Love Hearts turn 70 years old in 2024 – they were originally included in crackers for the Christmas season in 1954. Over the years, the messages on them have changed, and various specialty versions have been produced, including for Prince William’s 21st (in 2003) and a recent collaboration with YoungMinds with affirmative messages (Swizzels | WP). The messages on these “Love tHeArts” – imagined by FGB (ig) in North Street, Belfast city centre – are perhaps less “Marry me” and “Be mine” and more “Fund me” and “Follow me on Instagram”.
See also Eat To The Beat for another Swizzels sweet – the drumstick – by FGB.
Palestinian artist Taqi Spateen’s (web | ig) third piece in Belfast is in Crocus Street, in Beechmount, west Belfast, in conjunction with the Beechmount Residents’ Collective, which has images of the launch on June 23rd (ig). It replaces the vandalised-and-repaired lower part of the pro-immigrant mural seen in In Search Of A Better Life. In the mural, both an olive tree and slender Easter lilies emerge from the rubble. On these a new society can be built.
For Spateen’s first piece, in Kent Street in the city centre, see Anatomy Of Oppression.
The scaffolding has been down from this obviously incomplete mural in Kilcooley, Bangor, and work on it seems to have ceased. The reasons for its abandonment are unclear.
A black street sign out of shot to the right (which can be seen in the third image, as well as a UDA emblem at the top) reads “Humber Street” – Humber Street was in east Belfast, at the top of Dee Street. We have not been able to locate this or other photographs of barricades in Humber Street. The period is presumably c. 1972, when the UDA set up no-go areas in Belfast (Pathé video; AP videos: one | two | three).
The other mural, on the left of the wide shots, is to East Belfast UDA brigadier Tommy Herron. As can be seen in the earliest in-progress image, below, the mural replaces the North Down Defenders mural.
The “completed” images, above, are from June 30th; work began at least two months previously.
Salmon disappeared from the Lagan in the late 1700s. The river was restocked in 1991 (CFB) and some salmon have been seen and caught since then (Flickr | Fly Forums). (The angling season is March to October – NIDirect | DAERA.) A more reliable salmon sighting is the Big Fish, which has been in place since 1999 (Atlas Obscura), to which we can now add this Glen Molloy (ig) painting in Palestine Street, in the Holylands, south Belfast.
The centenary of Northern Ireland and the Our Story In The Making Project (web) provided an occasion for towns to revisit their pasts. Despite the title of the piece – Northern Ireland 100 Commemoration Mural – much of the mural pre-dates the centenary of the creation of Northern Ireland. Blackhead lighthouse opened in 1902; the Belfast & Northern Counties Railway company was founded in 1860 (web); Berkeley Wise, who helped develop the village of Whitehead into a tourist destination, died in 1909.
“Whitehead: Diverse, Welcoming, Forward Thinking – Northern Ireland 100 Commemoration Mural – Supported by the Northern Ireland Office, as part of the Our Story In The Making project, this mural was commissioned by Mid And East Antrim Borough Council. The mural came about following consultation with groups in the town and has been designed and painted by Dee Craig of Belfast Mural Arts, November 2021. The symbolism of the mural is detailed below … Berkeley Deane Wise … The Trees … The Steam Train … The Spitfire … The Signpost … Blackhead Lighthouse … The Town Of Whitehead … The Colourful Houses …”
At Bentra golf club, Whitehead. Also included (last below) is the emic (ig) piece “Time Waits For No One” at the club after beginning life in Larne (ig).
This UDA board is at the bottom of Linn Road (Larne) at the entrance to the Antiville estate. “Antiville” is perhaps derived from the Irish “an tıgh bhıle, “the house of/by the sacred tree”.
Carla Hodgson (ig) and kids from the Carrick Hill community centre (with support from the University Of Ulster) painted this mural at the junction of Trinity Street/Sráıd Na Tríonóıde and Regent Street/Sráıd An Leasrí, in Carrick Hill, a spot which is reportedly used by dealers to sell drugs (Belfast Media | 2018 BelTel | 2018 Belfast Live).
Palestinian artist Taqi Spateen’s (web | ig) second piece in Belfast is in Palestine Street in the Holylands of south Belfast, where he worked with Artists Against Genocide (ig) to produce a piece showing the strength of Palestinian women, carrying the land from which Palestinians have been evicted in the Nakba of 1948.
“Love transforms”. In Chinese (Daoist) mythology, Lan Caihe, one of the Eight Immortals, is a sexually ambiguous character who carries a basket of herbs and flowers (depicted on the right of the image above) that symbolise or promote longevity (WP).
Electrical box by Ellymakes (web) in Carmel Street, Holylands, south Belfast.