For a second time during the summer artists from Peaball (ig) (and local youths) took to the long Lecky Road wall in the Brandywell. The July work (“Brandywell” in red and white lettering) can be seen in Believe In Your Dreams. Today’s post shows the word-cloud done in August.
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Copyright © 2023 Paddy Duffy
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“Here” is Top Of The Hill, and “up here” refers to the elevated position of the community, 75 metres above the Foyle (topo map). You can get to TOTH by road or by sailing in a boat under a patchwork balloon. Art by Gorbals in Trench Road, Derry.
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T02041 T02042 gobnascale is reportedly from the Irish ‘gob na sgeal’ which is perhaps a variation on ‘gob na scealg’ = ‘crest of the crags’
Here’s Space Lizard by Mark Bodé and (Dave) Bonzai, part of the Release The Pressure street art festival in London-/Derry on July 25th and 26th, 2015.
Strand Road, Derry
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“Queen Elizabeth II 1926-2022.” This memorial board in Stevenson Park, Londonderry, shows Queen Elizabeth around the time of her 1952 accession, perhaps by Dorothy Wilding (left and right) and (in the centre) a 2004 version of the 3-D portrait by Chris Levine and Rob Munday dubbed “Equanimity” (Sotheby’s).
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For his contribution to the ‘Art And The Great Hunger’ exhibition in 2019, OMIN (ig | web) drew inspiration from the battering rams used to evict people from their homes – for a photograph see History Today – and the Gabriel Rosenstock poem “Dóıbh Sıúd A Dúnmharaíodh 1845-1850” [To The Murdered Of 1845-1850], which ends “A réaltaí, féachaıg’ anuas/Go dtí nach mbeıdh sa ghrıan/Ach abhac dubh” [Stars, look down/Until the sun is nothing/But a black dwarf] (ig).
With support from UV Arts. The van is part of the piece.
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The Petrol Bomber was first painted by the Bogside Artists in 1994 and modified a number of times in the first few years, to change the badge to “No RUC” and to a green ribbon.
Part of The People’s Gallery (Visual History) along Lecky Road and Rossville Street in Derry’s Bogside.
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“A free Ireland will control its own destiny from the plough to the stars.” So James Connolly is said to have explained the significance of “the plough in the stars” (Ursa Major) as a symbol of Irish revolutionary socialism. (Though no source is given for the remark. See From The Plough To The Stars for more.)
Connolly and Seamus Costello, heroes of the IRSP (web) are painted on James Connolly house in Chamberlain Street, Derry, which is also home to Teach Na Fáılte, the Republican Socialist Ex-Prisoners group.
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“This Sculpture is about unlocking freedom, a community that does not know outward social freedom can still know inward personal freedom. The key to freedom is formed within the heart, each individual has an unseen key that can help a community unlock the knowledge of itself. The Apprentice Angel is a bringer of freedom, he is patterned with keys collected within The Fountain Estate by young people from The Cathedral Youth Club. The Angel holds a large recast key from the Siege of Derry 1689, a key in the hand of an Apprentice that helped turn history, the Past is always present but the Future is key to us all, we alone have the power to unlock it and the right to experience it. Within a community it is young hearts that beat loudest, it is their future that we must help unlock with the keys of Freedom. This was a Cathedral Youth Club project funded by Arts Council Re-Imaging Communities. Sculptor – Ross Wilson. [2009]”
The Fountain, Londonderry
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This piece was originally launched in 2014 and is now much the worse for wear. It celebrates the role of women in the cultural and economic life of Derry.
For the piece in its hey-day, see the Seosamh Mac Coılle collection.
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Paddy Duffy Collection 