PUL – Page 70 – Paddy Duffy Collection

Per Ardua Ad Astra

2023-04-122026-09-23Extramural Activity1 Comment

“Through adversity to the stars” – in WWII the Belfast Telegraph conducted a campaign to raise money for spitfire aircraft. 17 were purchased with the roughly 89 thousand pounds raised, and each of them was named for a city or area of Northern Ireland, including one named for Ballymena, which is the site of this new mural recalling the effort. (BelTel | NIWorld)

The plaques to Jimmy Aberdeen on the right-hand side of the second image date back to previous murals: For Valour, Fight To A Finish and, before that, I Can Stand Alone.

Painted by Dee Craig in Drumtara, Ballymena

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Copyright © 2023 Paddy Duffy
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Death August And Royal

2023-04-042026-10-29Extramural ActivityLeave a comment

JP Beadle’s painting “Battle of the Somme: Attack of the Ulster Division” hangs in Belfast City Hall (Royal Irish has a history of its purchase) but is reproduced here in a new Rathcoole memorial to the dead of the Great War. (A list of “Ulster’s VC Heroes” can be found at the bottom of The Dead We Honour Here, from the east Belfast memorial garden. For the King George V quote, see How Nobly They Fight And Die.)

“Solemn the drums thrill: Death august and royal/Sings sorrow up into immortal spheres./There is music in the midst of desolation/And a glory that shines upon our tears.” This is the second verse of Binyon’s For The Fallen, a poem whose fourth verse – “They shall not grow old …” – is used in dozens of murals and memorials. (And in one case, the fifth verse: They Sleep Beyond England’s Foam.)

John McCrae’s poem concludes the board to the left: “In August 2019 a group from Rathcoole Protestant Boys [Fb] travelled to the battlefields of World War 1 to respect the fallen. The images represented pay homage to that visit, which prved to be and continues to be a journey of discovery and appreciation for the sacrifices made by those brave souls who fought during the Great War and who paid the ultimate sacrifice. As a group and society we look to a better future in the knowledge that those who do not learn from the mistakes of the past are doomed to repeat it. ‘If ye break faith with us who die/We shall not sleep, though poppies grow in Flanders fields.'”

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Copyright © 2023/2025 Paddy Duffy
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This Is Not The Same As Other Days

2023-03-312024-07-04Extramural ActivityLeave a comment

Here are images of street art in the green space off Queen’s Parade, (following on from Sharon Regan’s boards along the street – Nature Is Healing). The works are:

Friz’s (ig) Snow Patrol ‘Wildness’ cover for their “Ward Park 3” festival,
unknown artist “As they reach for the heavens/They forget to be earthly good”.
local artist Carla Hodgson’s (ig) “Rock, Paper, Scissors” octopus,
Codo (ig) x Jimbo Slice (ig),
FGB’s (ig) “Don’t look wack in Bangor”,
HM Constance’s (ig) stag.

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Copyright © 2023 Paddy Duffy
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It Came From Beneath The Sea

2023-03-312024-08-28Extramural ActivityLeave a comment

After centuries of pitiless exploitation by Bangor locals, a new hope is taking the knife into its own hand and striking back – revenge of the crustaceans. Work by Irony (ig) on Mill Row.

In Belfast: a lobster is boiled.

In Bangor: an octopus plays rock-paper-scissors.

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Copyright © 2023 Paddy Duffy
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Sea-Born

2023-03-312026-08-30Extramural ActivityLeave a comment

Lí Ban became a mermaid – half-human, half-salmon – after a year spent living in an underwater bower, taking shelter from the family’s uncovered spring that overnight formed Lough Neagh. Three hundred years later (circa 558 A.D.) she told an envoy of Saint Comgall’s who was on his way to Rome, that she would come ashore at Larne a year later. She forwent another 300 years of sea life in favour of being baptised and dying immediately. She was baptised by Comgall, the abbot of Bangor, and christened “Muirgen” (sea-born) and was buried in the Lough Derg (Donegal) abbey (O’Grady | WP). Muirgen’s feast-day is January 27th (Sacred Sisters).

Painted by Friz (ig) for the Bangor Seaside Revival Festival, with support from Seedhead Arts (ig).

For a different style of presentation of Lí Ban, see Shaped By Sea And Stone in Larne. The end of the story is similar to the fate of the children of Lear, who spend 900 years as swans before a monk hears their song, puts them (willingly) in chains, but in protecting them from others touches them, which restores them to human form only for (baptism and) death to follow immediately. (See The Children Of Lear.)

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Copyright © 2023 Paddy Duffy
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Dee Street Remembers

2023-03-292026-10-10Extramural ActivityLeave a comment

This sequence of UDA “memorial” murals along Island Street replaces a similar sequence from roughly 2005. Novel features are the poppies featured throughout and the use of Lawrence Binyon’s poem For The Fallen in the third panel (see below). The image above – the left-most of the four – depicts two men standing in reflection upon an above-ground grave, also symbolic of the fallen of World War I, but the mourners are modern UDA volunteers.

Island Street, east Belfast

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Step Back In Time

2023-03-292026-10-10Extramural ActivityLeave a comment

The old Ballymacarrett station was the last stop before Belfast when travelling from points east such as Holywood and Bangor. On the morning of January 10th, 1945, a faulty signal caused the 7:10 from Bangor to be halted at Ballymacarrett, only for it to be hit from behind by the oncoming 7:40 from Holywood. The steel lead-car of the Holywood train ploughed through the whole of the last carriage’s wooden coachwork and on into the penultimate carriage, causing the death of 22 people and injury to another 27 (WP).

Dee Street, east Belfast

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Copyright © 2023 Paddy Duffy
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Children In Crossfire

2023-03-292026-10-10Extramural ActivityLeave a comment

Michael Blakstad’s Children In Crossfire is a justly famous documentary portraying the lives of children in Creggan (Derry) and various areas of Belfast, such as Ballymurphy & Springmartin, Divis, and the area around Gawn Street in east Belfast. The documentary is on youtube and an image from it (c. 28m 13s) is depicted in this mural at the foot of the Dee Street overpass into what is now the “Titanic Quarter”.

The panel to the right (in the wide shot, below) shows the original Armitage Street; the area has been redeveloped and the street was built over with a cluster of houses named Armitage Close.

By Dee Craig with support from the Housing Executive, City Council, and Connswater Homes.

Armitage Close, east Belfast

“Peace” Building

2023-03-262026-08-30Extramural ActivityLeave a comment

The gates on Lanark Way are part of the west Belfast “peace” wall. On this site we always put the word in scare-quotes to signify that it has a different meaning than it typically does. Without them, “peace wall” might suggest a place where people can go for a few moments of quiet reflection.

Rather, the wall – and the gates and the cages that surround many buildings on either side of the wall (see above) – is a divider meant to keep the peace by separating warring factions. Indeed the reason for the re-painting of the gates is not just the up-coming 25th anniversary of the Belfast or “Good Friday” Agreement (on April 10th) but the fact that they were damaged in the 2021 rioting (BBC). (This Irish News article surveys 150 years of violence at the site.)

The new art on the gates is inspired by the cover of the booklet sent to every household in advance of the May vote to ratify the Agreement (available at CAIN), which was similar in various ways to the television ad shown at the time (Ads On The Frontline). It showed a family of four in silhouette against a red-and-orange sunset; given the rioting associated with Lanark Way, on the gates this sunset could be mistaken for flames, and the rejoicing silhouetted figures for gesticulating and petrol-bomb-throwing rioters. For the previous art on the gates, see the Visual History page on the west Belfast “peace” line. (For the mural in the background, see Sailortown Dockers.)

For all your “peace” line needs, see the Belfast Interface Project.

Dieu Et Mon Droit

2023-03-262026-10-28Extramural ActivityLeave a comment

Above is a trio of boards on a wall behind the Antiville community centre, softening (somewhat) the very aggressive set of six UDA boards next to it.

The experts’ best guess is that the gentleman on the white horse (on the right of the painting) is James Scott, Duke of Monmouth, at the siege of Maastricht in 1673. Scott was commander of the English forces fighting with the French during the Franco-Dutch war. It’s not clear, thus, what the connection is to the Antiville area of Larne or the wars fought in Ireland over the English crown. It was painted by Jan Wyck, who also did a painting of the Battle of the Boyne. On either side (as shown below) are a portrait of Queen Elizabeth II and the English version of the Royal coat of arms of the United Kingdom.

Eddie The Trooper has his own Visual History page.

Hampton Crescent, Antiville, Larne