The immediate reason for this mural depicting traveller life is unknown. In 2006 (ten years after this mural) there were about 24,000 travellers living on the island of Ireland (WP | 1995 Report on travellers in Ireland (archive.org) | a good summary of the 2011 and 2016 numbers (CSO pdf).) About 2,000 were living in Northern Ireland, some at a site on the Glen Road (RTÉ has video from the site in 1987) close to this mural in Rossnareen.
“Liberty, equality, freedom – saoırse”. US President Bill Clinton visited Belfast and Derry on November 30th, 1995, and his visit included brief walk-abouts on the Shankill and the Falls (Clinton Library | BBC).
The stop on the Falls was at Dunville Park, where this painting on boards had been quickly (and briefly) erected on top of a mural (25 Years Of Resistance).
On the left is “Wolfe Tone 1798” and on the right “Abraham Lincoln 1865”: “Let us strive on to finish the work we are in: to bind up the nation’s wounds, to do all which may achieve and cherish a just and lasting peace among ourselves”. (Lincoln’s second inaugural speech concludes, “With malice toward none with charity for all with firmness in the right as God gives us to see the right let us strive on to finish the work we are in to bind up the nation’s wounds, to care for him who shall have borne the battle and for his widow and his orphan ~ to do all which may achieve and cherish a just and lasting peace among ourselves and with all nations.”)
The stencil on the lower wall – “25 years – time for peace, time to go. Demilitarise now!”, designed by Robert Ballagh – belongs to the previous mural.
This is one of about nine murals painted in 1995 for the 150th anniversary mural of An Gorta Mór/the Great Hunger (Visual History).
There is a wall to the right that reads, “There was no famine; it was genocide.” (See the Peter Moloney Collection.)
The dove on the chimney and the green ribbon below are a nod to the other main movement during this period, the release of political prisoners as a leading goal of the peace process.
This is the second Bobby Sands mural on the wall of the offices of Sınn Féın and An Phoblacht/Republican News on the Falls Road. For the first, see The Spirit Of Freedom. Gone from that first mural is the lark in barbed wire, replaced by a skyline of Maze/Long Kesh watch-towers, but the smiling Sands and the quotation from him remain: “Everyone, republican or otherwise, has his [here: “his/her”] own [particular] part to play”.
“In loving memory of Stevie McCrea”. Red Hand Commando volunteer Stevie McCrea was sentenced to 16 years for the murder of James Kerr in 1972 (Behind The Mask) and was subsequently “murdered by the enemies of Ulster” on February 18th, 1989 in an IPLO attack on the Orange Cross (WP). (The door of the club can be seen next to the mural in M00560.)
On the side-wall, Binyon’s ‘For The Fallen‘ is modified for the singular “he”: “For he shall not grow old as we that are left grow old. Age shall not weary him nor the years condemn. At the going down of the sun and in the morning, we will remember him.”
Tina Turner’s cover (youtube) of Bonnie Tyler’s song “The Best” reached #5 in the UK charts in 1989 and the phrase “simply the best” from the chorus would appear in a number of UDA murals over the years, beginning with this 1995 mural depicting hooded gunmen from the UDA/UFF’s second battalion C company.
Dover Place, west Belfast. This mural would be repainted in the Adair era to include a list of mass killings of Catholics.
“Compromise” in “Compromise or conflict” hints at the potential of the peace process but loyalist muraling continues to present hooded gunmen (in this case from “1st battalion, west Belfast UVF”) engaged in physical-force activity. In the same vein, see Prepared For Peace, Ready For War.
The first appearance of Eddie The Trooper – a definite increase in the intensity of violent imagery – will be in 1996.
Later with a side-wall (to the right of image) that read simply “A. company / 1st battalion”
Irish people climb on-board ship in order to escape the Great Hunger. The mural is based on The Embarkation, Waterloo Docks Liverpool in the Illustrated London News. This is one of about nine murals painted in 1995 on the Great Hunger (Visual History).
“When the potato crop failed causing the great hunger, people watched in despair as shiploads of food were escorted away by British troops …”. This mural combines an image from Illustrated London News (Bridget O’Donnel And Children) with five bodies faces drowning in the sea.
This is one of about nine murals painted in 1995 on the Great Hunger (Visual History).
