Derry native Nell McCafferty is commemorated by a mural in the Maiden City, launched on International Women’s Day (March 8th), 2025, and the annual Femme Sesh event was also dedicated to McCafferty (ig | Derry Journal).
McCafferty died last year (2024) after a long career as a journalist and activist (BBC). “Goodnight, sisters” was her parting phrase at the end of her segments on The Women’s Programme, which aired on RTÉ between 1983 and 1986 (Journal).
Here is RTÉ footage of Nell and Marian Finucane on the Late Late in 1991 and in 1980.
The mural was painted by Peaball (web) on a gable in Lisfannon Park and is visible from Lecky Road. The portrait of McCafferty appeared on the cover of (the Penguin Ireland edition of) her autobiography Nell.
“‘Art serves to establish community. It links us with others and with the things around us in a shared vision and effort’ – Gerhard Richter”. The quote is collected in Richter’s ‘Notes 1962’ (Archive.org registration required), from the beginning of his career, in the year after he escaped from East to West Germany and the two murals he had produced for his diplomas were painted over.
“Break the stigma – be kind to your mind” – mental-health messaging by Pigment Space (ig) on the shutters of the Walk Inn Charity Shop, Holywood Road, east Belfast – next to Forever Changes (Bill Harris hair salon) and The Holywood Arches (Arches café), and across from Be Your Own Kind Of Beautiful (Norah Mitchell flowers).
“Welcome to Maghera”. These images are of the lockdown-era art on the public bathrooms in Maghera, with a variety of mental-health messages: “Don’t pretend. Don’t bottle it up. You are good enough”, “No matter what you do, you will allways [sic] be forgiven”, “Our mind’s our own”, “Mask your face, not your feelings”, “Mental health matters”, “Unlock skills in lockdown”,
A statue to Winifred Carney was unveiled, along with another to Mary Ann McCracken, in the grounds of Belfast City Hall on Friday, March 8th (BCC). At her left hand is a typewriter. Carney was a qualified secretary and typist, and became secretary of the Irish Textile Workers’ Union in 1912, in which position she met James Connolly, who was secretary of the Belfast branch of the ITGWU. The 1913 manifesto addressed ‘To The Linen Slaves Of Belfast’ (marxists.org), exhorting “our toiling sisters” in the mills to join the organisation, was signed by Carney, Connolly, and Ellen Gordon.
Her uniform, and the amorphous pistol (or holster?) in her right hand, refer to her membership of Cumann Na mBan and participation in the Easter Rising of 1916. Carney was in the GPO when it was taken over and was among those who surrendered at the end; during the occupation she typed up dispatches from the Moore Street headquarters. A News Letter editorial described the statue as smuggling terrorists onto the grounds of city hall.
“Winifred Carney, born in Bangor, was a suffragist and a committed trade unionist. She was an organiser in the Irish Textile Workers’ Union and became James Connolly’s personal secretary, political confidante and friend. In 1913, She and Connolly wrote the Irish Textile Workers’ Union manifesto entitled ‘To the Linen Slaves of Belfast’. It was a time when Belfast workers, mostly women and children, were working long hours in horrific conditions, barefoot and hungry. “D’oıbrıgh Winnie ar son oıbrıthe Bhéal Feırste, go háırıthe ar son na mban agus na bpáıstí a bhíodh ag obaır sna muılte ar fud na cathrach. “Many Belfast mills are slaughterhouses for the women and penitentiaries for the children.” Chomh maıth leıs an obaır a rınne sí ar son na gceardchumann, ba Phoblachtánach í Winnie a bhí ına ball de Chumann na mBan agus d’Arm Cathartha na hÉıreann. As an officer in the Irish Citizen Army, Winnie was present with Connolly in the Dublin General Post Office during the 1916 Easter Rising and has since become known as ‘the typist with the Webley’. Carney stood as a Sınn Féın candidate in the 1918 elections, but in an ‘unwinnable’ seat. She retained her commitment to socialism and in 1924, Winifred joined the Northern Ireland Labour Party. Here she met her future husband, George McBride, like her a committed socialist. George was a Protestant from Shankill Road who fought at The Battle of the Somme with the 36th (Ulster) Division. Tá Winnie curtha ı Reılıg Bhaıle an Mhuılınn ar Bhóthar na bhFál ın ıarthar Bhéal Feırste.”
The faces in two wall-paintings in the lower Shankill estate have been painted out. It is not known if there is a specific point to this or whether it is simple vandalism.
These are images of a new concrete relief-work in progress on the Cupar Way “peace” line (war wall) at the North Howard Street gates. The creator is Debbie Hutchings, a member of the New Life City church (Fb) (Belfast Media); the piece is on top of the ‘repent’ version of the New Life mural, and it contains a scriptural quote John 3:16: “For God so loved the world He gave His only begotton [begotten] son so that whosoever believes in Him should not perish but have everlasting life.”
There is video of Hutchings at work in this Irish News video on Fb and at the BelTel. Work began at the beginning of April and the piece is perhaps still unfinished – see the incomplete text of John 3:8 in the third image: “The wind blows as it chooses, you can hear it’s [its] sound but you do not know where it came from or where it is going; so it is with the hearts of those born of the spirit”.
“Dear world leaders, please stop your green-washing … yours sincerely, a concerned vegan” – street art by “One Love” Louis Masai Michel (ig) in Whitla Street for Hit The North 2025 (Seedhead Arts).
