These UVF hooded gunmen are at the entrance to the Mount Vernon estate in north Belfast. The message “prepared for peace, ready for war” expresses a wary skepticism about the ceasefire. The IRA’s ceasefire began in August 1994, and the UVF’s in October.
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Copyright © 1995 Paddy Duffy
T00138
“In loving memory of Stevie McCrea”. Red Hand Commando volunteer Stevie McCrea was sentenced to 16 years for the murder of James Kerr in 1972 (Behind The Mask) and was subsequently “murdered by the enemies of Ulster” on February 18th, 1989 in an IPLO attack on the Orange Cross (WP). (The door of the club can be seen next to the mural in M00560.)
On the side-wall, Binyon’s ‘For The Fallen‘ is modified for the singular “he”: “For he shall not grow old as we that are left grow old. Age shall not weary him nor the years condemn. At the going down of the sun and in the morning, we will remember him.”
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Copyright © 1995 Paddy Duffy
T00237 T00152
Tina Turner’s cover (youtube) of Bonnie Tyler’s song “The Best” reached #5 in the UK charts in 1989 and the phrase “simply the best” from the chorus would appear in a number of UDA murals over the years, beginning with this 1995 mural depicting hooded gunmen from the UDA/UFF’s second battalion C company.
Dover Place, west Belfast. This mural would be repainted in the Adair era to include a list of mass killings of Catholics.
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Copyright © 1995 Paddy Duffy
T00139c
“Compromise” in “Compromise or conflict” hints at the potential of the peace process but loyalist muraling continues to present hooded gunmen (in this case from “1st battalion, west Belfast UVF”) engaged in physical-force activity. In the same vein, see Prepared For Peace, Ready For War.
The first appearance of Eddie The Trooper – a definite increase in the intensity of violent imagery – will be in 1996.
Later with a side-wall (to the right of image) that read simply “A. company / 1st battalion”
Dover Place, west Belfast
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Copyright © 1995 Paddy Duffy
T00133c
“In memoriam: Brig. J. McMichael, Jim Kenna, Frankie Smyth, Ernie Dowds, Sammy Hunt, Steven Audley, William Kingsberry, Joe Bratty, Tommy Morgan, William Hamilton”
UDA “roll of honour” mural in Rowland Way, Sandy Row, south Belfast
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Copyright © 1995 Paddy Duffy
T00132
This New Lodge mural shows people on the coast, near abandoned buildings, trying to grow crops during the period of the Great Hunger (1845-1852).
“An tOcras Mór” (a literal translation of “the great hunger/famine”) is usually (in Irish) “An Gorta Mór” or “An Drochshaol”.
The left-most and right-most figures are from Searching For Potatoes In A Stubble Field in the Illustrated London News. ILN images are a staple of Belfast muraling on the Great Hunger: see the Visual History page on the Great Hunger. (Here is a list, with links, of all of the illustrations of Ireland in ILN from the period 1845-1852.)
The two central figures, and the composition of the three women together, come from Millet’s The Gleaners. (Thanks to Jeryn Mayer for this pointer.)
Painted by “Farset Artists” – Jonny McKerr (later the street–artist JMK), Paul McCullough, Eamon Monaghan, and Dee Fitzsimons.
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Copyright © 1995 Paddy Duffy
T00181
Irish people climb on-board ship in order to escape the Great Hunger. The mural is based on The Embarkation, Waterloo Docks Liverpool in the Illustrated London News. This is one of about nine murals painted in 1995 on the Great Hunger (Visual History).
Oakman Street, west Belfast
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Copyright © 1995 Paddy Duffy
T00180
“Ardoyne Fleadh Cheoıl – meon an phobaıl a thógáıl tríd an chultúr” = “building community spirit through culture”.
“Eıre [Éire] (Éıru [Érıu]), a queen of the Tuatha Dé Danann, slain at the battle of Taıltean [Taılteann] (Telltown [Teltown], Co. Meath) 1698 BC.” Érıu is placed in a neolithic setting and is releasing a dove which flies off in a trail of stars. (In the repainted version, the date given is 698.)
Brompton Park, Ardoyne, Belfast
Here is the previous Ard Eoın Fleadh Cheoıl mural in this location.
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Copyright © 1995 Paddy Duffy (no date given)
T00157 [T00162]
“When the potato crop failed causing the great hunger, people watched in despair as shiploads of food were escorted away by British troops …”. This mural combines an image from Illustrated London News (Bridget O’Donnel And Children) with five bodies faces drowning in the sea.
This is one of about nine murals painted in 1995 on the Great Hunger (Visual History).
Shaw’s Road/Rossnareen, west Belfast
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Copyright © 1995 Paddy Duffy (no date given)
T00159
A tearful eye beholds both the Great Hunger, which claimed one million lives, and, within the eye itself, the wave of emigration which took more than a million others away from Ireland.
This is one of about nine murals painted in 1995 on the Great Hunger (Visual History). The number “150” appears on the chimney and would last until 2008 and beyond.
There are two side-walls out of frame to the right, going around a corner. The first gives a list of the artists in Irish (“[Dón]al Ó Dalaıḋ, [Cıa]rán [Mac] Taírnan [sic], Brían Ó Lúaın, […]rán Ó hÉır, […]áın Mac Pháıl, [perhaps one more]” (Donal Daly, Ciaran McKernan, Brian O’Loan, […] O’Hare, […] McFall. Daly, McKernan, and O’Loan would paint the History Is Written By The Winners mural in 1996) and the second reads “Dedicated to those who died in the Great Hunger” with a Celtic cross and some knotwork.
There is also a plaque to local man Kieran Doherty, reading “Vol. Kieran Doherty T.D. Óglaıgh Na hÉıreann. Age 25. Commenced his hunger strike on May 22 and tragically died on Sunday afternoon 2 Aug 1981. Kieran was elected T.D. by the people of Cavan And Monaghan in their support of the prisoners’ campaign for political status.” This plaque would be retained when this wall became a memorial mural to Doherty in 2001.
Slemish Way, Andersonstown, west Belfast
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Copyright © 1995 Paddy Duffy
T00156 [T00208]
Paddy Duffy Collection 