Tríocha Blıaın Ag Fás

What is now Coláıste Feırste began life as Meánscoıl Feırste in 1991, teaching a group of nine students a curriculum inspired by Patrick Pearse (discussed previously in An Tusa An Chéad Laoch Eıle?) and based in Cultúrlann MacAdam-Ó Fıaıch (Cultúrlann). It moved to Beechmount in 1998 and in 2018 expanded into new buildings that were meant to accommodate 600 pupils (Doherty Architects), which it has now exceeded (BBC) as it enters its thirty-third year in existence.

The theme of preserving and promoting the Irish language occurs in several places in the mural: next to Pearse we see his saying, “Máırtín Ó Chadháın ” [a land without a language [is] a land without a soul], in the classroom scene we have “Labhaır í agus maırfıdh sí” [speak it and it will endure], and finally we see the Dream Dearg protesting for an Irish-Language Act (see previously #AchtAnoıs).

The in-progress images included below among completed detailed shots date from May 6th and 20th.

Giant’s Foot/Beechview Park. Replaces the short-lived mural of Olympians, seen in Sporting Giants.

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Neither King Nor Nato

“Est 1913 Irish Citizen Army / Irish National Liberation Army Est. 1974”. The Irish Citizen Army was founded in Dublin in 1913 to protect striking workers from police violence. After taking part in the Easter Rising of 1916, however, the ICA did not participate in the War Of Independence and the Civil War. In 1974, some founding members considered reviving the “ICA” name to reflect the organisation’s “allegiance to the working class” while Costello (pictured on the right) suggested “National Liberation Army”, which was then amended to include “Irish” (History Ireland | WP | WP). MNI includes an “ICA-INLA” Starry Plough on the stairs into the New Lodge from 1989 (C00105).

The banner raised over the Liberty Hall headquarters of the ICA read “We serve neither king nor kaiser but Ireland” – the famous photograph is included in the post of the same name – but this has been updated. The Belfast version of the board, on Northumberland Street (above) and outside Costello House on the Falls Road (below), reads “nor Nato”.

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They Hungered For Justice And Freedom

Long-time Palestinian activist and former spokesperson for Islamic Jihad Khader Adnan died on May 2nd, at the age of 45, after 87 days on hunger strike in Ramla prison, in central Israel (Al Jazeera).

This was Adnan’s fifth time on hunger strike. In 2017, he spent 58 days on hunger strike and in 2015, 56 days. The strike in 2011-2012 lasted 66 days, during which time a mural was painted just to left of the mural shown here, featuring Adnan and Hanna Shalabi; they, along with many other prisoners, were on hunger strike to protest the “administrative detention” (imprisonment without trial) of more than 300 Palestinians – see Administrative Detention. Earlier, shorter, strikes took place in 2002 and in 2000, when he was imprisoned by the Palestinian National Authority for directing a protest against Lionel Jospin, then French Prime Minister (Gulf News).

According to Amnesty International, there are currently more than 1,000 Palestinians being held on ‘administrative detention’ (Amnesty).

As can be seen from the in-progress shots below, Rısteard Ó Murchú painted Latuff’s cartoon, with Latuff looking on.

Cartoons by Latuff himself, in Belfast: Pacifying The Six Counties and in Derry: Killing With Impunity.
Latuff-based murals: The Butcher’s Apron | Do Not Disturb | Hand Across The Yard. Poster: End Impunity

This mural takes the place of the No To PII mural on the “International Wall”, Divis Street – see the Visual History page for the wall.

Also included is a “March for Palestine – 75 Years Of Nakba” poster on the Saber Al-Ashkar mural.

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Pobal Ag Fás

“Pobal ag foghlaım, pobal ag forbaırt, pobal ag fás” [a community learning, developing, growing]

Students from “Naíscoıl & Gaelscoıl An Lonnáın (Fb) bun[aithe] 1999″ [Nursery-school and Irish-language [primary] school of the loney, founded 1999] are shown playing Gaelic games, Irish dancing, and playing traditional instruments (and the guitar). On the left are representations from Irish mythology: the Children Of Lear and Setanta killing Culann’s hound (and taking the name Cú Chulaınn in taking its place), along with hedge-row school (see Hedge Row School).

The origin of the name is unclear; the nearest loney [lane] was the “Pound” loney, so-called because of the animal pen just outside Barrack Street, used to store livestock before moving on to the markets the following day (Rushlight | Uachtar Na bhFál). (The Pound Loney is included in the mural in Durham Street – see Et In Arcadia Ego.)

The other well-known loney in Belfast is the “buttermilk loney” which was either/both what is now Ballysillan Park (that is, connecting Olpark with the horsehoe bend) or the top part of the loney that connected Wheatfield (the top of Ardoyne) to the Ligoniel junction and on towards the old Ligoneil House (there are a mixture of usages in this Belfast Forum thread); this image from the 1930s might show the lane in (what was still at the time) the hills above Oldpark; a new housing-development towards the top of the Ballysillan Park is euphemistically called “Buttermilk Loney”. (It is also said to have been a prior name of Skegoniell Avenue (Belfast History).)

(The Uachtar Na bhFál page also mentions “Turf” loney, “Mountain” loney, and “Killoney”.)

The history of the Irish word “lonnán” is unclear. Uachtar na bhFál says the word is of Scots origin (perhaps as “loanin”). (See this BelTel article on the opening of the Ulster-Scots centre in 2014.) Spelled “lonnen”, it is also a Geordie word (Heslop’s Northumberland Words | wiktionary). The Irish News and Belfast Live, working from the same (uncited) press-release about Páırc An Lonnáın (which is along the Westlink below Raıdıó Fáılte), state that “loney” comes from the English word “loaning”. The Irish word “lonnán” does not appear in Dinneen 1904; Dinneen 1953 defines it (hyper-specifically) as “a grassy recess running up into high basaltic cliffs”.

The image above and immediately below are from May 19th, as the mural was nearing completion; other ‘in-progress’ images are as dated below. See Extramural Activity for images of the completed work.

May 10th:

April 20th:

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Shankill Boys

The “Shankill Boys” were the roughly 700 men of the West Belfast battalion of the Ulster Volunteers who were almost all killed at the Somme. (This board – or a previous copy of it – was previously in Carnan St.)

As with all of the Belfast battalions, West Belfast had a “USSF” [Ulster Special Service Force] – its emblem is in the top left of the second board, below. (See previously USSF and Carving Out A Place In History) The other emblem is that of the ‘Greengairs Thistle Flute Band’ (web). Although the background comes from WWI, the roll of honour lists modern-day volunteers from the UVF. Thomas Chapman, James McGregor, Robert McIntyre, William Hannah, and Robert Wadsworth are portrayed in Carnan Street – see C. Coy Street. The modern-day C Company, formed in 1974, is named after the Four Step Inn, which was bombed in September 1971 (see Four Step).

This pair of boards is next to the Vanguard Bears board in Sugarfield Street.

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To All Who Fought In The Great War

“Dedicated to all who fought in the Great War”.

This board presents imagery and information about WWI, centrally including the statement (shown above) that “The 16th Irish Division, the Connaught Rangers [7th battalion] and the Irish Rifles [7th battalion], all fought side-by-side throughout World War I.”

The Ulster Tower on the left is familiar from many other murals and boards. In the top left, we see “The Memorial Plaque (Death Penny” which was also known as the “Dead Man’s Penny”. It was issued after the First World War to the next of kin of all British and Empire Service personnel who were killed as a result of the war. The “penny” was in fact five inches in diameter and cast in bronze. It showed Britannia with a trident and two dolphins swimming around her, and a lion on oak, along with the name of the deceased (here, Ronald Mitchison) without indication of rank. (Here is a close-up of a plaque from WP.)

The second piece (mis-)attributes the quote “Play is the highest form of research” to Albert Einstein and shows children playing ring-a-ring-o’-roses. Painted by Ed Reynolds (steadyhanded.com).

Both boards are on the community centre in the lower Shankill estate.

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Belfast Antifa

The purpose of the “do not use” graffiti in Braemar Street (seen in Remember The Hunger Strike) has at long last been made evident with this new Belfast antifa (Fb | tw) stencil.

Above them is a Saoradh Easter Rising commemoration board (which was previously Don’t Play England’s Game).

From 2017: a much simpler stencil in Winetavern St.

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The United Nations

A trio of international causes aimed at the visiting Joe Biden, president of the United States, from Gael Force Art and People Before Profit. What’s new here is the “No 2 NATO” under the Irish Tricolour. The other two parts have been on the mountain previously: the Cuban flag with “unblock Cuba” reprises the maassive Cuban flag on the mountain in 2021, which was depicted in the La Solidaridad Invariable mural on Divis St, and the Palestinian flag with “BDS” [Boycott, Divestment, Sanctions] in 2018’s #BDS.

The third image shows the Cuban flag being rolled out; Bayview Media has a video of the installation on twitter.

For more on Biden’s visit, see Joe Biden, Globalist.

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Bua Do Na hOıbrıthe

“Victory to the workers”. Costello House is home to the IRSP (tw) “Advice Hub” with representative Dan Murphy (Mid Falls & Springfield) and Michael Kelly (Lower Falls). Murphy (in Black Mountain) received 2.7% and Kelly (in Court) 3.2% of first-preference votes in the recent local elections (WP).

Falls Road, west Belfast.

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