Meet The New Boss

These UVF posters urge residents of east Belfast who owe money to loan sharks not to sell drugs or find some other way to pay it back, but instead to get in touch with a political representative.

The Sunday World reported that repayments are being withheld after the Shankill UVF ordered the leadership in East Belfast UVF to stand down (in November 2023 – IRN | BBC) and took over the operation. The posters thus come from the old (East Belfast) guard, trying to thwart the new bosses and hoping to resume collection themselves.

SDLP councillor Séamus De Faoıte commented (in the Irish News), “Anyone who has knowledge of criminal activity or exploitation of vulnerable people should report it to the relevant authorities, but people do not need to take any lessons from the UVF when it comes to upholding the law.” (Also: BelTel)

Meanwhile, the endingtheharm.com campaign (part of the Executive/DOJ’s programme designed to tackle “paramilitary activity and organised crime”) continues. See They Control You for a 2019 version.

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Copyright © 2024 Paddy Duffy
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The Undertones

Here are images of signage in the courtyard of the Dark Horse (web) in tribute to Derry band The Undertones, whose 1978 single ‘Teenage Kicks’ begins with the line “Teenage dreams, so hard to beat …” . The sign uses the same font as the original writing by TDS under the Bridge End flyover that was put up when John Peel died, in 2004, (see J2426), and restored in 2015 (see Teenage Dreams Never Die). The signatures, from left to right, are of band members Dee O’Neill, Michael Bradley, Billy Doherty, John O’Neill, F[eargal] Sharkey.

The wide shot shows ‘Teenage dreams’ at the very top of the wall, above the cycle telling the story of the Conservative Party leadership contests involving Liz Truss and Rishi Sunak (see Ship Of Fools) (plus Nigel Farage presiding over Sweet Rockall), and on the bottom level, the open windows of Belfast Stripped Bare (the Undertones are referenced in the Snow Patrol panel, third from the right in the top row – see Teenage Dreams for a close-up) plus, on the right, six of the panels from the series The Friend At Hand. All of the painted pieces are by Ciaran Gallagher

See also The Undertones in Derry: The Punk Of The Parish | Creggan Is My Home

Bonus image, last below: Belfast punk band Stiff Little Fingers on the opposite wall in the courtyard.

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Copyright © 2024 Paddy Duffy
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Easter Commemoration

This RNU (Fb) board calls for attendees at a gathering in Milltown cemetery to commemorate the Easter Rising of 1916. The signatories to the Proclamation can be seen above and behind the large Óglaıgh Na hÉıreann gravestone on the right.

Glen Road, on the grounds of the old Andersonstown RUC barracks.

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Copyright © 2024 Paddy Duffy
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Ireland Says “No”

“… to Genocide Joe”. This mural – a copy of a cartoon by Carlos Latuff – was painted in Divis Street in advance of the visit by Irish politicians to the United States for St Patrick’s Day – for background, see Don’t Look Away and The Fog Of War (which showed the same message on Slıabh Dubh).

In the mural, the leaders of “SF”, “FF”, and “FG” (Sınn Féın, Fıanna Fáıl, Fıne Gael) on their knees offer shamrock to US president Joe Biden, the blood dripping from whose hands spells “Gaza” on the ground.

However, the mural was completely blacked out the week before March 17th (Xitter) and then had to be cleaned, to give the version shown above.

In 2016, a Latuff reproduction in Beechmount, which was critical of Martin McGuinness’s shaking hands with Queen Elizabeth of England, was whitewashed (and was not subsequently restored). See The Butcher’s Apron for ‘before’ and ‘after’ photos.

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Copyright © 2024 Paddy Duffy
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Though An Army Besiege Me, My Heart Will Not Fear

In 2000, during the Second Intifada, Palestinian teenager Faris Odeh was photographed by an AP photographer in the act of throwing a stone at an Israeli tank. He was shot and killed a few days later and the image became a symbol of resistance. (A mural of the photograph was painted in Springhill: see David And Goliath.) The iconic image is updated here for Israel’s current invasion of Gaza, showing a young girl with a soft toy standing in front of a tank that is bedecked with the flags of the European Union, France, the USA, the UK, and Germany.

The F-16 jets and rubble and child with teddy-bear are the same as in the We Stand With Palestine mural in Ardoyne.

For the teddy-bears and soft toys, see Boycott Israeli Genocide.

For the Easter Rising mural, see The Undauntable Thought.

South Link, Andersonstown, west Belfast.

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Copyright © 2024 Paddy Duffy
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Humanitarian Intervention

On March 25th, Israel declared that it would no longer work with UNRWA to deliver aid into Gaza (Reuters | Guardian). On March 28th, Foreign Minister Micheál Martin announced that Ireland plans to “intervene” in South Africa’s ICJ case against Israel, asserting that the Genocide Convention includes blocking humanitarian aid (BBC | Guardian | RTÉ).

The support for Palestine by Ireland and South Africa is illustrated here by Irish, Palestinian, and South African children standing hand-in-hand. The same type of image was also used, with younger children, in the Painting For Palestine project on the International Wall – see The International Court Of Justice, which also gives details of South Africa’s initial case against Israel.

Painted by MD in South Link, west Belfast, facing the Israeli tank in Though An Army Besiege Me, My Heart Will Not Fear.

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Copyright © 2024 Paddy Duffy
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Seas Leıs An Phalaıstín

Two murals have been added to the exterior of Felons’ Club in Andersonstown to show support for Palestine. Above, on the Lake Glen side of the club, a printed board reading “We stand with Palestine – seas leis an Phalaıstín” and including an Emmalene Blake image (ig) on the right (shown in close-up, below); further below, a “Stop the genocide in Gaza” tarp above the entrance.

Also included are images of several memorial plaques from the courtyard, to James Smyth, Anraí (Harry) Osborne, Seosamh Ó Conghaıle (Joseph Connolly), and Roger Casement. “County Antrim Memorial: Tógaḋ an leaċt seo mar ċoṁarṫa urraıme, grá agus dílse do na saıġdıúırí uaısle as Contae Aontroma, a martraíoḋ ar son Ṗoblaċt Na hÉıreann. Ṡeas gaċ glúın díoḃ sa ḃearna ḃaoıl, ag troıd go cróga ċun aontaċt agus saoırse a ṫaḃaırt ar aıs do náısıún na nGael. Go spreaga an leaċt cuımhne seo na daoıne feasta ıonas go leana sıad lorg na laoċra dtí go mbéarfar bua uasal na saoırse ar ball. Erected by the Belfast Committee of the National Graves Association with generous co-operation from sub-committees in America and Dublin.”

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Copyright © 2024 Extramural Activity
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Still Undefeated

The UVF mural in Carlingford Street, east Belfast, that the one shown here replaces was controversial at the time (2013) because of its proposed inclusion of two hooded gunmen in fatigues firing into the air. In response to the concerns expressed, the final version put both figures in WWI uniforms and had only one firing into the air – the other gazed downward in prayer – and the modern UVF was referenced only in the forms of the towers and cages of Long Kesh and of a roll of honour. (See Years Of Sacrifice for both the draft and final murals.)

The cages are retained in this new board but the depiction of violence is more explicit here than in the proposed mural a decade ago: at the centre of this piece is a hooded gunman carrying an assault rifle.

For the wider context of re-imaging and re-re-imaging (that is, the disappearance and return of PUL hooded gunmen), see Visual History 11.)

Long Kesh’s cages are also included in a Shankill board to Stevie McCrea – A True Soldier Of Ulster.

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Copyright © 2024 Paddy Duffy
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Ulster Volunteers 1912 Ulster Covenant In memory of all friends & comrades of the cosy bar east belfast