This new piece – placing a cosmetological beauty in a jungle scene of exotic plants and a black panther – was painted for 2026’s Hit The North street-art festival by HMC (web) in Nelson Street (near Great Patrick Street).
Frankfurt-based artist Case Maclaim (ig) was one of the international guests for Hit The North 2026 and painted this upside-down face outside Lanyon Place train station.
Here are two pieces by artist Silver Formz (ig) painted for this year’s (2026) Hit The North. The clown above and immediately below is in Dunbar Street; the distorted bust is in Union Street.
This scene from the story of Clann Lır (the Children Of Lear) appears to be the moment that Aoıfe casts a spell that turns her four step-children into swans on Loch Daırbhreach.
Painted by Loretta Lizzio (web) at the same time (2023-09) as her Dark Dreamer on the Oldpark Road, just below the first Cliftonville roundabout.
Hamilton House in Joy Street, Belfast, (former) home of Hamilton Architects, has a small statue of Charlie Chaplin on its fourth floor parapet to commemorate the fact that he briefly lived in Joy Street while he appeared at the Palace Of Varieties (the Grand Opera House) in 1908.
There are also reliefs of four famous architects above the first-floor windows. The four are Alvar Aalto (perhaps shown with a folding screen), Frank Lloyd Wright (Guggenheim Museum), Charles Rennie Mackintosh (Glasgow Rose), and Carlo Scarpa (Brion Tomb). The four were created by Claire Sampson (web).
“Remembered with pride – Stevie McCrea, Village, south Belfast”. A plaque has been added below the large board describing Stevie McCrea’s life in Kilburn Street (seen in 2022’s Here Lies A Soldier, which includes the text on the board).
Also included below are close-ups of the plaques to McCrea and Sammy Mehaffy in Tavanagh Street, (seen together in Village UVF).
“We don’t just inherit, we lead across time and space.”
Here is the second half of the Ulster-Scots (Visual History) mural painted in North Howard Street and Fifth Street, continuing the work seen in Echoes Of The Ulster Scots, which took the Scotch-Irish from Ulster to the Appalachians.
The new panels bring us from the founding of the United States in 1776 to the space age. The panel above is a rendition of John Trumbull’s painting ‘Declaration Of Independence’ (image at WP) along with (below the “250”) the signature of “Cha[rles] Thomson”, who was born in Maghera, served as Secretary of the Continental Congress, designed the Great Seal Of The United States (which appears next to the right), and signed the Declaration (Ulster Scots Agency pdf).
The person third from the left is Robert R. Livingston, one of the Committee Of Five that prepared the Declaration; he also negotiated the Louisiana Purchase in 1803 (Discover Ulster Scots).
The flag is a combination of a proposed Ulster Scots flag and the Stars And Stripes of the United States.
North Howard Street/Fifth Street, west Belfast
April 19th: Artist DMC at work on the second half of the mural.
“In memory of the lost, 15 April, 1912.” The majority lifeboats on the RMS (not “SS”) Titanic were made of wood, constructed at Harland & Wolff at the same time that Titanic was built. Of the 2,209 people on board the ship at the time of her collision with an iceberg late in the evening of April 14th, 706 people survived in lifeboats that could have carried 1,178 people. (WP)
This tribute to those who died in on a short section of pedestrian railings on the Cupar Way “peace” line (Visual History). In the background are the specially designated spots for tourists to sign the wall (see Collecting Signatures).
Saoradh describes itself as an all-Ireland, revolutionary, socialist, republican party (web) with the IRPWA (web) as its “prisoners’ welfare” department and Éıstıgí as its youth wing. The “revolutionary” is perhaps in reference to its (alleged) association with the New IRA.
The wall is notable for the wild-style writing and other art painted on the Shankill side – including this paste-up by Leo Boyd (web) – but the wall itself, at 30+ feet tall, is the main draw, and tourists sign their names (and patronising slogans) on top of the art.