is attributed to Che Guevara. The mural was commissioned by Sınn Féın’s Department Of Women’s Affairs for International Women’s Day, 1982 (March 6th). This is probably a work-in-progress image, as the words “We must grow tough, but without ever losing our tenderness” are missing from the top part of the wall and a signature – “painted by Sınn Féın Youth” – in the bottom left. Compare to the images in the Peter Moloney Collection.
This is the second mural on this wall – the first was a tribute to the first four hunger strikers to die in 1981 (see the Peter Moloney Collection). That mural was only head-high, whereas this one attempts to cover the entire wall, all the way up to the chimney – for the development of CNR muraling at this time, see Visual History 03.
In the shadow of Long Kesh watch-towers, a blanketman draped in an Irish Tricolour is held in the arms of his father, with mother looking on, reminiscent of Michelangelo’s pietà (“pity”) in which Mary holds the body of her dead son after he has been taken down from the cross (and so it also echoes Oliver Sheppard’s statue of Cúchulaınn).
Painted by Con at the top of Donegall Road, west Belfast.
“Victory [to the] IRA”. Volunteers with RPGs and armalites in Rossnareen, kneeling over an outline of Ireland in green, white, and gold. The central trio comes from an IRA publicity photograph, included below.