This IRPWA (web) board in Glen Parade, Andersonstown, is in support of Palestinian political prisoners. Al Jazeera reports that roughly, 9,500 Palestinians from Gaza and the West Bank are currently being held, and about 3,600 without charge, under “administrative detention”.
The missing exclamation-mark in the board above suggests that there is a missing third. See We Exist! We Resist! We Rise!
“Safety over shortcut – close the gate”: the Columbia Street gate is closed from 8:45 p.m. to 7:15 a.m., and the Flax Street gate on the other side of the Crumlin Road is closed from 9:30 to 6:30 (DoJ). The opening of both streets began in 2021 and 2022 (Irish News and Belfast Live | Belfast Media) but there has recently been aggro between children and youths from the two communities (CNR Ardoyne, PUL Woodvale) in the car-park of the Hillview shopping centre and the gate will close at 5 p.m. for the foreseeable future (BelTel via PressReader).
“They gave their lives for their comrades in the struggle for Irish freedom. They did so with courage, dignity and determination.”
The previous piece in this location – A Letter To The 22 – included ten dead hunger strikers from the before the Troubles; this new piece includes only the twelve Troubles-era strikers: Michael Gaughan from 1974 and Frank Stagg from 1976 (on the left and right in the image above) and the “ten men dead” from the 1981 strike: Bobby Sands, Francis Hughes, Ray McCreesh, Patsy O’Hara, Martin Hurson, Kevin Lynch, Kieran Doherty, Tom McIlwee, Michael Devine, and – in pride of place – Joe McDonnell, who was raised on the Falls but lived as an adult in the nearby Lenadoon area.
“Our revenge will be the laughter of our children.”
Here are three ‘Four Loko’ hand-painted ads in Belfast, specifically Islandbawn Street, west Belfast (above), Little Donegall Street, city centre (immediately below) by Shane Ha (web) in August, and (final image) Legann Street, Ligoniel, north Belfast.
Four Loko was originally contained caffeine, taurine, and guaraná (as well as being 12% alcohol), and was marketed as an energy drink (or, “blackout in a can” (GrubStreet | Campus Times)). Now, it just has the alcohol and the fruit flavour (Four Loko FAQ | WP page on the 2010 ban).
After a long spring and summer of inaction, a new tribute to UDA assassin Stevie “Top Gun” McKeag has been put in place in the lower Shankill, replacing the flat-capped version of 2016.
In Tolstoy’s War And Peace, the prince Andrei Bolkonsky at one early point remarks, “It is not given to people judge what’s right or wrong. People have eternally been mistaken and will be mistaken, and in nothing more so than in what they consider right and wrong.” But after he is wounded at the Battle Of Austerlitz in 1805 and again in 1812 at the Battle Of Borodino, he loses his admiration for the blood-thirsty Napoleon and for war in general, and comes to think that events are a function of many individual decisions.
Stevie McKeag, hit-man for the UDA’s second battalion (west Belfast) ‘C company’, killed at least a dozen Catholics between 1990 and 1998 (WP). The version presented on the left-hand side-wall (just below) begins, “It is not given to people to judge what’s right or wrong. People have internally been mistaken and will be mistaken …” which seems to be contradictory, and then continues “… and in nothing more than in what they consider right and wrong” which is difficult to parse so as to give the intended meaning.
The mirrored hooded gunmen on either side of the quote come from an old mural in the estate – see UDU-UFF-UDA.
The smiling McKeag is here shown in the main panel wearing a green beret (as is the anonymous volunteer in the side-wall) and commando jumper (with shoulder patches) as though he were a “military commander” in the Commandos or Royal Marines of the British Army. The UDU, the poppies, and the graveside mourners in the right-hand side-wall are used to put McKeag’s actions in the context of resistance to Home Rule and the British Army’s role in the Great War.
For the composition of the main panel, as well as its use of boards on top of the background, compare with the UDA piece in the Woodvale. The translation into English of the UDA’s, UFF’s, and UYM’s Latin mottos – [Quis separabit] / None shall separate us | Feriens tego / Striking I defend | Terrae Filius / Son Of The Soil – is unusual, as is the bouquet of flowers behind the poppy.
For more, including the mourning soldiers, see the entry at Extramural Activity.
“Land of the free because of the brave”. “Remember with pride”. “Those we love don’t go away/They walk beside us every day”. “Dedicated to our fallen comrade”.
April 25th, 2024: The boards were taken off, revealing an older version that stood 2010-2015.
[In the middle circle there were, over the years, a series of printed portraits of McKeag (and one painted version). For the version from 2014, see M11119; see also the image 2011, which links back to other versions from 2010, 2009, 2008, and 2007).]
May 3rd, 2024: Scaffolding in front of the wall
This layer of paint (and plaster?) was also taken off, to reveal the remains of the original King Rat mural on the wall – see X15041 in the Seosamh Mac Coille collection.
The grand opening of the Vault collective’s (web) new digs in the Shankill Mission took place on August 17th. In preparation for the event, the shutters were painted by (top to bottom, left to right on the street) Dragos Musat (ig), Katriona (web), FGB (web), and Rob Hilken (web), each putting their own spin on the word “VAULT”.
“Tackle inequality – create opportunities – inspire change”. The large board shown here is in Cupar Way, near the security gates in North Howard Street, which are locked nightly between 8:30 and 6:30 a.m. (DoJ). These and the nearby Northumberland Street gates separate the lower Falls and the middle Shankill, including the young people from the Active Communities Network (web), a cross-community youth group that lobbied for increased opening hours to allow members to return home quickly after meetings (BBC).
“Solidarity”, “تكافل” (in Arabic) between (Irish) republican prisoners and Palestinians in Israeli jails. Al Jazeera reports that roughly, 9,500 Palestinians from Gaza and the West Bank are currently being held, and about 3,600 without charge, under “administrative detention”. Springfield Park, west Belfast.
Below: “Support republican political prisoners” in “Maghaberry – Portlaoise – Hydebank”. IRPWA (web) board in Ardoyne Avenue, north Belfast. See also: the same message on Divis Street, west Belfast.
– “Why do they come here, if they can’t speak our language?” – “We will learn your language! Will you learn to accept us?”
Despite learning the language and opening businesses, immigrants came under attack in early August as part of a wave of anti-immigrant rioting and attacks in a number of UK cities, including Belfast, Bangor, Carrick, Newtownabbey, and Ballyclare. Shops were attacked on Botanic Road and Sandy Row (BBC | RTÉ) and eggs were thrown at a Middle Eastern market on the Falls Road (BBC). In response, anti-racism demonstrators outnumbered an anti-immigration protest five to one (Irish Times | BBC); residents of the middle Falls came out a few days later (Belfast Live).
This anti-racism mural is on Albert Street, Divis, west Belfast. In-progress image (above) from June 23rd; image of completed mural (with additions by kids) below from August 11th
Kneecap’s new album Fine Art was released on June 14th on Heavenly Recordings. (The cover of the new album is included in the recent update to the mural on Madden’s bar – see Sásta A Bheıth Anseo.)
Their film, also called Kneecap, had its Belfast premiere in the Kennedy Centre, west Belfast, on Tuesday and has been on general release since Thursday (RTÉ | BBC).
The band yesterday (Friday August 9th) launched a third mural in Hawthorn Street/Sráıd Na Sceıthe, (joining Incendiary Device and England Get Out Of Ireland,) which blows up the sticker seen on the street-sign (below; and previously in Land Grab) into a mural: Saoırse don Phalaıstín [Freedom for Palestine]. The launch was moved to an earlier time (2:30 p.m.) so that it would not conflict with the anti-racism rally in the city centre (BelTel).
The mural had previously been a sticker (see the street sign, above) and flyer – this one is from Waterford Street, in April
