Emigration

Irish people climb on-board ship in order to escape the Great Hunger. The mural is based on The Embarkation, Waterloo Docks Liverpool in the Illustrated London News. This is one of about nine murals painted in 1995 on the Great Hunger (Visual History).

Oakman Street, west Belfast

Click image to enlarge
Copyright © 1995 Paddy Duffy
T00180

An Gorta Mór

“When the potato crop failed causing the great hunger, people watched in despair as shiploads of food were escorted away by British troops …”. This mural combines an image from Illustrated London News (Bridget O’Donnel And Children) with five bodies faces drowning in the sea.

This is one of about nine murals painted in 1995 on the Great Hunger (Visual History).

Shaw’s Road/Rossnareen, west Belfast

Click image to enlarge
Copyright © 1995 Paddy Duffy (no date given)
T00159

The Great Hunger

A tearful eye beholds both the Great Hunger, which claimed one million lives, and, within the eye itself, the wave of emigration which took more than a million others away from Ireland.

This is one of about nine murals painted in 1995 on the Great Hunger (Visual History). The number “150” appears on the chimney and would last until 2008 and beyond.

There are two side-walls out of frame to the right, going around a corner. The first gives a list of the artists in Irish (“[Dón]al Ó Dalaıḋ, [Cıa]rán [Mac] Taírnan [sic], Brían Ó Lúaın, […]rán Ó hÉır, […]áın Mac Pháıl, [perhaps one more]” (Donal Daly, Ciaran McKernan, Brian O’Loan, […] O’Hare, […] McFall. Daly, McKernan, and O’Loan would paint the History Is Written By The Winners mural in 1996) and the second reads “Dedicated to those who died in the Great Hunger” with a Celtic cross and some knotwork.

There is also a plaque to local man Kieran Doherty, reading “Vol. Kieran Doherty T.D. Óglaıgh Na hÉıreann. Age 25. Commenced his hunger strike on May 22 and tragically died on Sunday afternoon 2 Aug 1981. Kieran was elected T.D. by the people of Cavan And Monaghan in their support of the prisoners’ campaign for political status.” This plaque would be retained when this wall became a memorial mural to Doherty in 2001.

Slemish Way, Andersonstown, west Belfast

Click image to enlarge
Copyright © 1995 Paddy Duffy
T00156 [T00208]

Weary People, What Reap Ye?

“Weary people, what reap ye? Golden corn for the stranger.
What sow ye? human corpses that wait for the avenger.
Fainting forms, hunger–stricken, what see you in the offing?
Stately ships to bear our food away, [amid the stranger’s scoffing].
There’s a proud array of soldiers — what do they round your door?
They guard our masters’ granaries from the thin hands of the poor. – Speranza”

The poetry is the first few lines of The Famine Year by “Speranza”, i.e. Lady Jane Wilde, mother of Oscar.

In the centre an aboriginal figure holds the flags of Ireland and of the Native Australians.

This is one of about nine murals painted in 1995 on the Great Hunger (Visual History).

“Painted by Síle Na Gıg & St James Youth Aug 95” in St James’s Crescent/Donegall Road, west Belfast.

Click image to enlarge
Copyright © 1995 Paddy Duffy
T00155 [T00206]

The Children Of Lear

In Irish mythology, the children of Lear were turned into singing swans for 900 years by their step-mother Aoıfe. They are then restored to human form but, being 900 years old, die immediately.

“Lır” (in Irish) is the genitive of (the Irish) “Lear” and the story is often referred to in Irish as “Clann Lır“; neither “Lear” nor “Lır” is pronounced like the English “(King) Lear”.

Painted at “Cáısc [Easter] 1995” by “Síle-Na-Gıg”.

Rockville Street, west Belfast

Click image to enlarge
Copyright © 1995 Paddy Duffy
T00154 [T00166]

Saoırse

The frame of this mural in St James’s was originally painted by Andrea Redmond (Fb) in 1994 for a mural (included below) showing local pensioners remonstrating with a British Army soldier, under the title “The Spirit Of Freedom”, reproducing a photo that appeared in a French-language magazine (see below).

The central circle was repainted (again Redmond) for the 1995 “green ribbon” campaign: the dove holds the keys that will set free the republican prisoners, symbolised by the barbed wire and the lark in the apex. There was also a side-wall, showing two rows of green ribbons, each with the name of a POW (see immediately below).

“Sponsored by AP/RN” has been moved from the side-wall to the main wall.

Click image to enlarge
Copyright © 1995 Paddy Duffy
T00106

(D00218)

The 1994 ‘Spirit Of Freedom’ mural:

(S00027)

In small letters on the part of the circle at the back of the soldier is written “This mural is dedicated to the memory of J[…] D[…] and M[…] Fitzsimons”.

On the side wall is a verse from the poem The Crime Of Castlereagh by “Volunteer Bobby Sands MP”: “All things must come to pass as one/So hope should never die/There is no height or bloody might/That a freeman can’t defy./There is no source or foreign force/Can break one man who knows,/That his free will no thing can kill/And from that freedom grows.”

Fág Ár Sraıdeanna

This is a mural on Whiterock Road, west Belfast, bidding “Slán Abhaıle” to a British soldier who is himself standing on Whiterock Road in front of the 1916 mural (Who Fears To Speak Of Easter Week?).

In the medallions to the left and right are four demands from during the (first) ceasefire: “End collusion, Release POWs, Disband RIR RUC, End Unionist veto”. 

Click image to enlarge
Copyright © 1995 Paddy Duffy
T00105

Time For Peace, Time To Go

A Cormac cartoon is reproduced as a mural by Mo Chara Kelly: the ceasefire means that doves (“Time for peace”) can/should be carrying British soldiers (who themselves recognise it is “Time to go”) from Ireland (tricoloured, with dolmen) to Britain (with Union flag) over the Isle of Man.

Whiterock Road, west Belfast

Click image to enlarge
Copyright © 1995 Paddy Duffy
T00099

An Gorta Mór

“Nature sent the potato blight, government & landlords created the famine.” 1845-1849 saw one million Irish people die and a million more emigrate. During the period, the full range of other foodstuffs was produced and shipped to England, being too expensive for the native population.

This is one of about nine murals painted in 1995 on the Great Hunger (Visual History).

Lenadoon Avenue, west Belfast

Click image to enlarge
Copyright © 1995 Paddy Duffy
T00158

Alosa/Fuıseog

“Lark” in Catalan is “alosa” and in Irish “fuıseog”. This appears to be the earliest Catalan mural in the extant collections and it appears from the sponsorship in the lower corner – “Catalan comite [committee] in support of Ireland” – to be an expression of Catalonian solidarity with Ireland, rather than the other way around.

Click image to enlarge
Copyright © 1994 Paddy Duffy (undated image)
T00112