Belfast west

Not All Traditions Deserve Respect

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This Falls Road board is a comment on the “traditional routes” taken in Garvaghy (Portadown) and Ormeau (south Belfast) and other small towns (Enniskillen, Dunloy, Castlederg, Ros[s]lea, Keady, and Bellaghy) by the Orange Order – which now pass through CNR areas.

The horse comes from Nuada And Indech At The Second Battle Of Moytura by Jim Fitzpatrick but its rider has been changed from a Celtic warrior to an Orangeman wearing the cloak and hood of the Ku Klux Klan. The landscape is from his The Tuatha Dé Assemble For Battle, with stones turned into skulls. For more on Jim Fitzpatrick’s art in murals, see the Visual History page.

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Copyright © 1996 Paddy Duffy
T00167

Children Of Lear

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In Irish mythology, the four children of Lear – Aodh, Fıonnghuala, Fıachra, and Conn – were turned into singing swans for 900 years by their step-mother Aoıfe, who is seen on the left riding away from the site of her stepchildrens’ metamorphosis at Loch Daırbhreach (in modern Co. Westmeath). They are then restored to human form by a Christian monk but, being 900 years old, die immediately.

“Lır” (in Irish) is the genitive of (the Irish) “Lear” and the story is often referred to in Irish as “Clann Lır“; neither “Lear” nor “Lır” is pronounced like the English “(King) Lear”.

Crocus Street, west Belfast

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Copyright © 1996 Paddy Duffy
T00166

Travellers

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The immediate reason for this mural depicting traveller life is unknown. In 2006 (ten years after this mural) there were about 24,000 travellers living on the island of Ireland (WP | 1995 Report on travellers in Ireland (archive.org) | a good summary of the 2011 and 2016 numbers (CSO pdf).) About 2,000 were living in Northern Ireland, some at a site on the Glen Road (RTÉ has video from the site in 1987) close to this mural in Rossnareen.

Replaces the Alosa/Fuıseog mural.

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Copyright © 1996 Paddy Duffy (no date given)
T00183

An Gorta Mór

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This is one of about nine murals painted in 1995 for the 150th anniversary mural of An Gorta Mór/the Great Hunger (Visual History).

There is a wall to the right that reads, “There was no famine; it was genocide.” (See the Peter Moloney Collection.)  

The dove on the chimney and the green ribbon below are a nod to the other main movement during this period, the release of political prisoners as a leading goal of the peace process.

Signed “Roısín Byrne & Kathy Rooney”.

Falls Road at Fallswater Street, west Belfast

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Copyright © 1995 Paddy Duffy
T00182

Bobby Sands

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This is the second Bobby Sands mural on the wall of the offices of Sınn Féın and An Phoblacht/Republican News on the Falls Road. For the first, see The Spirit Of Freedom. Gone from that first mural is the lark in barbed wire, replaced by a skyline of Maze/Long Kesh watch-towers, but the smiling Sands and the quotation from him remain: “Everyone, republican or otherwise, has his [here: “his/her”] own [particular] part to play”.

This wall has its own Visual History page.

Sevastopol Street, west Belfast

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Copyright © 1995 Paddy Duffy
T00087 [T00207]

Stevie McCrea

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“In loving memory of Stevie McCrea”. Red Hand Commando volunteer Stevie McCrea was sentenced to 16 years for the murder of James Kerr in 1972 (Behind The Mask) and was subsequently “murdered by the enemies of Ulster” on February 18th, 1989 in an IPLO attack on the Orange Cross (WP). (The door of the club can be seen next to the mural in M00560.)

On the side-wall, Binyon’s ‘For The Fallen‘ is modified for the singular “he”: “For he shall not grow old as we that are left grow old. Age shall not weary him nor the years condemn. At the going down of the sun and in the morning, we will remember him.”

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Copyright © 1995 Paddy Duffy
T00237 T00152

Simply The Best

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Tina Turner’s cover (youtube) of Bonnie Tyler’s song “The Best” reached #5 in the UK charts in 1989 and the phrase “simply the best” from the chorus would appear in a number of UDA murals over the years, beginning with this 1995 mural depicting hooded gunmen from the UDA/UFF’s second battalion C company.

Dover Place, west Belfast. This mural would be repainted in the Adair era to include a list of mass killings of Catholics.

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Copyright © 1995 Paddy Duffy
T00139c

Compromise Or Conflict

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“Compromise” in “Compromise or conflict” hints at the potential of the peace process but loyalist muraling continues to present hooded gunmen (in this case from “1st battalion, west Belfast UVF”) engaged in physical-force activity. In the same vein, see Prepared For Peace, Ready For War.

The first appearance of Eddie The Trooper – a definite increase in the intensity of violent imagery – will be in 1996.

Later with a side-wall (to the right of image) that read simply “A. company / 1st battalion”

Dover Place, west Belfast

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Copyright © 1995 Paddy Duffy
T00133c