Shared Space

These UVF and UDA board are on adjacent walls at the entrance to the Glen estate, Newtownards; above and directly below, a North Down UVF and graffiti, while directly above it (final image) two UDA hooded gunmen take aim at the viewer on the pavement.

Also in Glen: a UVF hooded gunman at the bottom of the estate – Neighbourhood Watch – and UDA gunmen at the top of the estate – Hope That It Will Get Better.

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Remembered With Pride

“Remembered with pride – Stevie McCrea, Village, south Belfast”. A plaque has been added below the large board describing Stevie McCrea’s life in Kilburn Street (seen in 2022’s Here Lies A Soldier, which includes the text on the board).

Also included below are close-ups of the plaques to McCrea and Sammy Mehaffy in Tavanagh Street, (seen together in Village UVF).

Village, south Belfast

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We Lead Across Time And Space

“We don’t just inherit, we lead across time and space.”

Here is the second half of the Ulster-Scots (Visual History) mural painted in North Howard Street and Fifth Street, continuing the work seen in Echoes Of The Ulster Scots, which took the Scotch-Irish from Ulster to the Appalachians.

The new panels bring us from the founding of the United States in 1776 to the space age. The panel above is a rendition of John Trumbull’s painting ‘Declaration Of Independence’ (image at WP) along with (below the “250”) the signature of “Cha[rles] Thomson”, who was born in Maghera, served as Secretary of the Continental Congress, designed the Great Seal Of The United States (which appears next to the right), and signed the Declaration (Ulster Scots Agency pdf).

The person third from the left is Robert R. Livingston, one of the Committee Of Five that prepared the Declaration; he also negotiated the Louisiana Purchase in 1803 (Discover Ulster Scots).

The flag is a combination of a proposed Ulster Scots flag and the Stars And Stripes of the United States.

North Howard Street/Fifth Street, west Belfast

April 19th: Artist DMC at work on the second half of the mural.

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In Memory Of The Lost

“In memory of the lost, 15 April, 1912.” The majority lifeboats on the RMS (not “SS”) Titanic were made of wood, constructed at Harland & Wolff at the same time that Titanic was built. Of the 2,209 people on board the ship at the time of her collision with an iceberg late in the evening of April 14th, 706 people survived in lifeboats that could have carried 1,178 people. (WP)

This tribute to those who died in on a short section of pedestrian railings on the Cupar Way “peace” line (Visual History). In the background are the specially designated spots for tourists to sign the wall (see Collecting Signatures).

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Old Glory

The Israeli ‘Flag Of Zion’ has been flown in loyalist areas of Northern Ireland since (at least) 2009 – here is the earliest recorded instance in Peter Moloney’s collection. (More early references are given in the Visual History page on International Solidarity.)

Until now, whenever the United States has been placed along side the Union Flag or the Flag Of Zion, is has been in the form of some sort of Confederate Flag (2014 | 2016 | 2025). This has indicated that the contemporary USA as a whole has not been perceived as a supporter of (Northern Irish) loyalism or in a similar position to loyalists, but that the spirit of the Confederate South is akin to that of loyalism: a once-dominant ethnos, which held its position by institutionalised violence, besieged by the forces of expanded suffrage and mediocrity (as they would see it).

Donald Trump’s rhetoric and agenda found favour with Northern Irish loyalists, and a few Trump flags and graffiti were seen previously – see Take America Back for an example and further references.

Trump’s victory in November, 2024, gave him a second term as President of the United States Of America. Freeing himself from anyone associated with the conservative/neoliberal Republican party that restrained him in his first term and instead installing (Trump) loyalists in the cabinet and other key positions, Trump has been able to erode the USA’s character as a liberal democracy and move it instead towards authoritarianism (Guardian).

Although Trump’s current term is only fifteen months old, the shift has been sufficiently profound that the USA is now seen as simpatico with (NI) loyalism, and the Flag Of The United States – not a Trump flag or a Confederate flag – now flies alongside the flags of the United Kingdom and Israel.

Barna Square, Rathcoole, Newtownabbey

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Rough Guide To Belfast

The “peace wall” that divides west Belfast into Protestant and Catholic areas is mentioned in various places in the Rough Guide To Belfast. It doesn’t feature in the Discover NI or Visit Britain lists of ‘top attractions’ but is #4 on TripAdvisor’s list of things to do in Belfast.

The wall is notable for the wild-style writing and other art painted on the Shankill side – including this paste-up by Leo Boyd (web) – but the wall itself, at 30+ feet tall, is the main draw, and tourists sign their names (and patronising slogans) on top of the art.

For a history of the wall and the art on it, see its Visual History page.

Cupar Way, west Belfast

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Echoes Of The Ulster-Scots

“Echoes of the Ulster-Scots across the United States Of America”, “The Ulster-Scots … their footprints and songs graced the Appalachian Trails.”

These four panels are the first stage of a longer “pioneers to presidents”-style mural (Visual History) on Ulster-Scots (or, Scotch-Irish) emigration in the 1700s to the British colonies that in time became the United States.

Upon arrival at eastern sea-ports, many of the Scotch-Irish headed west across the Allegheny mountains and down into the Appalachians. By 1790, it is estimated, 6% of the population (or almost 200,000 people) of the recently-created United States Of America were (ultimately) from (nine-county) Ulster, a combination of Scotch-Irish, Celtic-Irish, and English-Irish (American Historical Association).

These four panels are in North Howard Street, west Belfast. As can be seen from the wide shot below, the mural will soon be extended around the corner into Fifth Street. (Update: see We Lead Across Time And Space.)

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We Didn’t Last

This entry updates 2022’s They Said We’d Never Last, showing the space where previously there were four panels of historical photographs from the Ulster Volunteer Force flute band.

For the John Singer Sargent painting in the bottom-left corner of the wall, see Observe The Sons Of Ulster.

St Leonard’s Crescent/(old) Newcastle Street, east Belfast

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When All That Was Solid Melted Into Air

At its peak, the Harland & Wolff shipyard employed 35,000 people (IndustriAll) and the flat-capped worker became a symbol of east Belfast, along – much later – with Samson and Goliath, the two gantry cranes at the shipyard that were raised in 1974 and 1969 (WP) and which have become the symbol of Belfast.

The title of this entry is the first line of Martin Mooney’s poem ‘Launching The Whaler Juan Peron.

The silhouetted workers and cranes are on a mobile office in Fraser Pass, Newtownards Road, Belfast, at the end of the Pitt Stop next to the Belfast Bikes racks.

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Shankill Community Festival

“Celebrating our heritage, inspiring tomorrow.” This year’s Greater Shankill Community Festival began on June 30th with the launch of Ulster’s American Connection and will end with a Siege Of Derry re-enactment on July 11th – the full programme can be found on Fb.

Shankill Road at Iceland, replacing the Stewart’s Yard sign.

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