Cosy Somme Association

Compared to the image (from 2021) seen in The Sacrifice Remains The Same, a blue background and a new wall of Poppy Trail plaques (for the Poppy Trail see this 2017 entry on the board) have been added to the Cosy Somme Association’s tribute to British Army soldiers from the 36th (Ulster) Division in WWI and the modern-day Royal Irish Regiment. (See also the image in Alain Miossec’s collection from earlier this year.)

Ogilvie Street, east Belfast, with a bonus image below of the milkman just around the corner, next to Piccola Parma.

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Quoth The Raven, “Evermore”

A new board was unveiled on July 1st 2024, by the 1st Raven Somme Society and The Loyal (Fb) at the Raven social club (Fb), putting together the Ulster Tower (see e.g. A Thought Is Not A Lot), JP Beadle’s painting of the 36th going ‘over the top’ (see The Trenches Have Vanished Under The Ploughs) and Wilfrid Spender’s famous quote about the first day of the Battle Of The Somme (see I Would Rather Be An Ulsterman).

This board takes the place of the King Charles board (seen previously in Long Live The King), which has been moved to the other side of Castlereagh Street and joined by the board that it replaced, to Queen Elizabeth (both on top of some old (2012) panels depicting east Belfast of yesteryear – see Shipyard Workers).

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The Rocker

The cover Jim Fitzpatrick did in 1973 for Thin Lizzy’s ‘Vagabonds Of The Western World’ album was reproduced in 2024 in east Belfast as a tribute to local guitarist Eric Bell (the middle figure). There is video of Bell playing the solo to ‘The Rocker’ in Berlin the week of the album’s launch, in September, 1973 (youtube). Bell – aged 22 – left the band at the end of the year, a few months after the release of ‘Vagabonds’ (WP). He currently lives in Co Down (BelTel).

By Blaze FX (web) Woodstock Road at Jocelyn Avenue. Tom McClean has video of the launch (youtube).

The album is also one of the cassette tapes featured in Back On The Streets further along the Woodstock Road. There is also a Thin Lizzy mural in Bangor.

There is a Visual History page on The Influence Of Jim Fitzpatrick on muraling.

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Spinning Memories

The inspiration for this new piece of street art by KMG (ig) was the Strand Spinning Mill (formerly the Jaffe Spinning Mill) which closed in 1983 and is now the Portview Trade Centre. During WWI the mill made munitions and during WWII viscose rayon. The film Lint And Linen (youtube) covers both pre-industrial and mechanical linen-production (though mostly focused on yarn from line fibres rather than from tow, which was the Strand mill’s claim to fame (Duffy Rafferty)); the painting appears to present a more primitive and imaginary age in which fibres could be spun using the human hand.

For photographs of the old mill on the Trade Centre, see previously the image of A Block in Strand Spinning Mill.

“Spinning memories” is the name of a planned collection of stories for an archive at Portview (Portview Stories).

Townsley Street, east Belfast, next to the White Witch and facing Aslan Is On The Move.

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Cat And Mouse

Above is a new piece by printmaker (turned street artist) Strangford (ig) on the metal plate in the facade of School Days uniform store. Immediately below is rampaging bull (artist unknown) a few doors down (roughly 432 and 440 Newtownards Rd). And completing the menagerie is a version of Aslan the lion by David Creative (ig), at the CS Lewis square.

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Double Vision

This piece is on the same office-building as the ‘Be Your Best’ piece featured previously (in Auld Cobblers) at the city-side entrance to east Belfast, at the junction of Middlepath Street and Newtownards Road. Both are by Dee Craig/Belfast Mural Arts (Fb) as part of East Belfast Enterprise’s (web | ig) ‘Connecting Communities Through Art’ initiative. The two works were officially launched together on April 20th (pics on EBE’s Instagram). The two in-progress shots (last below) are from April 16th.

According to this Community NI article, the work has been installed using “a jigsaw-like technique using super strength glue to give it a lifespan of up to 25 years before requiring maintenance”.

Interpretations of the new piece are encouraged; feel free to comment or e-mail.

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Woodstock Wader

The grey heron is common throughout Ireland (Ulster Wildlife) including the walls of the Cregagh Road (the side of Haus Of Hair, site of Glen Molloy’s tribute to Carrie Fisher).

The work is by Sheffield artist Peachzz (ig), organised by Cregagh-Woodstock Traders (Fb) with support from Belfast City Council (web).

Also in the Woodstock-Cregagh project: Down The Woodstock | Up The Cregagh | Back On The Streets

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Auld Cobblers

This new three-storey mural by Dee Craig (Fb) is at the city end of Newtownards Road and so serves as a highly-visible introduction to east Belfast. People arriving in the area are now greeted with a vintage image of a smiling bearded man in a cloth cap, surrounded by occupations from the industrial era: “Cobbler, rag’n’bone man, fish monger, welder, builder, sweep, carpenter, window cleaner, butcher”, capped off by an inspirational “Be your best”, with yellow highlights that match the colour of the shipyard cranes Samson and Goliath.

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Back On The Streets

This shelf of cassette tapes is a new mural by Blaze FX (web) at Portallo Street on the Woodstock Road, east Belfast, part of the wave of street art being along the avenue (see previously: Down The Woodstock | Up The Cregagh).

Van Morrison (who was with Them before going solo), Gary Moore, David Holmes, and members of Rudi (Spit) and The Defects (Spit), grew up in east Belfast, as did Thin Lizzy’s guitarist Eric Bell. (Comment/Get in touch if you know of any SLF connection to east Belfast.)

The odd tape out here is the Cut La Roc/David Holmes ‘Stars X2’ live recording from Coventry’s ‘Eclipse’ nightclub, which is from 1999 (Old Skool Anthems) while the rest are from the sixties and seventies.

The “Cregagh-Woodstock Traders” (Fb) pencil (on the right) is presumably for re-spooling the tape after you pull it out and fix the tangle.

See also: Morrison, Moore, Holmes and Bell are all included in the Luminaries And Legends mural at Connswater.

For the Belfast punk scene of the late 1970s and early 80s, see also Belfast Has The Reason.

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